Theatre

The Lowry Theatre undergoes revamp following Biffa Award grant

Stunning as ever.

Danny Jones Danny Jones - 27th February 2025

The Lowry in Salford Quays has had a bit of TLC with one of its biggest theatre spaces undergoing a pretty significant refurb this past month.

Following a well-deserved grant distributed via the Biffa Award, a multi-million-pound fund that helps to build communities and transform lives through community and environmental projects across the UK, the legendary local theatre received nearly £75k last year.

As a result, all 440 seats and various other aspects of The Lowry‘s Quays Theatre have now been renovated and refurbished.

The short story is, she looks more gorgeous than ever – see for yourself:

theatres in greater manchester
the lowry quays theatre
lowry theatre salford renovations
Credit: @jlcwalker (via Flickr)/The Lowry (supplied)

Being initially handed over in March 2024, The Lowry was awarded a total of £74,816 to reupholster seating in the venue’s Quays Theatre with new padding and fabric.

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After almost 25 years of constant use as one of the most popular theatres in the North, the seats in the Quays Theatre were much in need of a refurb, and with work completed in December, Lowry visitors can now enjoy watching the venue’s wide range of theatre, dance, comedy and drama in comfort.

The work was actually carried out between July and December, with seats being carefully removed in batches and reupholstered off-site.

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Crucially, this was strategically planned around the theatre’s ever-wonderful and varied programme to minimise disruption to audiences.

This was made possible due to the Biffa Award’s most recent ‘Cultural Facilities’ theme, which aims to improve recreation, interest and education, drawing funds from the UK government’s wider Landfill Communities Fund.

The old fabric and padding were disposed of sustainably, with lots of it being repurposed where possible to minimise waste and all the new materials used meet current guidance for safety and quality.

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the lowry theatre refurb

The Lowry’s Deputy Chief Executive and Director of Development, Gwen Oakden, said of the long overdue update: “It is so important that our audiences are able to enjoy our world-class performing arts programme in a comfortable and welcoming space.

“For many visitors to the Quays Theatre, this is their first experience of live performance – often to see a family show or as part of a school trip. We really want it to be the best experience possible, and for them to begin a lifelong relationship with Lowry.

“As a registered charity, without the generous support of this Biffa Award, for which we’re hugely grateful, we couldn’t have carried out this important work for our audiences.

As we head into our 25th Anniversary year, we are delighted to be able to welcome audiences and visitors can enjoy the beautiful and revived Quays Theatre.”

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As for the Biffa side of things, Grants Manager Rachel Maidment added: “We are delighted to have supported The Lowry in refurbishing the Quays Theatre seating, ensuring audiences can continue to enjoy performances in comfort.

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“Through Biffa’s Cultural Facilities theme, we fund projects that provide engaging and inspiring spaces for communities. The Lowry is a key cultural venue, and we’re proud that our funding, made possible through the government Fund, has helped enhance the experience for visitors for years to come.”

Like most Mancs, we love The Lowry, so here’s to hosting countless more theatregoers in the most comfortable seats possible for generations to come.

We’ve been to some brilliant performances around here of late.

Kinky Boots’ message transcends the music at the Palace Theatre in Manchester | Review

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Featured Images — Skip88 (via Wikimedia Commons)/@jlcwalker (via Flickr)/The Lowry (supplied)

Theatre

Joseph and the Amazing Technicolor Dreamcoat – a masterclass in comedy, colour and movement

Danny Jones Danny Jones Joseph Technicolor Dreamcoat Manchester Opera House review 2025

To start with, we’re going to begin this review by advocating for going into stage shows with as little knowledge as possible because it only dials up the already exaggerated nature even further – we knew next to nothing about Joseph and the Amazing Technicolor Dreamcoat before seeing it in Manchester.

And we truly think it helped.

Now, when we say nothing, we’ve obviously heard the title plenty of times over the years as it remains one of the most celebrated musical productions on the planet, and you don’t need to be an avid theatre buff to know who Andrew Lloyd Webber is. The point being is that all we knew was its reputation.

Going along with a second party several decades older than us who shared the same blindspot and just never quite understood what all the fuss was about makes the next part even funnier: we both loved it.

Colour, colour and more colour.
Some impressive yet superbly simple production value.
Our review of Joseph and the Amazing Technicolor Dreamcoat at the Opera House in Manchester. (Credit: Press Tristram Kenton)

We’re not going to dive too heavily into the story as we’re sure plenty of you who are more well-versed in the genre don’t need a synopsis regurgitating for the umpteenth time, but what we will say is that we’re somewhat glad we weren’t aware of its religious themes and numerous biblical references.

Not because we have any particular issue with Christianity nor adapting stories within theologies to turn them into entertainment, but because as atheists we probably would have been less keen to choose this particular text over another.

However, this is why we’re thankful for going in blind as we fear many others have missed out on this long-standing vibrant, energetic, all-singing, all-dancing twist on the tale of Genesis for decades simply due to being non-believers/agnostic.

That being said, we can confidently assure you that not only can you put your thoughts on faith to one side for the duration of the performance but, for us at least, it felt like it was more of an undercurrent than anything else and had little bearing on what a truly joyful evening for all ages.

You also get hand-held through it through the eyes of the children being retold the story right in front of you by the expert narrator, Christina Bianco, whose interventions and comic timing were lethal on a crowd already easily cracked up by a punchline or two – but she had the best of the lot.

‘Those Canaan Days’
Christina Bianco
(Credit: Tristram Kenton)

Where else to begin than with Joseph himself, played by Adam Filipe, who although we’ll admit to being layman on the subject until last night, feels almost born to play the role.

Not only did he bring respite to an otherwise frenetic (in the best way possible) onslaught of singing with his ability to deliver certain lines as nothing more than perfectly enunciated and emotional speech, but his voice was on point throughout and the way he made full use of the stage from the start was great.

One particularly immature slide up the curved wall of the set in the opening five minutes and we knew all we needed to know about not just movement but the rest of the cast too; pretty much non-stop movement and expression virtually at all times.

The dancing – particularly a rather hilarious ‘can-can’ confusion – was top-notch throughout and no matter which bright, flowing costume he or the ensemble was wearing during a specific number, they all looked the part and didn’t put a foot out of place.

Even a more serious interlude was welcome.
We’d have loved more yellow-forward moment and backdrops in the palette but that’s just us being picky…
Credit: Press Images

But much to our delight, there really wasn’t one standout performance that stood head and shoulders above the rest, simply because they were all brilliant.

Whether it was the Jacobs and Sons company of brothers bringing both melodrama and some comic relief or the score of female dancers delivering an elegance and added level of pageantry to proceedings, they all played their part.

However, every time one or more of the kids took to the stage a show-stealing moment was ripe for the picking and they all seized their opportunity, be it in unison or in the select few solo moments in the spotlight. An audience is always going to get up for youngsters shining front and centre.

But, we suppose if we absolutely had to give another special mention to another member of the production and single them out, there’s only one person it could be…

Having previously played the lead role back in 2016 following his X-Factor success, Joe McElderry returns to Joseph and the Amazing Technicolor Dreamcoat and the Manchester crowd in the role of the Pharoah and boy was he good having passed the baton and shifted gears. So good and so funny.

Credit: Supplied

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As well as an expert command of light, colour and choreography, the one thing we were surprised by was just how well-placed the comedy was throughout.

Not too much, not too little and nothing too contrived.

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All in all, we sincerely urge you to go and see this show for yourselves – especially if you’re like us and have never given it a chance before. You won’t regret it.

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Images — Tristram Kenton (supplied)

Theatre

Hit theatre production set at a house party to visit Manchester on UK tour

Daisy Jackson Daisy Jackson Hit theatre production set at a house party to visit Manchester on UK tour

Alright then, 24 hour party people, we’ve found a theatre production you might like the sound of – it’s called The House Party, and it’s set in (you guessed it) a house party. 

This smash hit production by pioneering theatre company Headlong is set to land at HOME in March as part of the arts venue’s 2025 theatre season. 

It tells the tale of a wild 18th birthday party, where Christine is trying to pick up the pieces of her best friend, a newly-dumped Julie (who happens to be the birthday girl).

Themes of class, power and privilege are all explored with a raw intensity as the cast on stage plough through shots and dive head-first into a night that will change everything they know. 

The House Party, which has received glowing reviews from previous showings, is filled with ‘privilege, desire and destruction’. 

When it stops off in Manchester, its cast will include Bridgerton’s Sesley Hope as Christine, Synnøve Karlsen (Miss Austen, Last Night in Soho) as Julie, and Tom Lewis (Gentleman Jack, Patience) as Jon.

The ensemble of Frantic Assembly performers includes Ines Aresti, Oliver Baines, Cal Connor, Micah Corbin-Powell, Rachael Leonce, Jaheem Pinder and Jamie Randall.

The House Party is written by Laura Lomas and is a reimagining of August Strindberg’s Miss Julie for today’s generation.

It’s directed by Headlong’s artistic director Holly Race Roughan, who directed the Royal Shakespeare Company’s world premiere of David Edgar’s major new political play The New Real.

The House Party. Credit: Ikin Yum
The House Party. Credit: Ikin Yum
The House Party will be at HOME. Credit: Supplied
The production will be at HOME. Credit: Supplied

Movement direction will come from Frantic Assembly’s Scott Graham. 

Prior to the UK tour of The House Party, Headlong celebrated its 50 year anniversary, including the hit production of A Raisin in the Sun which played nationwide. 

The House Party will be at HOME in Manchester between 25 and 29 March, 2025 – you can get your tickets HERE. 

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Featured image: Supplied

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