A viral video showing two audience members being removed from a musical in Manchester by security has prompted a wider discussion on theatre etiquette.
The Bodyguard is the latest musical to captivate and entertain audiences in Manchester.
Based on the beloved 1992 film of the same name starring Whitney Houston and Kevin Costner, the stage musical adaptation that’s currently here at Manchester’s Palace Theatre until Saturday 15 April is already an award-winning smash hit international production, and is lead by former Pussycat Doll Melody Thornton and soap actor Ayden Callaghan.
The show tells the story of Secret Service agent turned bodyguard, Frank Farmer, who is hired to protect superstar Rachel Marron from an unknown stalker.
Just like the film, the stage production is known for its music – with a score featuring some of Whitney Houston’s most iconic songs, including ‘One Moment in Time’, ‘I Wanna Dance with Somebody’, and, of course, ‘I Will Always Love You’.
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But as the musical’s massively talented cast attempt to do Houston’s hits justice each night, they ask that the audience “please refrain from singing along” while they do so.
Two “rowdy” audience members in Manchester didn’t appear to get the memo last week though.
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Watch the moment two audiences members were removed from a theatre performance of The Bodyguard.
The duo were reportedly 'singing over' the lead actor and the show ended 10 minutes early 👇🎭 pic.twitter.com/LmLlqsyIY4
After the duo were said to have been “singing over the lead during the final song” and were asked to stop by staff, Greater Manchester Police (GMP) were called to reports of a “disturbance” the Palace Theatre and removed the audience members from the venue.
A video showing the moment they were removed from the crowd by security has gone viral and has been widely-shared across social media over the last few days.
The Palace Theatre said in a statement after the incident that it was “disappointed” the show had to be halted and the last 10 minutes needed to be cancelled due to “disruptive customers refusing to stay seated and spoiling the performance for others”.
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The incident has prompted a widespread discussion on theatre etiquette – with the topic debated on ITV‘s This Morning and Good Morning Britain, and on BBC News.
Should people be allowed to sing at theatres? 🎭 After one theatre in Manchester banned audiences from singing along, @VanessaOnAir has her say… pic.twitter.com/NiQCEw49N7
A performance of The Bodyguard was brought to an abrupt halt on Friday night after theatregoers started singing over the lead during the final number. Should rowdy theatregoers be banned for life when they start singing along with the stars on stage?
Hundreds have also been sharing their takes on social media.
While reaction has been fairly mixed, with some having chosen to make light of the situation, and others saying they would be “devastated” at the thought of not being able to sing along with the hugely-popular hits that usually fill musicals’ scores, others have shared their disappointment in the situation.
Some have also pointed out that The Bodyguard isn’t unique in its request to ask that audiences “refrain from singing along”, and that this has been common theatre knowledge for quite a while, with several other shows also asking the same.
Others who have either worked front of house or in theatre settings have also shared their experiences and opinions on the matter.
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Sending support to the cast, crew and creative team at @TheBodyguardUK. And a big thank you to The Palace Theatre Manchester for all their efforts! This should not be a debate, and it shouldn't have gotten to this point to have police closing the performance. #thebodyguard
— Gee Siân Clarke 🏴 (@Georgia__Sian) April 7, 2023
the bodyguard isn’t even the first show to outright ask for audiences to not sing along. it’s always been a part of theatre etiquette and it’s embarrassing that productions have to directly ask for it to be respected now.
Famous names from the world of musical theatre and wider entertainment industry are also among those sending their support to The Bodyguard’s cast and crew.
Acress Hayley Tamaddon said on Twitter: “I truly feel for the cast of The Bodyguard. Do you know how hard it is to sing songs like that 8 shows a week?! I don’t understand how people can be so disrespectful. There are plenty of karaoke bars or “sing- a- long” shows. go there instead.”
Etiquette consultant and society commentators William Hanson added on Twitter: “Where does one begin with this? When people have paid (a lot of) money to see the lead in ‘The Bodyguard’ musical do her thing, it’s because they want to hear *her* sing ‘How Will I Know’, not Debbie from Macclesfield.
“Eyes front, phones off and keep quiet.”
I truly feel for the cast of #TheBodyguard Do you know how hard it is to sing songs like that 8 shows a week?! I don’t understand how people can be so disrespectful..there are plenty of karaoke bars or “sing- a- long” shows. go there instead! Urgh. So much I could say about this.
When people have paid (a lot of) money to see the lead in ‘The Bodyguard’ musical do her thing, it's because they want to hear *her* sing ‘How Will I Know’, not Debbie from Macclesfield.
The Bodyguard’s leads Melody Thornton and Ayden Callaghan both spoke out after the incident, thanking fans and audience members who “respect the people on stage who want to give you a beautiful show”.
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Thornton said in a video message shared to Twitter that it felt “awful” to have to cancel the last 10 minutes, and that she “fought really hard” to keep the show going, but that the situation was out of their hands.
“I thank everyone who was respectful of the performers, and am very very sorry for those who weren’t,” she added.
Prior to the incident in Manchester, Ayden Callaghan first gave his take in response to the topic being discussed on This Morning, explaining: “It’s not karaoke, we want people to enjoy themselves, and enjoy the performances they have paid to see. You don’t expect to go and have a kick about at Anfield when watching or a few rallies at Wimbledon as well as spectating.
“Respect the performers and fellow audience. Simple.”
He then followed up on this following the Manchester show, adding: “Theatre pulled the show at the end tonight because of disgusting behaviour. We wanted to carry on but it had become a major incident. I’m really sorry to what was 99.9% a brilliant audience that a few badly behaved individuals ruined it.”
Theatre pulled the show at the end tonight because of disgusting behaviour. We wanted to carry on but it had become a major incident. I’m really sorry to what was 99.9% a brilliant audience that a few badly behaved individuals ruined it. https://t.co/quemi5Jmt5
A spokesperson for the Palace Theatre confirmed that future performances of The Bodyguard would “continue as planned” in Manchester right up until it closes this Saturday.
But the theatre has asked that customers are “considerate” towards the cast, fellow audience members, and theatre team so that “everyone can enjoy the wonderful entertainment on stage”.
Featured Image – ATG Tickets
Theatre
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.