Oldham Coliseum has been forced to take drastic measures after losing vital funding, announcing today that its entire Spring-Summer programme and its 2023 pantomime have been axed.
The beloved local theatre will cancel all its upcoming events and theatre shows, from Sunday 26 March onwards.
The news comes after the historic venue was dropped from Arts Council England’s National Portfolio from 1 April.
Oldham Coliseum said in a statement today that its board of trustees have been working hard to find a solution to the loss of funding, but has now had to take an ‘incredibly difficult decision’.
They added that ‘the current financial situation is not sustainable for the season as planned’.
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Ticket-holders for cancelled shows, including their 2023/24 pantomime Sleeping Beauty, will be refunded automatically in the coming weeks.
The news has been met with dismay from the local community and those in the theatre world.
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Hollyoaks star Annie Wallace said: “This was the news we’d been dreading. One of the north’s most important grassroots theatres, effectively killed off by the Arts Council withdrawing ALL funding. Remember… the Royal Opera House got £22 MILLION and still moaned about it. SAVE THIS THEATRE!”
Former MP Liz McInnes said: “This is tragic. @OldhamColiseum has been a part of Oldham life for literally as long as I can remember. I used to get taken to pantos there as a kid and grew up with a love of theatre. I do sincerely hope that funding is found – this is too important to just let it go.”
Theatre critic Mark Shenton posted: “What an ominous turn of events. @OldhamColiseum cancels all events after March 26, following the withdrawal of its @ace_national funding from April 2023. So ‘levelling up’ seems to mean losing a major theatre entirely.”
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Someone else wrote: “Shocking that a theatre with such history and legacy must go dark. Hundreds of phenomenal actors, directors, writers and crew began their artistic journeys here. Stunned!!! I hope to see it rise again!”
The full statement from Oldham Coliseum:
Oldham Coliseum
“It is with great regret that Oldham Coliseum Theatre is cancelling all forthcoming events from Sunday 26 March 2023, including the Spring-Summer programme and the 2023-24 pantomime Sleeping Beauty.
“Following the news on 4 November 2022 that the Coliseum will no longer be part of Arts Council England’s National Portfolio from 1 April 2023, the Board of Trustees and Senior Leadership Team have been working hard to find a solution to this reduction in funding.
“The theatre put the pantomime on sale in November and announced the Spring-Summer season in early December with the best possible intentions, while still exploring options that may have enabled the continuation of the programme. However, the current financial situation is not sustainable for the season as planned. We are working with Arts Council England and Oldham Council to honour agreements with artists and producing partners.
“All events at the Coliseum until 26 March will go ahead as planned. Ticket holders for all other events will be refunded over the coming weeks. If you have paid for tickets using a debit or credit card this will be refunded directly onto your card. If you have paid for tickets using cash the Box Office team will be in touch to arrange an alternate refund method. Any donations made to the theatre when booking tickets for cancelled events and Our Coliseum members whose memberships are due to expire after 26 March will also be refunded.
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“It has been an incredibly difficult decision to cancel the programme of events and we understand the disappointment this will undoubtedly cause. The Coliseum asks audiences to be patient whilst staff work through each refund transaction manually.”
Featured image: Oldham Coliseum
Theatre
Review | Midsomer Murders comes to Manchester for a satisfying Opera House adaptation
Hollie Wells
‘The Fuzz are here!’ – also known as the well-known duo, Detective Chief Inspector Barnaby and Detective Sergeant Troy. As ever, they’re here to solve the murder of orchid-loving, elderly lady Emily Simpson in the seemingly sleepy county of Midsomer…
Manchester’s historic Opera House played host to the first ever stage production of Midsomer Murders: ‘The Killings at Badger’s Drift‘ last night.
With a busy, full audience of fans of the original novel by Catherine Graham and the acclaimed ITV staple. There was a hum of anticipation to see the timeless tales unfold.
Excitingly, the role of Barnaby in the stage play is under the trusted care of Daniel Casey, who is best known as DS (Detective Sergeant) Troy in the prior television adaptation of Midsomer Murders between 1997 and 2008.
Casey’s comfort and wealth of experience with these narratives comforted the audience from the outset. In a purposely complicated plot, Casey grounded the performance and was the throughline in the show.
‘The Killings at Badger’s Drift’ is a good, light-hearted, mid-week show, with an enjoyable concoction of eccentric characters and the perfect ‘whodunnit’ plot, which keeps you intrigued and entertained throughout its roughly two and a half hour duration.
Even those more than familiar with Misdomer tales and the most typical murder mystery format will still get plenty of enjoyment out of it.
The engaging use of multi-role actors received a great response from the audience, particularly the moments between Barbara Lessiter and Dickie Whitley; all of their interactions were performed with fabulous comedic timing by Chandrika Chevli.
The elements of comedy throughout made for a lovely evening at the Opera House. This was not solely through the actors, either: the use of mechanics within the set of this stage-play allowed for multiple moments of physical comedy, and this was a strong motif throughout.
A rotation of impressive transitional sets also aided in transporting the audience to the infamous village and crime scenes, allowing one to be absorbed in the story and successfully converting Midsomer Murders from page to screen to stage.
Running for only three days from Wednesday, 27, until Saturday, 30 May 2026, with matinee shows available throughout.
One must act fast to join the detective duo and catch the killer before it’s too late!
Waitress at Palace Theatre Manchester – a perfect recipe for a delicious night out | Review
Clementine Hall
Waitress has all the ingredients for what makes a brilliant musical, with Carrie Hope Fletcher’s astonishing vocals as the cherry on top.
It’s been a decade since Waitress first wowed audiences on Broadway, and to celebrate this milestone, the show is touring the UK – bringing Sara Bareilles’ beautiful score to life once again.
This time, West End superstar Carrie Hope Fletcher is dusting off Jenna’s apron, and it’s safe to say, the beloved show is in very, very safe hands.
Waitress follows Jenna, a talented pie-maker working in a small town diner who is trapped in an abusive relationship.
Image: Matt Crocket (Supplied)
She dreams of a better life, and this only becomes more apparent when she finds out she is pregnant and falls in love with the charming Dr Pomatter (and after watching it last night, I think the whole audience did too).
Fletcher’s portrayal of Jenna is heartfelt and warm, yet perfectly powerful. Her vocals are nothing short of flawless, singing Bareilles’ glorious yet challenging score with ease.
Her rendition of ‘She Used To Be Mine‘ had us all reaching for tissues, and the round of applause that followed was the longest I’ve ever seen for a solo performance within a show.
Image: Matt Crocket (Supplied)
The opening number ‘Opening Up’ plunged us into her world, inviting the entire cast (of which there is no weak link) onto the stage for a exceptionally well-choreographed slice of diner dancing.
At drama school, we were told to never work with food on stage, but this production proved my lecturers wrong as clouds of flour and showerings of sugar were perfectly timed to the lyrics of ‘What Baking Can Do’. Impressive to say the least.
Jenna’s best friends Becky and Dawn, played by Sandra Marvin and Evelyn Hoskins, provided welcomed comedic timing in a story that often has its dark moments.
Image: Matt Crocket (Supplied)
Meanwhile, Mark Anderson brought a surprisingly tender charm to Ogie, balancing the character’s eccentricities with genuine heart.
His chemistry with Hoskins was utterly endearing, and their performance of ‘Never Ever Getting Rid of Me’ was one of the evening’s standout moments, earning huge laughs from the audience.
Visually, the show is a real treat too. The diner set feels cosy and intimate, while the live band gives Bareilles’ score an added richness that fills the theatre beautifully.
Image: Matt Crocket (Supplied)
Overall, Waitress remains as sweet as ever – a heartfelt story topped with a huge dollop of charm and a sprinkling of comedy that’ll have you craving another slice as soon as you’ve finished the first.
Daisy Jackson -
31st January 2023 
