Theatre

The Lowry Theatre undergoes revamp following Biffa Award grant

Stunning as ever.

Danny Jones Danny Jones - 27th February 2025

The Lowry in Salford Quays has had a bit of TLC with one of its biggest theatre spaces undergoing a pretty significant refurb this past month.

Following a well-deserved grant distributed via the Biffa Award, a multi-million-pound fund that helps to build communities and transform lives through community and environmental projects across the UK, the legendary local theatre received nearly £75k last year.

As a result, all 440 seats and various other aspects of The Lowry‘s Quays Theatre have now been renovated and refurbished.

The short story is, she looks more gorgeous than ever – see for yourself:

theatres in greater manchester
the lowry quays theatre
lowry theatre salford renovations
Credit: @jlcwalker (via Flickr)/The Lowry (supplied)

Being initially handed over in March 2024, The Lowry was awarded a total of £74,816 to reupholster seating in the venue’s Quays Theatre with new padding and fabric.

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After almost 25 years of constant use as one of the most popular theatres in the North, the seats in the Quays Theatre were much in need of a refurb, and with work completed in December, Lowry visitors can now enjoy watching the venue’s wide range of theatre, dance, comedy and drama in comfort.

The work was actually carried out between July and December, with seats being carefully removed in batches and reupholstered off-site.

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Crucially, this was strategically planned around the theatre’s ever-wonderful and varied programme to minimise disruption to audiences.

This was made possible due to the Biffa Award’s most recent ‘Cultural Facilities’ theme, which aims to improve recreation, interest and education, drawing funds from the UK government’s wider Landfill Communities Fund.

The old fabric and padding were disposed of sustainably, with lots of it being repurposed where possible to minimise waste and all the new materials used meet current guidance for safety and quality.

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the lowry theatre refurb

The Lowry’s Deputy Chief Executive and Director of Development, Gwen Oakden, said of the long overdue update: “It is so important that our audiences are able to enjoy our world-class performing arts programme in a comfortable and welcoming space.

“For many visitors to the Quays Theatre, this is their first experience of live performance – often to see a family show or as part of a school trip. We really want it to be the best experience possible, and for them to begin a lifelong relationship with Lowry.

“As a registered charity, without the generous support of this Biffa Award, for which we’re hugely grateful, we couldn’t have carried out this important work for our audiences.

As we head into our 25th Anniversary year, we are delighted to be able to welcome audiences and visitors can enjoy the beautiful and revived Quays Theatre.”

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As for the Biffa side of things, Grants Manager Rachel Maidment added: “We are delighted to have supported The Lowry in refurbishing the Quays Theatre seating, ensuring audiences can continue to enjoy performances in comfort.

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“Through Biffa’s Cultural Facilities theme, we fund projects that provide engaging and inspiring spaces for communities. The Lowry is a key cultural venue, and we’re proud that our funding, made possible through the government Fund, has helped enhance the experience for visitors for years to come.”

Like most Mancs, we love The Lowry, so here’s to hosting countless more theatregoers in the most comfortable seats possible for generations to come.

We’ve been to some brilliant performances around here of late.

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Featured Images — Skip88 (via Wikimedia Commons)/@jlcwalker (via Flickr)/The Lowry (supplied)

Theatre

Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House

Danny Jones Danny Jones A Knight's Tale Manchester musical review

From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.

Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.

At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.

Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.

A Knight’s Tale the musical at Manchester Opera House. (Credit: Press Shot)

A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.

Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.

The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.

Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.

However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.

Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.

The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.

At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.

A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.

But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.

Credit: Supplied

Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.

The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility.
In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.

Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.

Put simply, this is a knight to remember – with a soundtrack that slays.

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Featured Images — Press Images (supplied)

Theatre

A theatre adaptation of Alfred Hitchcock’s classic spy film North By Northwest is coming to Manchester

Daisy Jackson Daisy Jackson

Alfred Hitchcock’s much-loved spy classic, North By NorthWest, is hitting the stage and visiting one of Manchester’s most celebrated theatres. 

This new, riotously funny production will be visiting HOME theatre for a run of shows kicking off this week. 

The show reworks Hitchcock’s film of the same name, following one man who accidentally lands himself in the middle of a Cold War conspiracy. 

Now adapted for the stage by Emma Rice, North By Northwest follows an unfortunate mix-up where a mistimed phone call to his mother lands Roger Thornhill in a spot of bother. 

Alfred Hitchcock’s classic spy film North By Northwest is hitting the stage in Manchester / Credit: Steve Tanner (via Supplied)

Audiences will see this unlikely (and reluctant) hero head on the run, dodging spies, airplanes and a femme fatale. 

For the theatre production at HOME, the classic spy film (that starred Cary Grant) has been turned on its head and stars just six shape-shifting performers. 

There’s a fabulous 1950s soundtrack to go with it too – and, apparently, a lot of suitcases. 

Tickets are now on sale, and it’s already being described as a must-see / Credit: Steve Tanner (via Supplied)

North By NorthWest promises ‘glamour, romance, jeopardy and a liberal sprinkling of tender truths’.

Artistic director Emma Rice has already adapted and directed products for Wise Children including The Buddha of Suburbia, Blue Beard, and Wuthering Heights, plus worked as artistic director for Shakespeare’s Globe. 

The cast is made up of Mirabelle Gremaud as Anna; Patrycja Kujawska as Eve Kendall; Kary Owen as The Professor; Simon Oskarsson as Valerian; Karl Queensborough as Phillip Vandamm; and Ewan Wardrop as Roger Thornhill.

North by Northwest is a co-production with Wise Children, York Theatre Royal, HOME Manchester and Liverpool Everyman and Playhouse, and is currently on a UK tour. 

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You can catch it at HOME between 29 April and 10 May – see more and book tickets HERE.

Featured Image – Steve Tanner (via Supplied)

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