A viral video showing two audience members being removed from a musical in Manchester by security has prompted a wider discussion on theatre etiquette.
The Bodyguard is the latest musical to captivate and entertain audiences in Manchester.
Based on the beloved 1992 film of the same name starring Whitney Houston and Kevin Costner, the stage musical adaptation that’s currently here at Manchester’s Palace Theatre until Saturday 15 April is already an award-winning smash hit international production, and is lead by former Pussycat Doll Melody Thornton and soap actor Ayden Callaghan.
The show tells the story of Secret Service agent turned bodyguard, Frank Farmer, who is hired to protect superstar Rachel Marron from an unknown stalker.
Just like the film, the stage production is known for its music – with a score featuring some of Whitney Houston’s most iconic songs, including ‘One Moment in Time’, ‘I Wanna Dance with Somebody’, and, of course, ‘I Will Always Love You’.
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But as the musical’s massively talented cast attempt to do Houston’s hits justice each night, they ask that the audience “please refrain from singing along” while they do so.
Two “rowdy” audience members in Manchester didn’t appear to get the memo last week though.
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Watch the moment two audiences members were removed from a theatre performance of The Bodyguard.
The duo were reportedly 'singing over' the lead actor and the show ended 10 minutes early 👇🎭 pic.twitter.com/LmLlqsyIY4
After the duo were said to have been “singing over the lead during the final song” and were asked to stop by staff, Greater Manchester Police (GMP) were called to reports of a “disturbance” the Palace Theatre and removed the audience members from the venue.
A video showing the moment they were removed from the crowd by security has gone viral and has been widely-shared across social media over the last few days.
The Palace Theatre said in a statement after the incident that it was “disappointed” the show had to be halted and the last 10 minutes needed to be cancelled due to “disruptive customers refusing to stay seated and spoiling the performance for others”.
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The incident has prompted a widespread discussion on theatre etiquette – with the topic debated on ITV‘s This Morning and Good Morning Britain, and on BBC News.
Should people be allowed to sing at theatres? 🎭 After one theatre in Manchester banned audiences from singing along, @VanessaOnAir has her say… pic.twitter.com/NiQCEw49N7
A performance of The Bodyguard was brought to an abrupt halt on Friday night after theatregoers started singing over the lead during the final number. Should rowdy theatregoers be banned for life when they start singing along with the stars on stage?
Hundreds have also been sharing their takes on social media.
While reaction has been fairly mixed, with some having chosen to make light of the situation, and others saying they would be “devastated” at the thought of not being able to sing along with the hugely-popular hits that usually fill musicals’ scores, others have shared their disappointment in the situation.
Some have also pointed out that The Bodyguard isn’t unique in its request to ask that audiences “refrain from singing along”, and that this has been common theatre knowledge for quite a while, with several other shows also asking the same.
Others who have either worked front of house or in theatre settings have also shared their experiences and opinions on the matter.
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Sending support to the cast, crew and creative team at @TheBodyguardUK. And a big thank you to The Palace Theatre Manchester for all their efforts! This should not be a debate, and it shouldn't have gotten to this point to have police closing the performance. #thebodyguard
— Gee Siân Clarke 🏴 (@Georgia__Sian) April 7, 2023
the bodyguard isn’t even the first show to outright ask for audiences to not sing along. it’s always been a part of theatre etiquette and it’s embarrassing that productions have to directly ask for it to be respected now.
Famous names from the world of musical theatre and wider entertainment industry are also among those sending their support to The Bodyguard’s cast and crew.
Acress Hayley Tamaddon said on Twitter: “I truly feel for the cast of The Bodyguard. Do you know how hard it is to sing songs like that 8 shows a week?! I don’t understand how people can be so disrespectful. There are plenty of karaoke bars or “sing- a- long” shows. go there instead.”
Etiquette consultant and society commentators William Hanson added on Twitter: “Where does one begin with this? When people have paid (a lot of) money to see the lead in ‘The Bodyguard’ musical do her thing, it’s because they want to hear *her* sing ‘How Will I Know’, not Debbie from Macclesfield.
“Eyes front, phones off and keep quiet.”
I truly feel for the cast of #TheBodyguard Do you know how hard it is to sing songs like that 8 shows a week?! I don’t understand how people can be so disrespectful..there are plenty of karaoke bars or “sing- a- long” shows. go there instead! Urgh. So much I could say about this.
When people have paid (a lot of) money to see the lead in ‘The Bodyguard’ musical do her thing, it's because they want to hear *her* sing ‘How Will I Know’, not Debbie from Macclesfield.
The Bodyguard’s leads Melody Thornton and Ayden Callaghan both spoke out after the incident, thanking fans and audience members who “respect the people on stage who want to give you a beautiful show”.
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Thornton said in a video message shared to Twitter that it felt “awful” to have to cancel the last 10 minutes, and that she “fought really hard” to keep the show going, but that the situation was out of their hands.
“I thank everyone who was respectful of the performers, and am very very sorry for those who weren’t,” she added.
Prior to the incident in Manchester, Ayden Callaghan first gave his take in response to the topic being discussed on This Morning, explaining: “It’s not karaoke, we want people to enjoy themselves, and enjoy the performances they have paid to see. You don’t expect to go and have a kick about at Anfield when watching or a few rallies at Wimbledon as well as spectating.
“Respect the performers and fellow audience. Simple.”
He then followed up on this following the Manchester show, adding: “Theatre pulled the show at the end tonight because of disgusting behaviour. We wanted to carry on but it had become a major incident. I’m really sorry to what was 99.9% a brilliant audience that a few badly behaved individuals ruined it.”
Theatre pulled the show at the end tonight because of disgusting behaviour. We wanted to carry on but it had become a major incident. I’m really sorry to what was 99.9% a brilliant audience that a few badly behaved individuals ruined it. https://t.co/quemi5Jmt5
A spokesperson for the Palace Theatre confirmed that future performances of The Bodyguard would “continue as planned” in Manchester right up until it closes this Saturday.
But the theatre has asked that customers are “considerate” towards the cast, fellow audience members, and theatre team so that “everyone can enjoy the wonderful entertainment on stage”.
Featured Image – ATG Tickets
Theatre
Matilda The Musical at Palace Theatre Manchester – a lesson in letting your imagination run wild | Review
Emily Sergeant
I think growing up is overrated. I’m just going to start off by saying that, okay? Right… now onto the actual review.
Matilda The Musical has finally arrived in Manchester, and it’s every bit as imaginative as the title character herself.
The Royal Shakespeare Company’s smash-hit musical production – which is, of course, based on Roald Dahl’s beloved book of the same name – has been seen by more than 12 million people in over 100 cities around the world since it first debuted back in 2010, and it continues to play to packed houses in London’s West End and on Broadway each week… but now, it’s Manchester’s turn.
The critically-acclaimed musical is currently out on a tour of the UK and Ireland, and has just arrived for a special four-week run here at Manchester’s iconic Palace Theatre.
Touring to celebrate its 15-year anniversary, the multi-award winning musical about a determined young heroine with a vivid imagination is written by Dennis Kelly, and developed and directed by Matthew Warchus, with music and lyrics by comedian Tim Minchin.
Matilda The Musical is now on stage at Manchester Palace Theatre / Credit: Publicity Picture (Supplied)
Despite being a fan of musical theatre, and even of the production’s popular soundtrack prior, Matilda The Musical was one I was yet to experience live on stage before last night.
Understandably because of this, it was one I was therefore really anticipating watching – and 15 years on, it’s truly not hard to see why it’s so beloved by so many.
Manchester audiences who gathered inside the storied walls of the Palace Theatre on opening night last night (26 March) were enchanted from the moment the colourful, eclectic stage lit up and the sets came to life, immersing you in the world right from the get-go.
It’s a production every bit as imaginative as the main character herself / Credit: Publicity Picture (Supplied)
Now, it would be fair to say that so much could go wrong in this production, given how many moving parts are involved in the stage design and choreography, but it’s a complete credit to every single member of the company that not once, as an audience member, did you ever feel anything would go wrong – that’s how technically impressive the staging was.
Those technical elements barely scratch the surface of just how much this show grabs you by the heart and makes you cling onto the magic of childlike imagination, though. This is where it really shines.
Through well-known songs like ‘Naughty’, ‘Revolting Children’, ‘When I Grow Up’, and ‘Quiet’, you are left feeling in awe of the incredibly (almost unbelievably, to be honest) talented ensemble cast of young performers on stage before you.
Led last night by Mollie Hutton as Matilda, who brought her own charm and cheekiness to the iconic role, each youngster really is living proof that ‘even if you’re little, you can do a lot’.
It’s now on stage in Manchester up until Saturday 25 April / Credit: The Manc Group
Tessa Kalder as Miss Honey, Richard Hurst as Miss Trunchbull, and Esther Niles as Mrs Phelps were all stand-out performances too, as were Adam Stafford and Rebecca Thornhill as Matilda’s parents, Mr and Mrs Wormwood.
It’s a show full of humour, eccentric characters, and captivating sets… and it’s well worth your time, whether a theatre-lover or not.
The beaming smiles from the cast at the end during the curtain call say it all.
Matilda The Musical is now playing at Manchester Palace Theatre until Saturday 25 April 2026, and you can get last-minute tickets online here.
Featured Image – Publicity Picture (Supplied)
Theatre
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.