The Lowry in Salford Quays has had a bit of TLC with one of its biggest theatre spaces undergoing a pretty significant refurb this past month.
Following a well-deserved grant distributed via the Biffa Award, a multi-million-pound fund that helps to build communities and transform lives through community and environmental projects across the UK, the legendary local theatre received nearly £75k last year.
As a result, all 440 seats and various other aspects of The Lowry‘s Quays Theatre have now been renovated and refurbished.
The short story is, she looks more gorgeous than ever – see for yourself:
Being initially handed over in March 2024, The Lowry was awarded a total of £74,816 to reupholster seating in the venue’s Quays Theatre with new padding and fabric.
After almost 25 years of constant use as one of the most popular theatres in the North, the seats in the Quays Theatre were much in need of a refurb, and with work completed in December, Lowry visitors can now enjoy watching the venue’s wide range of theatre, dance, comedy and drama in comfort.
The work was actually carried out between July and December, with seats being carefully removed in batches and reupholstered off-site.
This was made possible due to the Biffa Award’s most recent ‘Cultural Facilities’ theme, which aims to improve recreation, interest and education, drawing funds from the UK government’s wider Landfill Communities Fund.
The old fabric and padding were disposed of sustainably, with lots of it being repurposed where possible to minimise waste and all the new materials used meet current guidance for safety and quality.
The Lowry’s Deputy Chief Executive and Director of Development, Gwen Oakden, said of the long overdue update:“It is so important that our audiences are able to enjoy our world-class performing arts programme in a comfortable and welcoming space.
“For many visitors to the Quays Theatre, this is their first experience of live performance – often to see a family show or as part of a school trip. We really want it to be the best experience possible, and for them to begin a lifelong relationship with Lowry.
“As a registered charity, without the generous support of this Biffa Award, for which we’re hugely grateful, we couldn’t have carried out this important work for our audiences.
As we head into our 25th Anniversary year, we are delighted to be able to welcome audiences and visitors can enjoy the beautiful and revived Quays Theatre.”
As for the Biffa side of things, Grants Manager Rachel Maidment added: “We are delighted to have supported The Lowry in refurbishing the Quays Theatre seating, ensuring audiences can continue to enjoy performances in comfort.
“Through Biffa’s Cultural Facilities theme, we fund projects that provide engaging and inspiring spaces for communities. The Lowry is a key cultural venue, and we’re proud that our funding, made possible through the government Fund, has helped enhance the experience for visitors for years to come.”
Like most Mancs, we love The Lowry, so here’s to hosting countless more theatregoers in the most comfortable seats possible for generations to come.
We’ve been to some brilliant performances around here of late.
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Moulin Rouge The Musical at Palace Theatre Manchester – a true love song to the stage | Review
Kristen MacGregor-Houlston
If you’re wandering down Oxford Road this week and take a wrong turn, then you may find yourself in early 20th century Paris.
Moulin Rouge is a sultry, sexy extravaganza of lust, sin, and debauchery that you just can’t get enough of, so it’s time to lose yourself in the magic and showmanship of the Parisian clubs of yesteryear, as whether you’re a big fan of the hit 2001 movie, or new to the world of Moulin Rouge, I can say without a shadow of a doubt that you will be blown away.
This is possibly the best show I’ve ever seen on stage.
There’s an excited buzz in the air as everyone pours into the Palace Theatre. The theatre is conveniently Moulin Rouge red by default, so you already feel like you’ve been transported before you’ve even got to your seat.
As you approach your seat, you’re met with the spectacle that is the sensational staging. On one side of the room, you have the infamous Moulin Rouge windmill, and the other side has the giant elephant head where our diamond Satine resides.
The time has come, Bohemians of Manchester! 🎉
Tickets are officially ON SALE for Moulin Rouge! The Musical at the Palace Theatre from Wed 20 August – Sat 4 October 2025 ❣️
The show begins with the iconic Lady Marmalade song and the excitement that spreads through the audience is almost palpable. Each song and performance gets stronger, more exciting, more uplifting, carried by our club host – the fantastic and hilarious Harold Zidler (Cameron Blakely).
As fans of the movie, my guest and I were initially surprised by the medleys of modern songs that spanned the duration of the show, but they fit the storyline so well that by the end we were hooked. The original score was still present, just with the modern additions woven in seamlessly.
For those who don’t know, the show follows young Christian, played by Josh Rose, who tells his story of moving to Paris to pursue his dream of becoming a songwriter. Upon arrival, he meets Toulouse (Kurt Kansley) and Santiago (Rodrigo Negrini), struggling artists in the bohemian Montmartre. Impressed with his love songs, they convince him to seduce the sensational Satine (Verity Thompson) in an effort to get their show on the Moulin Rouge stage.
Moulin Rogue The Musical has arrived at Manchester Palace Theatre / Credit: Matt Crockett (Supplied)
The club however is struggling, and Harold has tasked Satine to seduce The Duke (James Bryers) to help secure funding to ensure the club’s future. Satine and Christian meet first and immediately fall in love, causing heartache and tragedy throughout the course of the show.
Every single cast member is spectacular from start to finish.
The performances and dance numbers are works of art and get the whole audience going. The excitement and passion from the cast shines throughout, and it’s clear they’re enjoying the show as much as we are.
The jaw-dropping production is on stage in Manchester until 4 October / Credit: Matt Crockett (Supplied)
The singing is mind-bogglingly good, with everyone hitting every note without question. It would be remiss of me to not give an extra special shout out to Verity Thompson, whose singing was absolutely jaw dropping. If I could sing like her, you’d literally never shut me up.
It isn’t often you see something and think, everyone has to see this, but this show is definitely one of those. If their gift is their song, then I would be happy to accept it over and over again.
Danny Jones -
27th February 2025 
