Hamilton is a masterpiece. Its creator – Lin-Manuel Miranda – a genius. This review could simply stop at ‘10/10, no notes’.
But there is so much more to say about this revolutionary, record-breaking musical, which has secured shelves full of awards and dazzled tens of millions of audience members across the globe.
It follows the life of Alexander Hamilton and his fellow Founding Fathers, through the American Revolutionary War to the creation of America’s economic system (there’s a reason his face is on the $10 bill).
Lin-Manuel Miranda has taken politics, a pen, and a piano, and struck gold.
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This is a stage experience with very few frills – the set barely changes, and most of the cast members wear the same beige costumes throughout – and yet the talent on stage, and the fast-paced sung-spoken script will whisk you through three decades in a little under three hours and in what feels like the blink of an eye.
Despite earning its place as arguably the biggest musical in the world, I walk into Hamilton a complete novice. I’ve completely avoided spoilers (although can we really call them ‘spoilers’ when the production is centred on events that happened literal centuries ago). I’ve dodged the Disney+ streams, swerved the Spotify soundtrack, swiped past any Hamilton TikToks, and gone into the Palace Theatre blind. I wanted to experience the whole thing for the first time in the way that Miranda intended – in the room where it happens.
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Maya Britto, Aisha Jawando and Gabriela Benedetti as The Schuyler sisters in Hamilton. Credit: Danny KaanDaniel Boys as King George in Hamilton, which is in Manchester until 2024. Credit: Danny Kaan
People warned me that I should have done my homework, and while a loose understanding of America’s founding fathers is useful, and you’ll need to have your wits about you to keep up with the ferociously fast pace of the spoken word dialogue, it’s impossible not to be swept away by Hamilton even if the plot does slip away from you.
These are songs – ‘My Shot’, ‘Helpless’, ‘Say No To This’ – so brilliant you actually want to listen to them away from the theatre, songs which weave back throughout the story of Hamilton so that by the second act they feel like familiar friends.
Of the touring cast in Manchester, Shaq Taylor is astonishing in the lead role of Hamilton, while Billy Nevers nails his split role between Lafayette and Thomas Jefferson through charisma and comic timing.
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Maya Britto as Eliza Hamilton is another star, who whips from sweet, hopeful bride to fierce independent woman, the transformation brought to life in a staggering rendition of ‘Burn’.
The full touring company of Hamilton in Manchester. Credit: Danny KaanShaq Taylor as Hamilton. Credit: Danny Kaan
I can’t help but wonder if we’d all be a little more engaged with modern-day politics if there was an element of hip-hop to it – if parliamentary debates took place as rap battles. Although, we’ve all seen Theresa May’s sense of rhythm, so maybe not…
Hamilton has arrived in Manchester in a cloud of the largest hype I can remember in decades, and let it be known – it’s here to Blow Us All Away.
Hamilton is at the Palace Theatre in Manchester until Saturday 24 February 2024 – you can book tickets here.
Beloved play The Curious Incident of the Dog in the Night-Time set to return to the stage in Manchester
Emily Sergeant
One of the most beloved stage plays of the 21st Century is returning to Manchester.
Based on the celebrated 2003 novel of the same name that captivated readers worldwide, and inspired a groundbreaking National Theatre production, The Curious Incident of the Dog in the Night-Time is returning to one of Manchester‘s most iconic stages in early 2027 as part of a major UK tour.
The new play is adapted from Mark Haddon’s multi-million-selling novel by acclaimed Playwright Simon Stephens, and will be directed by Ned Bennett.
Taking over the Manchester Opera House stage in March 2027, critics have described the production as ‘inventive, gripping, and moving’.
The Curious Incident of the Dog in the Night-Time combines the intrigue of a whodunnit with a powerful coming-of-age story to create an ‘unforgettable’ theatrical event.
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If you’re not familiar with the plot, the play tells the story of Christopher Boone – a gifted child with a brilliant mind for numbers, but unsettled by the unpredictability of people and everyday life.
When a neighbour’s dog is killed, he finds himself under suspicion, but determined to prove his innocence, Christopher becomes both detective and suspect, drawn into a mystery that grows darker and more complex with every clue he uncovers.
What begins as the search for a culprit soon reveals secrets closer to home, ultimately forcing him to confront truths that will test his courage, his family, and his understanding of trust, independence, and the wider world.
The Curious Incident of the Dog in the Night-Time is coming to Manchester / Credit: Supplied
“The journey of The Curious Incident of the Dog in the Night-Time has been an extraordinary adventure,” commented Playwright Simon Stephens, as the new adaptation was announced this week.
“It has taken me all over the world. From church halls to enormous auditoria, and from school drama clubs to Wembley Way.
“I am thrilled that Christopher Boone is about to head out again through the United Kingdom. He is a boy defined by his determination and his bravery. This feels like a time when those characteristics are more urgently needed than ever.”
The Curious Incident of the Dog in the Night-Time is coming to Manchester Opera House as part of its UK tour from Tuesday 2 – Saturday 6 March 2027, and tickets go on general sale next Friday (21 November) at 10am.
The Karate Kid – The Musical, inspired by the iconic 80s film, is coming to Manchester
Daisy Jackson
Iconic 80s film The Karate Kid has now been reimagined as a stage musical – and it’s coming to Manchester next spring.
The Karate Kid – The Musical will be heading out on its UK premiere tour in 2026, including a run of dates at the Palace Theatre in Manchester.
The musical follows the same themes as the original, legendary 1984 film, a coming-of-age story that follows the relationship and teachings between Daniel LaRusso and Mr Miyagi.
It’s not just about karate, it’s about resilience, mentorship, and the quiet strength that bridges generations, and on the stage you can expect movement, music, and energetic storytelling too.
The original blockbuster starred Ralph Macchio and Pat Morita and has gone down in history as one of cinema’s greatest films, earning Morita an Academy Award nomination.
It’s become a major global franchise, including three movie sequels, a remake with Jaden Smith and Jackie Chan, and a Netflix series (Cobra Kai).
The Karate Kid – The Musical made its world premiere in 2022, selling out theatres and earning rave reviews.
Those iconic cinematic moments are brought to life on the stage by a Tony Award-winning design team.
The Karate Kid – The Musical is heading on a major UK tour before it hits the West End and Broadway.
It’s written by Robert Mark Kamen, screenwriter of the original 1984 movie, with music and lyrics by Drew Gasparini.
Kamen says: “William Goldman said about Hollywood “No one knows anything.” He was right.
“Who knew that 43 years after I wrote the original script for THE KARATE KID, we would see these very same characters acting and singing on the British stage in a story that is as fresh and universally relevant as it was four decades ago.”
The Karate Kid – The Musical is at the Palace Theatre from Tuesday 12 to Saturday 23 May 2026, with tickets on sale now HERE.