Did you see that YouGov dug up its old poll on the best and worst accents in the British Isles and it sparked quite the row online this week?
Well, in case you missed it, the market research and data analytics firm took to Twitter to respond to a tweet that intended to “start a civil war” by asking people for their takes on what the “worst accent” in the UK was, and so decided to shared the results from its controversial 2014 poll – which rated accents based on how attractive or unattractive they are.
The ‘Southern Irish’ accent was found to be the most appealing, according to those who voted, claiming a net attractiveness score of +42.
Other accents deemed attractive and placing highly include received pronunciation (RP) – or ‘BBC English’ – Welsh, Yorkshire, West Country, and Geordie, while the Scouse, Cockney, Glaswegian, and unfortunately for us, Mancunian, accents ranked low on the list.
The Birmingham, or ‘Brummie’ accent, was voted to be the most unattractive in the poll.
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Brummie is the worst accent in the UK, according to a 2014 YouGov study
At the time the poll was conducted, YouGov said thee were some “vast differences” in perceived attractiveness of accents.
And if the recent rowing on Twitter is anything to go by, that’s definitely the case.
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YouGov said that the West Country accent is considered the most attractive to over-60s, with 63% of the oldest generation seeing it as attractive, compared to only 22% of 18-24 year-olds. The opposite perception had developed for Northern Irish too, with most 18-24 year-olds (54%) seeing it as attractive, compared to only 37% of over-60s, and then the Geordie accent also had a greater appeal to older British people too.
Here’s the list in full:
The Most Attractive Accents in the British Isles
Southern Irish
Received Pronunciation
Welsh
Yorkshire
West Country
Geordie
Northern Irish
Glaswegian
Cockney
Mancunian
Scouse
Brummie
YouGov’s controversial 2014 poll rated British accents based on how attractive or unattractive they are / Credit: Unsplash (Amy Humphries)
The results from the poll, unsurprisingly, sparked criticism and got a lot of people talking.
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But rather than people just being outraged that their accents were deemed to be unattractive and making claims that it isn’t the case, criticism largely came from the structure and wording of the survey instead.
Plenty of people called out the term ‘Southern Irish’ and objected to Ireland falling under the umbrella of ‘the British Isles’ while the explaining that the country of Ireland has countless different accent and dialect variations.
Similar criticisms were also levelled at the use of ‘Welsh’ and ‘Northern Irish’, while many couldn’t wrap their heads around why ‘Glaswegian’ appeared to be the only Scottish accent on the list.
The most common critique from people responding on social media was that the UK is filled with accents that change ever-so-slightly, or in some cases quite drastically, from one town or city to the next – for which the region of Greater Manchester is a great example of – and so it doesn’t really make sense to generalise and say that one place has one specific and distinctive accent.
Do you agree? Fancy having a read through some of the responses and critiques by people? Keen to give your thoughts on the debate?
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You can get stuck in over on YouGov’s Twitter here.
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Tracey Neville appointed as Managing Director of brand new Stockport County Women’s team
Danny Jones
Stockport County FC have finally and officially launched their new women’s team in what they are hailing as a “new era” for the female football in the area.
Moreover, they’ve hired an experienced international coach to head up the department, with Tracey Neville MBE selected as the Managing Director of the new outfit.
Sister to footballing brothers Phil and Gary Neville, but with an oft-overlooked impressive reputation of her own – having not only won bronze at both the 1998 Commonwealth Games and World Netball Championship in ’99 before going on to coach her national team – she arrives with plenty of pedigree.
Now swapping her discipline for a different set of nets, Tracey Neville will lead the pre-existing Stockport County Ladies setup into their next modern chapter as the SCFC Women.
The club is delighted to announce the launch of Stockport County Women, marking an exciting new era for women’s football in our town.
Writing in a short announcement on social media, the Hatters said: “The club is delighted to announce the launch of Stockport County Women, marking an exciting new era for women’s football in our town.
“Founded in 1989 as Stockport County Ladies, the team has spent 37 years as a volunteer-led community club, providing opportunities for women and girls across the borough.
“From the 2026–27 season, the team will compete as Stockport County Women, reflecting the growth of the women’s game and the club’s commitment to equality and opportunity.”
Also confirming the appointment of an experienced women’s and international sports personality, Tracey Neville, as the new MD, they’ve issued a clear mission statement.
Put simply, she and the rest of her staff are going to be tasked with creating “a clear pathway from grassroots to elite women’s football for Stopfordians.”
Commenting on her new role in a lengthier club statement, Neville said: “I am incredibly proud to be joining Stockport County at such a pivotal moment for the club and for the women’s game.
“My career in elite sport has shown me what is possible when there is a clear vision, strong leadership and a genuine commitment to developing talent from the ground up. Women’s football is at a defining point, and Stockport has the opportunity to do something special.
She goes on to add: “This is a community club with deep roots, and my focus will be on creating a clear, credible pathway for girls and women to progress, while building the standards, culture and infrastructure needed to compete at the highest level.”
“We want young girls in Stockport to believe that they can reach the top of the game without leaving their community. That’s how you build something powerful, sustainable and truly representative of the people it serves.”
This comes following another major announcement with the news of the next phase of the infrastructural development, with the wider football club set to take control of Stockport Sports Village (SSV) and turn it into the home not only of the youth academy, but County Women and grassroots club Stockport Town.
As for Stockport County Women, it was only last year that they were playing against Liverpool’s female senior first team at Edgeley Park, and with all the investment happening in and around the organisation, you can expect more dates like these in the near future.
Stockport County Ladies become Women from next season onwards.
Emily Sergeant -
7th January 2022 
