What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
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The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
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All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
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Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Theatre
Beloved comedy stage play The Full Monty to return to Manchester for iconic film’s 30th anniversary
Emily Sergeant
Beloved comedy stage play The Full Monty is heading on a UK tour next year, and will be stopping off here in Manchester.
To celebrate the 30th anniversary of the iconic British film of the same name, which was released to the world back in 1997, a major national tour of The Full Monty will kick off next year, and will be taking to one of Manchester‘s most famous stages in the spring.
Described as being ‘fast-paced and irresistibly funny’, Simon Beaufoy’s heartfelt play tells the story of an ordinary group of men who are striving to reclaim their dignity and pride.
The film may be turning 30 years old next year, but the play remains as strikingly relevant today as it ever has, especially resonating powerfully in an era that is marked, once again, by an unfortunate cost of living crisis.
Audiences will get to watch as Gaz and his mates find themselves down on their luck, cast aside, and underestimated, but ultimately determined to fight back… even if it means revealing more about themselves than they ever imagined (wink wink).
Celebrating the 30th Anniversary of the iconic film, The Full Monty is back by popular demand and the boys are returning to The Opera House!
ATG+ Presale 👉 Wed 11 Mar 10am Groups Presale 👉 Wed 11 Mar 12pm General Sale 👉 Thu 12 Mar 10am
“A lot has changed in Britain since The Full Monty appeared thirty years ago,” Oscar-winning screenwriter Simon Beaufoy said.
“What hasn’t changed is our need for laughter, compassion and dignity. I’m so delighted the Monty Men are back on the road with all their flaws, jokes and wobbly bits, bringing a bit of much-needed joy to audiences once again.”
So, what can audiences expect? Well, the production will deliver a ‘rollercoaster of laughter and heartbreak’, as crowds are invited to relive the iconic music of the 90s cheering on this unforgettable group of lads as they prepare to put on the show of their lives.
The Full Monty will take to the iconic Manchester Opera House stage from Monday 5 through to Saturday 10 April 2027, as well as dates in other northern cities like Sheffield, Bradford, Liverpool, York, and Glasgow, alongside many more major UK locations.
Casting is set to be announced soon so keep your eyes peeled.
But in the meantime, tickets are set to go on sale in March – with pre-sales starting on Wednesday 11 March, and general sale starting the day after (Thursday 12 March), both at 10am, and you can get your hands on them here.
Featured Image – Supplied
Theatre
The North West’s most infamous horror attraction Scare City is becoming an immersive theatre show
Emily Sergeant
One of the North West’s most infamous annual horror attractions is being turned into an immersive theatre show.
Scare City is the spine-chilling immersive horror experience that takes over the abandoned Camelot Theme Park even spooky season, becoming one of the region’s most-popular Halloween events along the way – with tens of thousands having visited over the last five years.
But this time, there’ll be no trails and no abandoned theme parks – just pure, live horror.
That’s because, this spring, the creators will drag audiences into a new kind of nightmare with the arrival of the Scare City Experience Live, bringing out of the Camelot grounds and into an ‘inescapable’ stage production.
Built from the twisted world of the original Scare City, the production will resurrect fan-favourite zones, characters, and signature scares, but ‘reimagine’ them for the stage with a relentless descent into fear, soaked in atmosphere and dread.
This time, there is no darkness to hide in, no escape route, no safe distance, and no way to look away as the nightmare unfolds in real-time and audiences watch the action play out inches away from their faces, with ‘disturbing’ imagery and a suffocating tension.
Scare City is returning as an immersive horror theatre show this spring / Credit: Supplied
Designed to push the boundaries of live horror, Scare City Experience Live will combine theatrical storytelling, live performers, sound, lighting, and ‘unsettling’ visuals to create an unforgettable and relentless experience with each performance playing the audience at the heart of the action, where the fear comes to them.
The production will offer both long-time Scare City fans and first-time visitors a new way to experience the brand’s dark universe.
Scare City Experience Live will be taking over the Liverpool Olympia between 22-25 May and 28-30 May 2026, and tickets are officially on sale now from £38 per person.
The Manc -
7th December 2025 
