Emily Eavis has addressed the spike in ticket price for next summer’s Glastonbury festival after fans described it as a ‘p*sstake’.
The enormous music event usually sells out in minutes, but a few fans have been disappointed to see that the cost of tickets has jumped up to £335, plus a £5 booking fee.
Emily, who organises the world-famous festival and is the daughter of its founder Michael, said that the Glastonbury team has tried ‘very hard’ to keep ticket prices low.
She cited the rising cost of basically everything when addressing the new price in a statement.
Glastonbury normally attracts the biggest names in the music industry, with headliners over the years including Coldplay, Kanye, Dolly Parton, Adele, Beyonce, Arctic Monkeys and Jay-Z.
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Glastonbury is one of the biggest festivals in the world. Credit: Unsplash
Rumours for this year’s festival, which will take place between 21 and 25 June 2023 at Worthy Farm, include Harry Styles, Roxy Music, Eminem, Elton John and Arctic Monkeys.
But despite such huge names, many are outraged at the ‘big leap’ of a price of a weekend at Glastonbury.
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One person said: “I’ve been to Glastonbury once. Was an brilliant experience. Incredible festival. That being said, given the current climate, £340 is an absolute p*sstake. What are you getting above an beyond 10-15 years ago when the prices were half that?”
Another said: “Glastonbury’s price increase from £270 to £340 is a 26% price increase. Part inevitable but further removing the festival from its radical roots & pricing it out of the reach of many music lovers.”
Someone else commented: “Glastonbury now costing £340 is unsurprising but also concerning. Don’t think this is the festival organisers fault, they are just another victim of the current climate, but this doesn’t help the idea that the music industry is increasingly closing itself off to the working class.”
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Emily said: “I wanted to post about the Glastonbury 2023 ticket price which was announced today.
“We have tried very hard to minimise the increase in price on the ticket but we’re facing enormous rises in the costs of running this vast show, whilst still recovering from the huge financial impact of two years without a festival because of COVID.
“The £50 deposit on ticket sales day in November will be the same as ever, with the balance not due until April. And, as always, there will be opportunities for many thousands of people to come as volunteers or as part of the crew.
“In these incredibly challenging times, we want to continue to bring you the best show in the world and provide our charities with funds which are more vital than ever. We are, as always, hugely appreciative of your ongoing support.”
Thankfully, many music fans have said they understand why Glastonbury tickets are suddenly costing so much more.
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A ticket for a stadium gig is pretty much £100 nowadays.
You could call the 3 Pyramid headliners stadium gigs and that’s the £300 equivalent. Leaving £40 extra to pay for The Other, West Holts, The Park, BYOB, 100+ stages
Someone wrote: “A Glastonbury ticket is worth well over £1000. The price hike is totally justified, especially in the current economical climate. It’s always been obscenely cheap for what you get imo. I’m surprised it wasn’t done sooner – it speaks volumes about what they stand for.”
Another said: “Never been to Glastonbury, but if I did, I’d probably think £330 was pretty decent value, especially when the likes of Chris Martin and his merry band of sustainable touring hypocrites are knocking out 2 hours at the Etihad for £500+.”
One commented: “I mean, it‘s still a bargain, but that’s a big leap. Goes to show how all the price increases over the last year cascade through. Their staff need paying after all, and there’s a fair few lights and speakers…”
get that glastonbury is a huge endeavour, that costs for everything are rising and that the festival industry as a whole is struggling after covid but with ticket prices up to £340pp (before food, travel, drink) it's clear the festival is now almost exclusively for the wealthy https://t.co/wVhzNAltvA
One person joked: “£340 for Glastonbury tickets… the first time I went, I paid a dodgy geezer £20 for a wristband and a lift over the fence.”
Someone else quipped: “£340 for Glastonbury next year ! Bloody Hell, you could have the heating on all morning for that.”
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And summing it all up, someone else wrote: “If you think I’m willing to spend £350 on a ticket to the greatest place and biggest party on the plant then your right, I am…”
Glastonbury 2023 is scheduled for 21 to 25 June at Worthy Farm in Somerset, with tickets on sale on 6 November.
Review | ‘This is a night to remember, Manchester’ – Jason Derulo’s Co-op Live debut
Amy Williams
Who’s ready for another throwback night? Because this was absolutely a night already full of nostalgia and one to remember.
American singer-songwriter Jason Derulo hit Co-op Live last night as part of his ‘The Last Dance World Tour’, famous for hit songs like ‘Whatcha Say’, ‘Talk Dirty’, and ‘Savage Love’ – we all remember the Covid TikTok dance, don’t we? – as well as many more.
With over 250 million singles sold and tens of billions of streams, you best believe his one night in Manchester was sold out.
Running through the big hits and everything in between, he and his dancers made it a proper party atmosphere on this fine Saturday evening.
He did his throwback songs and more; from the moment he said, “We’re throwing it back to the beginning, back to 2009″, we knew his first debut single, ‘Whatcha Say’, was about to grace our ears, and that it did.
He also brought back absolute classics like ‘Ridin’ Solo’ (I definitely lost my voice during this one) In My Head and It Girl.
The Last Dance run of shows has seen him visit places like Leeds, London, Glasgow and Birmingham, finishing his UK leg right here in Manchester, before he carries on to Europe, but we’re confident our date had the best crowd so far.
And just when you think this couldn’t get any better, he brought his little boy on stage to say hi to everyone, too – shattered everyone’s hearts.
He has that many hit songs, it wasn’t possible to get through them all, so his DJ halfway through did a mash-up of songs he’s also written and featured in, including ‘I Gotta Feeling’ by Black Eyed Peas, ‘Secret Love Song’ with Little Mix and ‘Replay’ by Iyaz.
We knew his voice was amazing – but can we have a moment for this man’s dance moves, keeping everyone on their feet at Co-op Live tonight, and his dancers made everyone want to start dance lessons tonight too, an absolutely incredible performance by all.
Jason Derulo told the audience, “This is a night to remember Manchester’, and that it absolutely was.
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
18th October 2022 
