Hamilton is a masterpiece. Its creator – Lin-Manuel Miranda – a genius. This review could simply stop at ‘10/10, no notes’.
But there is so much more to say about this revolutionary, record-breaking musical, which has secured shelves full of awards and dazzled tens of millions of audience members across the globe.
It follows the life of Alexander Hamilton and his fellow Founding Fathers, through the American Revolutionary War to the creation of America’s economic system (there’s a reason his face is on the $10 bill).
Lin-Manuel Miranda has taken politics, a pen, and a piano, and struck gold.
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This is a stage experience with very few frills – the set barely changes, and most of the cast members wear the same beige costumes throughout – and yet the talent on stage, and the fast-paced sung-spoken script will whisk you through three decades in a little under three hours and in what feels like the blink of an eye.
Despite earning its place as arguably the biggest musical in the world, I walk into Hamilton a complete novice. I’ve completely avoided spoilers (although can we really call them ‘spoilers’ when the production is centred on events that happened literal centuries ago). I’ve dodged the Disney+ streams, swerved the Spotify soundtrack, swiped past any Hamilton TikToks, and gone into the Palace Theatre blind. I wanted to experience the whole thing for the first time in the way that Miranda intended – in the room where it happens.
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Maya Britto, Aisha Jawando and Gabriela Benedetti as The Schuyler sisters in Hamilton. Credit: Danny KaanDaniel Boys as King George in Hamilton, which is in Manchester until 2024. Credit: Danny Kaan
People warned me that I should have done my homework, and while a loose understanding of America’s founding fathers is useful, and you’ll need to have your wits about you to keep up with the ferociously fast pace of the spoken word dialogue, it’s impossible not to be swept away by Hamilton even if the plot does slip away from you.
These are songs – ‘My Shot’, ‘Helpless’, ‘Say No To This’ – so brilliant you actually want to listen to them away from the theatre, songs which weave back throughout the story of Hamilton so that by the second act they feel like familiar friends.
Of the touring cast in Manchester, Shaq Taylor is astonishing in the lead role of Hamilton, while Billy Nevers nails his split role between Lafayette and Thomas Jefferson through charisma and comic timing.
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Maya Britto as Eliza Hamilton is another star, who whips from sweet, hopeful bride to fierce independent woman, the transformation brought to life in a staggering rendition of ‘Burn’.
The full touring company of Hamilton in Manchester. Credit: Danny KaanShaq Taylor as Hamilton. Credit: Danny Kaan
I can’t help but wonder if we’d all be a little more engaged with modern-day politics if there was an element of hip-hop to it – if parliamentary debates took place as rap battles. Although, we’ve all seen Theresa May’s sense of rhythm, so maybe not…
Hamilton has arrived in Manchester in a cloud of the largest hype I can remember in decades, and let it be known – it’s here to Blow Us All Away.
Hamilton is at the Palace Theatre in Manchester until Saturday 24 February 2024 – you can book tickets here.
Dear Evan Hansen at the Palace Theatre Manchester – a sensitive tale of teenage torment
Kristen MacGregor-Houlston
Dear Evan Hansen,
Today is going to be a good day because you’re running at the Palace Theatre until the 22 February and the show is fantastic.
It has been a pretty tricky 10 years since the show first debuted, with Covid, worldwide unrest, wild fires, etc and the storylines that make up the fabric of the show are more prominent than ever before.
With music and lyrics written by the talented duo Benj Pasek and Justin Paul, famous for creating some of the most popular modern musicals of our time (La La Land and Greatest Showman), this show reaches heights well beyond the treetops of its rivals.
The show covers some quite sensitive topics including suicide, grief and mental health, which are all treated with compassion and gentle care whilst still being realistic and honest with the audience.
We follow the story of Evan Hansen (Ryan Kopel), a socially anxious teen who is trying to navigate high school, his mental health and trying to be noticed by those around him. His mum (Alice Fearn) is a single mother, trying to do right by her son whilst doing her best to create a life for them.
Evan has a run in with Connor Murphy (Will Forgrave who stepped in for Killian Lefevre), a troubled young man battling with a number of demons and fighting with his rich yet dysfunctional family played by Helen Anker (Cynthia Murphy – mum); Richard Hurst (Larry Murphy – dad); Lara Beth-Sas (Zoe Murphy – sister and stand-in for Laren Conroy). Connor finds a letter that Evan has written to himself that mentions his sister Zoe and causes him to spiral out of control.
It is Evan’s letter that his family finds on Connor when they discover that he has unfortunately taken his own life. This sets in motion a profusion of events that catapult Evan into the spotlight as his letter is mistaken for a deep friendship between the two. His “family friend” Jared (Tom Dickerson) encourages Evan to keep up the facade which really gets out of control when the well-meaning Alana (Vivian Panka) takes the school-wide movement of grief to new heights.
Dear Evan Hansen is in Manchester until 22 February 2025
Ryan’s portrayal of Evan is nothing short of magical. His anxious ticks are natural and respectful, pulling you in with compassion for his character and his timing is impeccable. His vocals are absolutely electrifying, every song is a power house, emotive performance with barely a dry eye in the entire audience, especially after the iconic “You will be found.”
Alice Fearn deserves a special mention for her depiction and performance as Heidi Hansen. Reflecting how many parents must feel in trying to do the best for their children and feeling like they always come up short. Her vocals were fantastic throughout, but her final solo song “So Big/So Small” had everyone weeping.
Not all the vocal performances were of a high calibre, but this is likely down to either first night nerves or just the unfortunate comparison to Ryan, Alice or Vivian. Some of the dancing by one or two of the ensemble also seemed slightly robotic, although as a previous treader of the boards myself, I know first-hand that some people just aren’t natural movers (myself included) and this doesn’t detract from the absolute spectacle that is this show.
The show is only on a short run, from 18 – 22 February at Palace Theatre, Manchester, so if you miss it, I recommend chasing it to another theatre on its UK Tour, you won’t regret it.
Audience members ejected from Dolly Parton musical in Manchester due to homophobic heckling
Daisy Jackson
The Manchester run of Here You Come Again, a new Dolly Parton musical comedy, has been repeatedly disrupted by vile homophobic heckling from the audience, its star has revealed.
Actor and West End star Steven Webb shared a video addressing the issue on TikTok, saying that audience members had to be ejected from the Manchester Opera House.
The star of the lively new musical, which tells the story of a diehard Dolly Parton fan and is packed with the country star’s biggest hits, said the cast had faced an ‘insane’ amount of homophobia.
Steven said they once had to do a full show stop in Manchester and leave the stage after one audience member was ‘disgusted that there was a gay character on stage’ and began shouting mid-show, causing ‘a ruckus’ in the audience.
He said: “It’s a Dolly Parton musical, it’s gonna be a little bit gay, obviously.”
Steven also said: “Travelling the country and seeing how many people literally cannot bear to see a gay person depicted on stage, it’s wild. I feel very sorry for them.”
The Manchester Opera House stressed that it has a ‘zero tolerance’ policy to ‘bullying, harassment, or any form of abusive behaviour towards our cast, crew, or staff’.
The theatre, and its sister venue the Palace Theatre, said: “Our theatre team is committed to creating a safe, inclusive, and welcoming environment for everyone – both on and off the stage.
“Whilst these incidents are rare, we have a zero-tolerance policy to bullying, harassment, or any form of abusive behaviour towards our cast, crew, or staff. Anyone engaging in such conduct will be removed from the venue immediately.
Actor Steven Webb stars in Here You Come Again, a Dolly Parton musical, in Manchester. Credit: TikTok, @thatsteviewebb
“Thank you to all our theatre goers who continue to act with respect and kindness towards others.”
Steven said in his video: “The amount of audience members we have had to eject from our show due to homophobia is… insane. It is insane.
“Just this week in Manchester alone, last night we had to eject someone who was shouting out slurs, and on Wednesday we had to stop the whole show.
“We had to do an entire show stop and leave the stage, because a woman was so disgusted that there was a gay character on stage, and she was shouting out and then all the audience started shouting at her and then there was a sort of massive ruckus. So she eventually was ejected and we could start again, but we were stopped for 15 or 20 minutes.
“It’s crazy. It’s happening nearly every single week and it blows my mind. This is a Dolly Parton musical, first of all.
“It’s a Dolly Parton musical, it’s gonna be a little bit gay, obviously.
“It’s really opened my eyes, because we’re in such a bubble in this industry. But travelling the country and seeing how many people literally cannot bear to see a gay person depicted on stage, it’s wild. I feel very sorry for them.”