The BBC has announced that tickets to the 2023 Eurovision Song Contest officially go on sale to the public today.
With the UK set to host the 2023 edition of the world’s biggest song competition on behalf of 2022 winners Ukraine, fans from across the globe will descend on Liverpool on Saturday 13 May – and for those keen to watch one of the live shows in person, tickets go on sale today.
Eurovision fans who want to try their chances at securing tickets to either one of the Semi Finals or the Grand Final itself will need to be poised and ready.
Big #Eurovision2023 news! Tickets will be on sale from midday GMT on Tuesday 7th March 🎉
It’s not just the televised shows that fans can grab tickets for either, as there’s a total of nine live shows at the this year’s Contest – which is being staged at the Liverpool Arena from Monday 8 May, until the main event on Saturday 13 May.
There’ll be an Afternoon Preview Show and an Evening Preview Show for both of the two Semi Final events and the Grand Final, all before the Live TV Shows are then recorded at 8pm that evening, and studio audiences are to head on down and sing to their heart’s content at each one.
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Fancy having a crack at securing tickets then? Here’s everything you need to know.
Official artwork for the Eurovision Song Contest 2023 / Credit: Eurovision Song Contest
What time do tickets go on sale? And how much do they cost?
Tickets to the Eurovision Song Contest 2023 go on sale at 12pm (GMT) on Tuesday 7 March.
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Tickets are priced from £30 to £290 for each of the Semi Final shows, and from £80 to £380 for the Grand Final shows – all depending on the seats and packages.
How many tickets can I buy?
You can only buy tickets for one show at a time.
For the three live televised shows, customers can purchase a maximum of four tickets in one order, but for the six preview shows, you can buy a maximum of six tickets.
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This year’s Contest is being held in the North West city of Liverpool / Credit: Eurovision Song Contest
What’s the differences between each show?
The Afternoon Preview Show – usually referred to as the ‘Family Show’ – is a full run-through of that day’s Live TV Show, and serves as one final rehearsal for the artists and crew, and as the name suggests, it’s much more convenient for those who wish to bring younger Eurovision fans.
The Evening Preview Show – often referred to as the ‘Jury Show’ – is also a full run-through of that day’s Live TV Show when it comes to the Semi Finals, but in the case of the Grand Final, it’s when the international juries cast their votes for the participants.
And then the Live TV Show is exactly what it says on the tin.
Where do I buy tickets?
Tickets will only be available to purchase from Ticketmaster, regardless of the country you’re booking from, and you can only purchase tickets for one show at a time.
You must have a Ticketmaster account to purchase tickets, and fans are encouraged to create their account in advance of Tuesday 7 March.
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Kalush Orchestra of Ukraine as they were crowned winners of last year’s Contest / Credit: Eurovision Song Contest
How tricky will it be to get tickets? What’s my best shot at securing them?
As it probably goes without saying, demand for tickets is expected to be high, but as fans who have travelled to a Contest before will tell you, traditionally, it can be easier to secure tickets for the Preview Shows than one of the Live TV Shows.
“Preview Shows have all of the content and performances of the broadcast shows, but leave you free to watch the Live TV Show as it was intended… on the television,” Eurovision says.
The Government has already announced earlier this year that 3,000 tickets will be made available for those Ukrainians who have been forced from their homes and are living in the UK – meaning they can attend one of the Live Shows and help mark the Ukrainian group Kalush Orchestra’s victory at last year’s Contest.
Featured Image – Eurovision Song Contest
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Michael Carrick brands Lisandro Martinez’s red card as ‘one of the worst’ decisions he’s ever seen
Danny Jones
Michael Carrick has dubbed the red card shown to Lisando Martinez on Monday night “one of the worst I’ve seen”.
In case you missed it, Martinez’s sending off proved to be the decisive moment in Manchester United’s sour defeat to old rivals Leeds.
Despite pulling one back through another Bruno Fernandes assist and another Casemiro header from a set-piece, Man United went on to lose 2-1 in what was Leeds’ first win at Old Trafford since 1981.
A night to remember for the Whites and one that Reds, equally and ironically, won’t soon forget either, with the Argentinian being dismissed for what the referees deemed ‘violent conduct’. For those who haven’t seen it, here’s the incident in question:
While there is a noticeable grabbing of the hair, Carrick and many others are understandably questioning the perceived ‘force’ that influenced Paul Tierney’s final ruling.
Put simply, many have put it down to whether or not it’s a hair pull/grab and how much of a tug the opponent felt.
Yorkshire-born striker Dominic Calvert-Lewin said in an interview after the whistle: “I don’t make the rules. I told the referee that my hair was pulled.”
Clearly, Carrick is far from the only one who thinks it was a “shocking” call from the officials, either.
Several pundits argued that it was “harsh” to send off ‘Licha’, with even old foes like former Liverpool defender Jamie Carragher stating live on Sky Sports’ MNF analysis of the game: “I think everybody in the game is looking at that and thinking, ‘Oh, come on. That is not a red card. Behave yourself!
As the current interim Man United boss – on whom it remains to be seen whether or not he will get the job full-time – he was left visibly frustrated in his own post-match pressers, highlighting that there were other moments in the game that the referees missed or simply overlooked.
The Stretford finally saw their interim head coach make his emotions plain to see.
Fans online have cited other recent examples, such as Man City’s Antoine Semenyo having his hair pulled against Fulham just a couple of months ago, which went unpunished, as well as David Brooks getting away with only a booking for something similar on Chelsea’s Marc Cucurella back in January.
The general consensus in the stands on the night at Old Trafford, on social media in the aftermath, and indeed throughout the Premier League, is that supporters simply want more consistency when it comes to stuff like this.
Rule books change and get more complicated all the time; that’s just football, but if that is the way it will continue going, arbitrators like the PGMOL (Professional Game Match Officials Limited) have to uphold their own standards.
Now slapped with a three-match ban, Martinez had only just returned to the fold but will now be missing once again. Another absentee whose presence was clearly missed on the night was midfielder Kobbie Mainoo, though United fans will at least be relieved to hear his injury is nothing serious.
And that’s not the only positive update regarding the homegrown young star, either…
Featured Images — Sky Sports (screenshots via YouTube)
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Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.
Emily Sergeant -
7th March 2023 
