Sir Ian McKellen and John Bishop are both set to star in the pantomime of Mother Goose when it arrives in Salford this spring.
Sir Ian, who is originally from the north west and is a bona fide legend of stage and screen, will star as Mother Goose in the smash-hit panto.
Meanwhile comedian John Bishop will take up the role of Vic Goose as the production visits The Lowry.
The pair will play as husband and wife on the stage, acting out a story where the couple run an animal sanctuary for waifs and strays inside an abandoned Debenhams.
But when Cilla the Goose flies in, everything gets turned on its head.
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The show promises ‘impeccably constructed mayhem’ including tap-dancing puppets.
Sir Ian McKellen and John Bishop in the Mother Goose pantomime. Credit: Manuel HarlanSir Ian McKellen and John Bishop in the Mother Goose pantomime. Credit: Manuel HarlanSir Ian McKellen and John Bishop in the Mother Goose pantomime. Credit: Manuel Harlan
It says: “This hilarious family-friendly mother of all pantos is the ultimate theatrical feast full of fun, farce and more than a couple of surprises that will make you honk out loud.”
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Also starring in the pantomime alongside Sir Ian McKellen and John Bishop will be Anna-Jane Casey as Cilla The Goose, Oscar Conlon-Morrey as Jack, Simbi Akande as Jill, Sharon Ballard as Good Fairy Encanta and Karen Mavundukure as Evil Fairy Malignia.
The cast is completed by Mairi Barclay, Adam Brown, Gabriel Fleary, Becca Francis, Shailan Gohil, Richard Leeming, Genevieve Nicole and Laura Tyrer.
It is written by Jonathan Harvey (Coronation Street, Gimme Gimme Gimme) and directed by award-winning director Cal McCrystal. Set and costume design is by Liz Ascroft, choreography by Lizzi Gee, lighting design by Prema Mehta, sound design by Ben Harrison and puppet design and creation by Chris Barlow. Casting is by Anne Vosser and the Production Manager is Ben Arkell.
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Mother Goose will be at The Lowry in Salford from Wednesday 5 to Sunday 9 Aoril 2023.
Tickets are on sale to Lowry members today, and on general sale from Wednesday 4 January.
Chitty Chitty Bang Bang at Palace Theatre – musical soars over Manchester
Dec Kelly
Manchester’s Palace Theatre is currently hosting Chitty Chitty Bang Bang, a magical production that blends nostalgia with theatrical brilliance.
Directed by Thom Southerland, this UK tour reimagines the beloved 1968 film and stage musical with charm, energy, and a touch of theatrical wizardry, captivating audiences of all ages.
Ore Oduba leads the cast as Caractacus Potts, bringing a perfect mix of warmth, humour, and sincerity to the role of the eccentric inventor. His performance is particularly striking in the tender Hushabye Mountain, where his vocals offer an emotional depth to the character’s love for his late wife.
Oduba shares great chemistry with Charlie Banks and Lara Simons, who play his children, Jeremy and Jemima. Their natural on-stage dynamic creates an authentic portrayal of a loving family, drawing the audience into their heartwarming journey.
Ellie Nunn shines as Truly Scrumptious, exuding elegance while also showcasing a feisty, independent spirit. From her determined motorcycle repair scene to her stunning rendition of Doll on a Music Box, Nunn delivers a standout performance that is both captivating and graceful.
Her chemistry with Oduba is truly heartwarming, especially in Lovely Lonely Man, where she sings while soaring through the sky in Chitty, adding a magical touch to the production.
The supporting cast brings further joy to the performance. Martin Callaghan and Jenny Gayner are a riot as the Baron and Baroness Bomburst, delivering impeccable comic timing and embracing a delightfully over-the-top, camp portrayal of the royal couple.
Ore Oduba in Chitty Chitty Bang Bang. Credit: Paul ColtasEllie Nunn as Truly Scrumptious in Chitty Chitty Bang Bang. Credit: Paul Coltas
Adam Stafford and Michael Joseph, as the bumbling spies Boris and Goran, add slapstick humour in the Palace Theatre, though some of their repetitive jokes wear thin after a while.
Charlie Brooks, however, stands out as the chilling Child Catcher, leaving a sinister impression on the audience. Though her presence is limited, Brooks’ commanding performance proves she could have taken up more space in the production.
A unique feature of this production is the inclusion of local young performers in each city. In Manchester, children from Elm Arts Company join the Chitty Chitty Bang Bang ensemble for a special musical number in Act Two. Their high-energy performance adds an extra layer of magic, demonstrating their talent and enthusiasm, leaving the audience wanting more.
The show’s timeless score, composed by the Sherman Brothers, is a major highlight. Iconic numbers like Me Ol’ Bamboo and Toot Sweets energise the crowd, with the dance routine for Me Ol’ Bamboo being a particularly thrilling moment. The live orchestra enhances the grandeur of the production, giving it the feel of a West End show.
Charlie Brooks makes a chilling Childcatcher. Credit: Paul ColtasAdam Stafford and Michael Joseph, as the bumbling spies Boris and Goran. Credit: Becky Lee Brun
The ensemble’s physicality in the dance numbers and their ability to bring the infectious energy of the music to life is impressive.
Morgan Large’s set design is inventive, using movable crates and backdrops to transition smoothly between scenes. The clever use of puppetry, especially with the English sheepdog Edison, adds a whimsical touch that delights the audience, particularly younger viewers.
However, while the sets are practical and effective for a touring production, some of the locations – such as the sweet factory and Bulgarian palace – lack the grandeur expected in a show like Chitty Chitty Bang Bang, especially when compared to the central spectacle of the magical flying car.
Chitty herself is the undeniable star of the show. The car’s flying sequence is a breathtaking moment, earning a spontaneous round of applause as it soars through the air, capturing the audience’s imagination.
Ore Oduba in Chitty Chitty Bang Bang, which is in Manchester. Credit: Paul Coltas
Though the show is filled with charm, there are moments where it embraces pantomime-style comedy, especially in the Vulgarian scenes. While this approach is fun for younger audiences, some adults may find it a bit overplayed. The use of innuendos adds another layer of humour, one that goes unnoticed by children but provides a good laugh for the grown-ups, continuing the tradition of classic British wit.
At the end of the show, the company paid a heartfelt tribute to James Lee Williams, also known as The Vivienne, who portrayed the Child Catcher in previous performances. This tribute added an emotional layer to the production, and their portrayal left a lasting impression on the audience.
Chitty Chitty Bang Bang at the Palace Theatre is a truly scrumptious production, combining outstanding performances, memorable songs, and magical stage effects to create an unforgettable experience. Whether you’re revisiting this childhood classic or discovering it for the first time, this high-flying adventure is sure to leave you with a smile – and perhaps a catchy tune in your head long after the final curtain.
The production runs until Saturday 16 March so make sure you don’t miss the chance to experience this timeless masterpiece, brought to life here at The Palace Theatre, Manchester – grab tickets HERE.
Joseph and the Amazing Technicolor Dreamcoat – a masterclass in comedy, colour and movement
Danny Jones
To start with, we’re going to begin this review by advocating for going into stage shows with as little knowledge as possible because it only dials up the already exaggerated nature even further – we knew next to nothing about Joseph and the Amazing Technicolor Dreamcoat before seeing it in Manchester.
And we truly think it helped.
Now, when we say nothing, we’ve obviously heard the title plenty of times over the years as it remains one of the most celebrated musical productions on the planet, and you don’t need to be an avid theatre buff to know who Andrew Lloyd Webber is. The point being is that all we knew was its reputation.
Going along with a second party several decades older than us who shared the same blindspot and just never quite understood what all the fuss was about makes the next part even funnier: we both loved it.
Colour, colour and more colour.Some impressive yet superbly simple production value.Our review of Joseph and the Amazing Technicolor Dreamcoat at the Opera House in Manchester. (Credit: Press Tristram Kenton)
We’re not going to dive too heavily into the story as we’re sure plenty of you who are more well-versed in the genre don’t need a synopsis regurgitating for the umpteenth time, but what we will say is that we’re somewhat glad we weren’t aware of its religious themes and numerous biblical references.
Not because we have any particular issue with Christianity nor adapting stories within theologies to turn them into entertainment, but because as atheists we probably would have been less keen to choose this particular text over another.
However, this is why we’re thankful for going in blind as we fear many others have missed out on this long-standing vibrant, energetic, all-singing, all-dancing twist on the tale of Genesis for decades simply due to being non-believers/agnostic.
That being said, we can confidently assure you that not only can you put your thoughts on faith to one side for the duration of the performance but, for us at least, it felt like it was more of an undercurrent than anything else and had little bearing on what a truly joyful evening for all ages.
You also get hand-held through it through the eyes of the children being retold the story right in front of you by the expert narrator, Christina Bianco, whose interventions and comic timing were lethal on a crowd already easily cracked up by a punchline or two – but she had the best of the lot.
Where else to begin than with Joseph himself, played by Adam Filipe, who although we’ll admit to being layman on the subject until last night, feels almost born to play the role.
Not only did he bring respite to an otherwise frenetic (in the best way possible) onslaught of singing with his ability to deliver certain lines as nothing more than perfectly enunciated and emotional speech, but his voice was on point throughout and the way he made full use of the stage from the start was great.
One particularly immature slide up the curved wall of the set in the opening five minutes and we knew all we needed to know about not just movement but the rest of the cast too; pretty much non-stop movement and expression virtually at all times.
The dancing – particularly a rather hilarious ‘can-can’ confusion – was top-notch throughout and no matter which bright, flowing costume he or the ensemble was wearing during a specific number, they all looked the part and didn’t put a foot out of place.
Even a more serious interlude was welcome.We’d have loved more yellow-forward moment and backdrops in the palette but that’s just us being picky…Credit: Press Images
But much to our delight, there really wasn’t one standout performance that stood head and shoulders above the rest, simply because they were all brilliant.
Whether it was the Jacobs and Sons company of brothers bringing both melodrama and some comic relief, or the score of female dancers delivering an elegance and added level of pageantry to proceedings, they all played their part.
However, every time one or more of the kids took to the stage a show-stealing moment was ripe for the picking and they all seized their opportunity, be it in unison or in the select few solo moments in the spotlight. An audience is always going to get up for youngsters shining front and centre.
But, we suppose if we absolutely had to give another special mention to another member of the production and single them out, there’s only one person it could be…
Having previously played the lead role back in 2016 following his X-Factor success, Joe McElderry returns to Joseph and the Amazing Technicolor Dreamcoat and the Manc crowd in the role of the Pharoah and boy was he good having passed the baton and shifted gears. So good and so funny.
As well as an expert command of light, colour and choreography, the one thing we were surprised by was just how well-placed the comedy was throughout.
Not too much, not too little and nothing too contrived – a hard balance to strike and one that helps ease in those rare typically theatre-goers prone to a touch of cringe.
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All in all, we sincerely urge you to go and see this show for yourselves, especially if you’re like us and have never given it a chance before. You won’t regret it.
Joseph and the Amazing Technicolor Dreamcoat is on in Manchester until Sunday, 9 March. You can still grab tickets HERE.
In case you were wondering who stole the show in @JosephMusical at the @PalaceAndOpera, they all did… but we'll admit the Pharoah is a bit of a legend. 😅👏
Daisy Jackson -
29th December 2022 
