Swan Lake is an icon of the ballet world, for good reason – and now this hauntingly beautiful ballet is back in Manchester for one weekend only.
Set to Tchaikovsky’s equally iconic score, Swan Lake tells the love story of Prince Siegfried and Swan Queen Odette, with plenty of magic and sorcery along the way.
There’s a lot of depth and intrigue to this tale, even if it a good half of it is essentially a load of people peacocking around a ballroom trying to prove they’re the most compatible for one another.
Throughout the two hour performance by the Mergaliyev Classical Ballet you’ll be witness to deception, enchantment, love, and plenty more, as evil sorcerer Von Rothbart meddles in Siegfied and Odette’s love and tricks him into falling in love with his daughter, Odile, instead.
The mirroring roles of Odette and Odile are both played by Nilay Tahiroglu, who is possibly the most captivating dancer to have ever graced the stage at the Opera House.
It’s remarkable how she can make the human body so closely resemble a swan – the way the shape of hands can mimic a swan’s long neck, or the avian way her arms rotate in their sockets and gracefully unfurl like wings, or how she literally looks like she’s on water when she glides across the stage balanced en pointe.
When Tahiroglu transforms into Odile she’s still the same captivating dancer but now she’s bolder, braver. There’s a sharpness to her grace that wasn’t there before.
While Odette’s eyes are almost always cast downwards and soft, Odile stares straight at the audience with a glittering secret in her eyes.
She’s the most beautiful, other-worldly dancer I’ve ever seen.
Cristo Civancos Prunes is excellent as Prince Siegfried, a man so classically handsome and sure-footed you could put him on the cover of a romantic novel at the airport and it’d sell a million copies.
And Marek Bobosik shines as the cunning Von Rothbert too, even if his character is let down by an underwhelming costume that’s more ‘onesie at a Halloween party’ than ‘lead villain in a world-class ballet’.
The Dance of the Cygnets fell flat on opening night of Swan Lake in ManchesterVon Ruthbert’s costume
It’s not a perfect performance – during Dance of the Cygnets, possibly the world’s most iconic dance sequence, the four cygnets stumble and lose time. Our glittering principal also loses her footing once, prompting a sharp intake of breath from the audience, but regains it quickly.
And the first act, before we even meet Odette and are instead watching the wealthy types parade in front of one another in a ballroom, drags on – in fact, there are a lot of empty seats after the first of two intermissions, with many calling it a night early.
Compared to the English National Ballet, which brought Swan Lake to Manchester in 2022, this production could do with a little more polish and pizzazz.
But it’s still a truly magical sight to behold – even if you just come for Odette.
Get your tickets for Swan Lake at the Opera House Manchester HERE.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Daisy Jackson -
17th January 2025 
