Mention ‘B of the Bang‘ to Mancunians, and you’ll probably wish you hadn’t.
Even to this day, the infamous 00s East Manchester sculpture – designed to look like an exploding firework – still manages to have people rolling their eyes, generate heated discussions, prompt a wide range of responses, and remain as polarising as ever before, despite eight years having passed since it was finally dismantled for good.
Alongside the constant critique and ongoing debate surrounding its place and purpose in the city over the five years it was erected for, B of the Bang was given a slew of nicknames by residents and was branded by many as an eyesore.
It also seemed to enjoy much of its life as the butt of many a local gag.
But what was B of the Bang really about?
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What was it for? What inspired its creation? Why did it call Manchester home? Why was it so controversial and problematic? Why did people seem to have so much to say about it? And what actually happened to it in the end?
Well, it all started with a simple quote.
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Taking its name from a quotation by British sprinter Linford Christie, in which he said that he started his races not merely at the “bang” of the starting pistol, but at “the B of the Bang”, B of the Bang B was a sculpture created by Thomas Heatherwick – often deemed one of Britain’s most significant designers – that was commissioned to commemorate the 2002 Commonwealth Games held in the city, and was installed at Sportcity next to the City of Manchester Stadium (Etihad Stadium) in the East Manchester area of Beswick, at the corner of Alan Turing Way and Ashton New Road.
The sculpture was first commissioned by New East Manchester Limited in 2003, but construction overran – largely due to a rather optimistic estimated completion date – and the official unveiling was delayed until 12th January 2005.
Being taller and leaning at a greater angle than the Leaning Tower of Pisa, B of the Bang B was one of the tallest structures in Manchester, and was even confirmed to be the tallest sculpture in the UK right up until the completion of Aspire in Nottingham in 2008.
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Credit: Sportcity
B of the Bang originally stood 56 metres (184 ft) tall, with 180 hollow tapered steel columns – or spikes – radiating from a central core. It was angled at 30 degrees and supported by five 25 m (82 ft) long, tapered steel legs, which connected to the spikes 22 m (72 ft) above the ground.
The sculpture weighed 165 tonnes, with the concrete in the foundations weighing over 1,000 tonnes, including a 400 m2 (4,300 sq ft) reinforced concrete slab.
In contradiction to its eventual fate, the sculpture was built to last, having been made from the same weathering steal as the iconic Angel of the North sculpture, which gradually develops a tightly-adhering oxide layer as it’s exposed to the elements, and this layer inhibits further corrosion by reducing its permeability to water.
As part of the design, the spikes even swayed slightly in the wind in order to withstand gusts in excess of 100 mph (160 km/h).
As well as being constructed to tackle the inevitable Manchester elements, it seems that B of the Bang was also built with a legacy in mind, as at the time of its construction, a time capsule was even placed inside one of the spikes of the sculpture – containing children’s poems and paintings – which was due to be opened circa 2300, but after being dismantled, the location of this time capsule is currently unknown.
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The sculpture cost £1.42 million in total to design and construct.
This actually ended up being twice the original estimate, as the initial costing plan had neglected to include installation costs.
Funding for the sculpture was sourced from a European Regional Development Fund contribution of £700,000, the North West Development Agency contributing £500,000, and Manchester City Council providing the final £120,000 towards its completion.
Credit: Connell Brothers / Sportcity
Its hefty price tag was only the tip of the controversy it generated over the years though.
Only six days before the sculpture’s official unveiling, the tip of one of the 2.1 m (6.9 ft) spikes detached and fell, but after close inspection, the launch event went ahead as planned.
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Four months later, in May 2005, a second spike had to be cut off by firefighters after it was discovered hanging loose, and at that time, the sculpture was closed off to the public, and the junction and pathway near the sculpture were temporarily closed.
As a result, some of the joints were re-welded, with equipment put in place to prevent excessive movement.
Despite these modifications though, B of the Bang remained fenced off.
After ongoing and worsening concerns, in May 2006, a total of nine spikes were removed from the sculpture and taken away for metallurgical analysis to discover the stresses being placed on the steel, but all of that meant nothing after it was announced in October 2007 that Manchester City Council were taking legal action against the makers of the sculpture, with the aim of completing the necessary repairs to the sculpture.
This resulted in an out-of-court settlement totalling £1.7 million in damages for breach of contract and negligence.
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Credit: Geograph (Peter Teal)
Following the publishing of an investigative report into the sculpture in 2009, Manchester City Council recommended that B of the Bang should be dismantled and placed in storage until funds could be raised for its safe reinstatement.
Several possibilities for the future of the sculpture were posed, but the report underlined the necessity for extensive testing to ensure these were safe first.
Despite a number of pleas to keep the sculpture erected – including from revered artist Anthony Gormley, who spoke out in its support, stating that: “It is a great tribute to Manchester that this groundbreaking work was commissioned [and] to allow it to disappear would be a loss not just of an inspirational artwork but also of the council’s nerve – removal of B of the Bang began in April 2009.
Although the council had originally promised to store the complex central core and legs, these too were cut apart during removal, which casted further doubt on future prospects for the landmark sculpture’s return at the time, and in early July 2012, the core was finally sold as scrap for £17,000.
But even though B of the Bang eventually fizzled out before its time, it’s hard to deny it made its mark on the city of Manchester.
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Just perhaps not in the way it was originally intended.
Featured Image – Wikimedia Commons
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The 1975 and Charli XCX drop collab teaser in Manchester city centre
Danny Jones
Manchester, we might have a collaboration between two of the biggest British acts around right now as local lads The 1975 and pop sensation Charli XCX look to have just teased something big right here in the city centre.
It’s fair to say that if 2023 was the biggest year of The 1975‘s career to date then 2024 has very much been Charli XCX’s. In fact, we’d say it’s been a pretty great 12 months or so for pop music in general, which it feels like we don’t get to say that often.
That being said, despite the Cambridge-born singer having only just released her smash-hit BRAT back in June, is already ramping up for more new music to be dropped.
A massive new poster has appeared near Piccadilly and not only is it the bright lime green and plain black font now synonymous with her album but the words also read “the 1975” backwards.
It looks like this could finally be The 1975 x Charli XCX collab so many fans have been waiting for and there’s plenty of reason to believe it could be coming very soon.
For starters, rumours of the two working together have been running ever since the 32-year-old became partners with the band’s drummer, producer and co-songwriter, George Daniel, who has regularly appeared with her on stage at the likes of Boiler Room, not to mention sharing mixes of her songs.
She also came out as a surprise guest during their second-to-last visit to Manchester and the AO Arena back in January 2023 – much to the delight of the crowd.
Furthermore, Charli recently announced her next project rather straightforwardly called Brat and it’s completely different but still also brat.
While there are no other discernible clues to take from the rather large billboard, the title alone, George Daniel’s involvement and her own penchant for DJing of late quickly led people to piece together that she is planning to release a reworked version of her sixth studio album.
Moreover, Charli (real name Charlotte Emma Aitchison) has already revealed a number of feature artists on the remixed version of BRAT, including Addison Rae, Robyn, Billie Eilish and Yung Lean, as well as Troye Sivan and Lorde, who both joined her on stage recently for the ‘Sweat Tour’.
As already confirmed, whatever this new project ends up sounding like, it’s coming out next Friday, 11 October and if the collabs we already know about are anything to go by, then it’s a pretty safe bet that The 1975 will be also a appear on a tune or two. Who knows, maybe it could be something even bigger?
‘Bratty Healy’ is born, whether you like it or not.
Featured Images — The Manc Group/Press Image (supplied)
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Robbie Williams is releasing a big budget biopic later this year – only it stars him as a monkey?…
Danny Jones
Robbie Williams has always been a true popstar but he’s never exactly played it paint by numbers, which is why learning that his upcoming biopic features him as a CGI monkey sounds much less random than it would be coming from anyone else.
There have been countless big-budget movies about rockstars and famous musicians even in just the past few years – One Love about Bob Marley, Back to Black about Amy Winehouse, Elvis and even the upcoming Bob Dylan biopic – but there is a single one we could name where the star is a monkey.
Announced this week, BETTER MAN will tell the story of Robbie Williams’ life and career right up until the present day and is set to be released this festive period.
The first trailer has now dropped too and whatever you make of the concept, visually at least, looks pretty good – only time will tell whether it’s a good film or not.
First trailer for the Robbie Williams biopic ‘BETTER MAN’, starring a CGI monkey as Robbie Williams.
The tagline for the film is, “Discover an extraordinary journey that can’t be told in an ordinary way” and as Williams addresses in the short teaser, starting by simply saying, “I know what you’re thinking? What’s with the monkey?”, they’ve certainly found a way to tell this story diferently.
In fact, although telling his story through the medium of a monkey wasn’t his idea to begin with and, as he and director Michael Gracey (The Greatest Showman) told the likes of Heart Radio, there’s a few reasons for it.
First off, Robbie said of the film and its vision: “I want everything that I do from here on in to be slightly unusual, so that fits that narrative.”
“As humans, we care more for animals than we do for humans. So the audience is probably going to have more empathy for me as a monkey than they would’ve done for me as me.” That’s a fair point: a cute CGI monkey can definitely be rooted for, but it’s Gracey’s explanation that makes it sound most interesting.
As he puts it, the idea to make a furry version of the 50-year-old came from looking to reflect the hitmaker being “pushed on stage” like a “performing monkey” throughout his life, even when heavily under the influence of durgs and alcohol. But it goes much deeper than that.
“This is how he sees himself.” Director Michael Gracey explains why Robbie Williams is a monkey in #BetterManMovie – In select US theatres December 25. Everywhere in the US January 17. pic.twitter.com/GBSyFNfRe5
The Australian director, who also headed up fellow pop music icon P!nk’s autobiographical documentary, goes on to explain: “He was always putting on a performance at [his hometown] Stoke for the other kids, at home for his parents.
“It made it so powerful for me because I was like, You’re going to fall in love with this character, this little monkey. And you’re going to invest emotionally in this little monkey. As long as you set that contract at the start of the film, you’re in, and you will go with that monkey through the entire journey.”
Robbie will be played and largely voiced by Chesterfield-born actor Jonno Davies via motion capture technology, not unlike that used for the Planet of the Apes films, with the story spanning his fractious childhood to boy band success with Take That and then solo superstardom.
Still one of the best-selling and most well-known pop stars to ever do it, he will naturally take full control of the singing sections in the film as well as provide narration.
As he put its himself in the voiceover we’ve now heard, “I’m one of the biggest pop stars in the world but I’ve always seen myself a little less… evolved”. The stylistic choice has certainly split opinion already, with some calling it a “fantastic” approach from a “working class lad” who made it. Others have only found the immediate humour in it thus far.
idea for a film… the life of Robbie Williams told through the perspective of a CGI monkey pic.twitter.com/UhVtr4O8cX
Set to release on Boxing Day 2024, the blockbuster project from Paramount Pictures also features Steve Pemberton, Damon Herriman’ Raechelle Banno, Alison Steadman, Kate Mulvaney; Frazer Hadfield, Tom Budge and Anthony Hayes.
With a budget of a reported $110 million, the movie has actually already been debuted at the Toronto Film Festival and was met with pretty positive reviews, with The Guardian giving it four stars and labelling it a “surprisingly entertaining saga.”
As for us, we will say that we’d probably have watched a Robbie Williams biopic anyway, but let’s just say it being told through the lens of a monkey has very much piqued our interest.
There’s also another feature-length project still being made right here in Manchester that we’re very much keeping our eye on.
Emily Sergeant -
3rd January 2022 
