One of Manchester’s leading independent theatres has been left devastated after missing out on ‘much-needed’ funding.
53two, a theatre and arts hub beneath the railway arches in the city centre, had applied for Arts Council funding, but its bid was rejected.
The government-funded body said that it had to make ‘tough decisions’ after receiving a huge number of applications.
53two had hoped to use the fund to build a disabled access facility known as a Changing Places toilet – something that no theatre in Manchester currently has.
Creative director Simon Naylor said it’s ‘heartbreaking’ to see theatre-goers with complex access needs having to go home due to a lack of accessible facilities in the city.
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Credit: Fiona Finchett
The Watson Street venue is now planning a party to drum up some support and some investment so that it continue to build its fully accessible creative space.
Theatre patron Tony Walsh (better known to many as Longfella), will be working with the venue to find a local business to invest in the project.
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The theatre only opened in its new home last year, in the Grade II*-listed railway arches and tunnels beneath Manchester Central.
They have already opened a bustling bar and cafe space and secured the planning permission to upgrade the theatre to a 150-seat facility, and install the toilet facilities.
Simon Naylor, creative director of 53two, said that it was ‘terrible’ to miss out on the Arts Council funding – but that the team are now rallying and taking matters into their own hands.
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The vision for 53two’s new 150-seat theatre. Credit: Supplied
He said: “Obviously it was a terrible email to read, but, we sat on it, re-grouped and it was clear that we had to press on regardless of the bid outcome.
“We have already helped produce quality theatre in our small venue, and are continuing to support those artists who need a platform. We have a season of brand new writing lined up including the return of a much loved Manchester institution, loved by many but yet to be announced.
“We have no choice but to take matters into our own hands and are now looking to Manchester’s business community to help us raise the funds needed.”
Speaking of the importance of a specialist Changing Places toilet, Simon continued: “Many of our guests, artists and visitors have complex access needs and can only stay at the venue if we have fully accessible toilet facilities.
“The Changing Places toilet would provide a changing bed, a hoist and lots of space and privacy for carers to help people with using the toilet. Without it many have to leave the venue and go home which is heart breaking to see happen time and time again.
“So, to celebrate our first year anniversary on 27 May, we are inviting people from across Manchester, including those visionaries and giants who we are hoping can provide the financial support we need to grow the venue and create the facilities our patrons require.
“We are offering companies the naming rights for the auditorium for up to the next five years, in return for the investment required to get the theatre space up to spec.”
Coronation Street star, BAFTA winner and TripleC founder Cherylee Houston added her support to the fund-raising drive, saying: “53two is an incredibly important venture for creatives across Manchester.
“Not only did they design their building so far to be entirely step free they actively ensure they include disabled creatives across their work. They are an accessible venue that is warm and welcoming and ensure that all disabled creatives continually feel part of their phenomena programme of work.”
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The party on 27 May will feature live music from The Villanelles, a DJ set and hosting from Tom Finkill, a routine from International Wheelchair Dance Champion Monique Jarrett, and a reading from Tony Walsh himself.
Alexandra Maxwell, venue manager, said: “It’s been a rollercoaster of a year dealing with the challenges of a new business and the ever-changing climate in hospitality. That said, our community was well established at our old venue and their support has been incredible.
“By January 2022 we felt positive that we could start the next chapter of our journey and open up the second arch in its entirety, however the Arts Council’s surprising response and has driven us to try to raise the funds in a different way.”
A spokesperson for Arts Council England said: “Demand for the Capital Investment Programme was extremely high and we received a large number of both Expressions of Interest and applications.
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“We had to make tough decisions, but we awarded funding to applications that most closely meet the criteria and made the strongest contribution to the aims of the programme.
“In 2020 53Two was awarded £61,116 through the Government’s Culture Recovery Fund which supported cultural organisations through the impact of the Covid-19 pandemic and we would welcome applications from the organisation to other Arts Council funding programmes in the future.”
If you’re interested in attending the evening or for more information on the Sponsorship Package, please contact Simon on [email protected]
Matilda The Musical at Palace Theatre Manchester – a lesson in letting your imagination run wild | Review
Emily Sergeant
I think growing up is overrated. I’m just going to start off by saying that, okay? Right… now onto the actual review.
Matilda The Musical has finally arrived in Manchester, and it’s every bit as imaginative as the title character herself.
The Royal Shakespeare Company’s smash-hit musical production – which is, of course, based on Roald Dahl’s beloved book of the same name – has been seen by more than 12 million people in over 100 cities around the world since it first debuted back in 2010, and it continues to play to packed houses in London’s West End and on Broadway each week… but now, it’s Manchester’s turn.
The critically-acclaimed musical is currently out on a tour of the UK and Ireland, and has just arrived for a special four-week run here at Manchester’s iconic Palace Theatre.
Touring to celebrate its 15-year anniversary, the multi-award winning musical about a determined young heroine with a vivid imagination is written by Dennis Kelly, and developed and directed by Matthew Warchus, with music and lyrics by comedian Tim Minchin.
Matilda The Musical is now on stage at Manchester Palace Theatre / Credit: Publicity Picture (Supplied)
Despite being a fan of musical theatre, and even of the production’s popular soundtrack prior, Matilda The Musical was one I was yet to experience live on stage before last night.
Understandably because of this, it was one I was therefore really anticipating watching – and 15 years on, it’s truly not hard to see why it’s so beloved by so many.
Manchester audiences who gathered inside the storied walls of the Palace Theatre on opening night last night (26 March) were enchanted from the moment the colourful, eclectic stage lit up and the sets came to life, immersing you in the world right from the get-go.
It’s a production every bit as imaginative as the main character herself / Credit: Publicity Picture (Supplied)
Now, it would be fair to say that so much could go wrong in this production, given how many moving parts are involved in the stage design and choreography, but it’s a complete credit to every single member of the company that not once, as an audience member, did you ever feel anything would go wrong – that’s how technically impressive the staging was.
Those technical elements barely scratch the surface of just how much this show grabs you by the heart and makes you cling onto the magic of childlike imagination, though. This is where it really shines.
Through well-known songs like ‘Naughty’, ‘Revolting Children’, ‘When I Grow Up’, and ‘Quiet’, you are left feeling in awe of the incredibly (almost unbelievably, to be honest) talented ensemble cast of young performers on stage before you.
Led last night by Mollie Hutton as Matilda, who brought her own charm and cheekiness to the iconic role, each youngster really is living proof that ‘even if you’re little, you can do a lot’.
It’s now on stage in Manchester up until Saturday 25 April / Credit: The Manc Group
Tessa Kalder as Miss Honey, Richard Hurst as Miss Trunchbull, and Esther Niles as Mrs Phelps were all stand-out performances too, as were Adam Stafford and Rebecca Thornhill as Matilda’s parents, Mr and Mrs Wormwood.
It’s a show full of humour, eccentric characters, and captivating sets… and it’s well worth your time, whether a theatre-lover or not.
The beaming smiles from the cast at the end during the curtain call say it all.
Matilda The Musical is now playing at Manchester Palace Theatre until Saturday 25 April 2026, and you can get last-minute tickets online here.
Featured Image – Publicity Picture (Supplied)
Theatre
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Daisy Jackson -
17th May 2022 
