Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
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So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
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It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
His energy has dropped one iota from rehearsals to the tour. (Credit: Press Images)
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
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I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
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Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…
Featured Images — Press Images (supplied via Palace Theatre and Opera House Manchester)
Theatre
Matilda The Musical at Palace Theatre Manchester – a lesson in letting your imagination run wild | Review
Emily Sergeant
I think growing up is overrated. I’m just going to start off by saying that, okay? Right… now onto the actual review.
Matilda The Musical has finally arrived in Manchester, and it’s every bit as imaginative as the title character herself.
The Royal Shakespeare Company’s smash-hit musical production – which is, of course, based on Roald Dahl’s beloved book of the same name – has been seen by more than 12 million people in over 100 cities around the world since it first debuted back in 2010, and it continues to play to packed houses in London’s West End and on Broadway each week… but now, it’s Manchester’s turn.
The critically-acclaimed musical is currently out on a tour of the UK and Ireland, and has just arrived for a special four-week run here at Manchester’s iconic Palace Theatre.
Touring to celebrate its 15-year anniversary, the multi-award winning musical about a determined young heroine with a vivid imagination is written by Dennis Kelly, and developed and directed by Matthew Warchus, with music and lyrics by comedian Tim Minchin.
Matilda The Musical is now on stage at Manchester Palace Theatre / Credit: Publicity Picture (Supplied)
Despite being a fan of musical theatre, and even of the production’s popular soundtrack prior, Matilda The Musical was one I was yet to experience live on stage before last night.
Understandably because of this, it was one I was therefore really anticipating watching – and 15 years on, it’s truly not hard to see why it’s so beloved by so many.
Manchester audiences who gathered inside the storied walls of the Palace Theatre on opening night last night (26 March) were enchanted from the moment the colourful, eclectic stage lit up and the sets came to life, immersing you in the world right from the get-go.
It’s a production every bit as imaginative as the main character herself / Credit: Publicity Picture (Supplied)
Now, it would be fair to say that so much could go wrong in this production, given how many moving parts are involved in the stage design and choreography, but it’s a complete credit to every single member of the company that not once, as an audience member, did you ever feel anything would go wrong – that’s how technically impressive the staging was.
Those technical elements barely scratch the surface of just how much this show grabs you by the heart and makes you cling onto the magic of childlike imagination, though. This is where it really shines.
Through well-known songs like ‘Naughty’, ‘Revolting Children’, ‘When I Grow Up’, and ‘Quiet’, you are left feeling in awe of the incredibly (almost unbelievably, to be honest) talented ensemble cast of young performers on stage before you.
Led last night by Mollie Hutton as Matilda, who brought her own charm and cheekiness to the iconic role, each youngster really is living proof that ‘even if you’re little, you can do a lot’.
It’s now on stage in Manchester up until Saturday 25 April / Credit: The Manc Group
Tessa Kalder as Miss Honey, Richard Hurst as Miss Trunchbull, and Esther Niles as Mrs Phelps were all stand-out performances too, as were Adam Stafford and Rebecca Thornhill as Matilda’s parents, Mr and Mrs Wormwood.
It’s a show full of humour, eccentric characters, and captivating sets… and it’s well worth your time, whether a theatre-lover or not.
The beaming smiles from the cast at the end during the curtain call say it all.
Matilda The Musical is now playing at Manchester Palace Theatre until Saturday 25 April 2026, and you can get last-minute tickets online here.
Featured Image – Publicity Picture (Supplied)
Theatre
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Oli Lowe -
5th February 2025 
