Energetic ensemble numbers, lavish costumes and stand-out performances: Hairspray welcomes everyone to the 60s in its latest tour production.
If you’re anything like me, you’ll hold very fond memories of the 2007 movie-musical version of Hairspray, a cinematic masterpiece that breathed new life into the already iconic musical. I bring this version of the show up because until last night it was my only experience of the story.
Yes, much to my shame, I had never seen a live production of the show but after coming out of the Palace Theatre last night, I can now say that Hairspray‘s latest tour production is just as fun-loving – and as free wheeling.
From start to finish, Hairspray is a vibrant, colourful, high-energy show which takes you on the journey of teenage misfit Tracey Turnblad as she deals with the struggles of pursuing her dreams, in the face of adversity and a 1960s America that seems determined to halt progression.
The entire cast gave stellar performances from leading lady Alexander Emmerson-Kirby in the role of Tracy, all the way through to the ensemble who constantly wooed me with brilliantly executed dance routines, filled to the brim with swinging-sixties dance moves.
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I’d like to take a second to highlight some standout performances, which in my opinion elevated the show to new heights. Starting with Neil Hurst in the role of Edna Turnblad, Tracy’s ‘larger-than-life’ mum.
Neil was a constant comic relief throughout a show that whilst generally lighthearted does tackle some serious issues such as unrealistic female beauty standards and racial segregation.
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Neil, alongside his comedic partner Dermot Canavan, gave a standout, belly-laugh performance of their duet ‘You’re Timeless To Me’. It truly had the audience in fits of laughter and lauded huge applause from the entire theatre.
On to Gina Murray as Velma Von Tussle and Michelle Ndegwa as ‘Motormouth’ Maybelle. Both gave superb renditions of their solo numbers and showcased their experience in every scene they were in.
Murray’s rendition of Miss Baltimore Crabs (still always caught off-guard by that name) was impressive, to say the least, with the performer delivering big and bold vocals, all whilst being held upside down by a group of the male cast.
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Meanwhile, Michelle Ndegwa’s version of ‘I Know Where I’ve Been’ was spellbindingly beautiful. It carried with it the weight and severity of the number, all whilst delivering knock-out vocals that were filled to the brim with pain and suffering.
Hairspray Production Photos taken on 16th July 2024 in ManchesterStunning vocals all around.
Finally, a small shoutout to Reece Richards as Seaweed. Growing up (and occasionally to this day) I tried many times to stumble my way through Seaweed’s big number, ‘Run And Tell That’, and let me tell you from experience, that’s one damn hard song to sing…
Reece delivered the number expertly, all whilst dancing in a routine that even just watching, made me feel slightly exhausted. Props to Reece… One day I will nail that opening high note (I won’t).
All in all, Hairspray delights, delivering laughter, splendor, and high fuelled entertainment from start to finish – we’d consider a must-see if you’re a fan of the film, especially.
The show runs through till 27th July and with limited tickets still available, there’s no reason to not get yourself down and enjoy an evening of mesmerising, musical fun. You can grab yours HERE.
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Hairspray Production Photos taken on 16 July 2024 at the Palace Theatre in ManchesterSeriously, give it a go.
Legendary musical CATS is coming to Manchester on its UK tour next year
Emily Sergeant
Legendary musical CATS will be taking to the stage here in Manchester next year.
A brand-new production of Andrew Lloyd Webber’s global sensation, CATS, will embark on a major UK tour from summer 2026 following an open-air residency at Regent Park in London – including dates at Manchester’s prestigious Palace Theatre in November.
Based on Old Possum’s Book of Practical Cats by T.S. Eliot, with music by Andrew Lloyd Webber, CATS is one of the longest-running shows in West End and Broadway history.
The show originally premiered at the New London Theatre in 1981, where it played for 21 record-breaking years and almost 9,000 performances.
Since its world premiere, the musical has been presented in more than 54 countries, translated into 23 languages, and has been seen by more than 77 million people worldwide – collecting a number of awards along the way.
Legendary musical CATS is coming to Manchester on its UK tour next year / Credit: Feast Creative
This new production of CATS is produced by Regent’s Park Open Air Theatre, with Michael Harrison for Lloyd Webber Harrison Musicals, as part of Drew McOnie’s second season as Artistic Director, and it marks the third Andrew Lloyd Webber title produced by the venue in the last decade.
Unfamiliar with the show? CATS tells the story of the Jellicle cats.
From Euston station to Victoria Grove, the strays and rebels of London gather under the Jellicle moon in the hope they’ll be the chosen one.
With a legendary score featuring well-known songs like Old Deuteronomy, Macavity: The Mystery Cat, TheJellicle Ball, and, of course, the chart-topping hit Memory, this brand-new production of CATS is gearing up to be one of the best theatrical events of 2026.
“I am very excited to see a totally new production of CATS back on the stage where it belongs,” creator Andrew Lloyd Webber said on the show’s return. “I can think of no-one better than Drew McOnie to bring a new vision to the world of the Jellicles.”
Casting and the full creative team is set to be announced in due course, as is the on-sale date and link for tickets, so keep your eyes peeled.
Featured Image – Wikimedia Commons
Theatre
13 Going On 30 The Musical at Manchester Opera House – a fresh take on the nostalgic smash hit
Amy Williams
13 Going On 30 The Musical made its world premiere in Manchester last night, and it’s a night to relive a childhood favourite film, done so brilliantly.
With the original writers, Josh Goldsmith and Cathy Yuspa, as part of the team plus Andy Fickman, who has screen hits such as She’s The Man and musicals including Heathers, you know from the off this is going to be good.
If you don’t know the story, it begins with a young (13 year old) Jenna and Matty, with Jenna wishing she was one of the popular girls, and instead ‘thirty, flirty and thriving’. The next minute, she wakes up on her 30th birthday.
She got everything she dreamed of – prom queen, editor of a popular fashion magazine, and the dream guy – but lost her best friend, family and became someone she didn’t quite like.
Can she turn it around and get back to the person she once was?
I loved this film when I was closer to 13, and now watching it premiere on the stage a bit closer to 30 myself, it’s still just as brilliant.
13 Going On 30 The Musical in Manchester13 Going On 30 The Musical in ManchesterCredit: Pamela Raith Photography
There’s an original score throughout it too (with the exception of, of course, Thriller – and the whole dance routine to go with it too might I add).
Staring Lucie Jones as Jenna Rink – with previous roles on Les Miserables, Ghost The Musical and Wicked – and David Hunter as Matt Flamhaff, their voices were absolutely incredible. A special mention too to young Matt, with brilliant vocals.
13 Going On 30 The Musical brought back the Thriller dance, the famous multicoloured dress and the need to go back instantly and rewatch the film again (and make my mum watch it, who hadn’t seen the film previously but still loved the show just as much).
13 Going On 30 The Musical is on at the Opera House Manchester until Sunday 12 October and you can still grab tickets here.
Oli Lowe -
19th July 2024 
