The final episode of Channel 4’s It’s A Sin has been devastating audiences across the UK since its air online and on our TV screens this past weekend.
And now, one of the show’s stars has explained why it’s so important to today’s society.
It’s A Sin is a five-part drama series, largely filmed in Greater Manchester, created by revered screenwriter and producer Russell T Davies – who is best-known for his work in Doctor Who, Queer As Folk and Casanova, and has also previously set and filmed a number of his other shows in Manchester too, including trilogy series Cucumber, Banana & Tofu in 2015, and Years & Years in 2019 – and it explores the lives of three young gay men affected by the AIDS crisis of the 1980s.
The series is loosely inspired by Davies’ own real-life experiences, who was also an 18-year-old gay man at the start of the AIDS crisis.
The show has a seriously-impressive line-up of up-and-coming talent and big names too, with popstar and actor Olly Alexander leading the series, alongside newcomers Omari Douglas and Callum Scott Howells, and supporting roles coming from veteran actors Stephen Fry, Neil Patrick Harris, Keeley Hawes and Shaun Dooley.
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Since its air on All4 on 22nd January, and every week on Channel 4 since, the series has exceeded all expectations.
It’s now been heralded by Channel 4 as its “most binged new series ever”.
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But it’s the show’s final episode, in which Valerie Tozer – played by Keeley Hawes – the mum of Olly Alexander’s character Ritchie, “goes on the warpath” as terrible confrontations are made, that has proved to be the one to rip the nation’s hearts out.
During an online panel discussion for BFI at Home, Keeley described Valerie as “a complicated but, at the same time, she’s incredibly straight-forward character,” but it admitted that it was the last episode in particular that really sold the show to her when she was given the scripts to read.
For weeks, fans of the show on social media have been debating why an actor of Keeley Hawes’ stature and experience would accept a role as supporting as this one.
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But they finally figured out why once the final episode aired.
Keeley said: “I got a message from my agent saying the first four scripts were on the way but to keep going because even though I was only in a handful of scenes, I’d be in a lot of episode five,
“Even on the strength of the handful of scenes I would have wanted to be part of it, but then came episode five and it was amazing. I couldn’t believe my luck. It’s such an interesting period of time that hasn’t really been done in this way.”
In fact, just reading the scripts proved to be an emotional experience for Keeley.
“They were so real,” she explains.
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“I sat and read every episode, one after the other, and laughed and sobbed. I find the sadness of it hard to talk about, even now.
“It has become apparent that I can’t talk about this show without crying.”
But despite the emotional impact of the show and the challenges that such an element brought with it, both during and after filming, Keeley admits it was still very much a rewarding and “glorious” shoot.
Filming also allowed Keeley to tap into some of her own personal experiences of the era, particularly in regard to HIV and AIDS, with her admitting: I grew up very close to St Mary’s Hospital in Paddington where there was an HIV wing – I think it was one of the first ones at the time,
“I remember walking past that quite often and feeling a sense of foreboding.
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“A teacher at my primary school, when I was a bit older, went away and was ill and died of AIDS but it wasn’t something people wanted to say out loud. Nobody wanted to put a name to it, he was just ‘unwell’. It all came flooding back. I grew up in that decade and feel quite sentimental about it, but I wouldn’t want to relive it.”
When asked what she hopes audiences will take away from the show, Keeley says she wants it to educate people who weren’t around at the time.
“I don’t think my 20-year-old son has much idea about this,” she explains.
“It’s not something studied in schools because HIV is something you live with, you don’t die from it in the same way, it’s not a death sentence, so I think it will act as a reminder to some or even be news to younger generations”.
And, she also believes that the timing of the show – airing in the middle of England’s third national lockdown amid the coronavirus (COVID-19) pandemic – has been “accidentally extraordinary”, saying: “People say we’ve never lived through anything like this COVID pandemic but we have.
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“The way people were treated before they knew what AIDS was, the alienation of those people who were suffering in isolation, people with PPE and so on, all the conspiracy theories about a gay cancer.
“There are so many parallels to now, before we got a clearer understanding of COVID.
“I follow this brilliant Instagram page called The AIDS Memorial [@theaidsmemorial] and everyday, people post pictures of people they’ve lost with the hashtag #whatisrememberedlives – each and every story is different, from the 80s to the present day.
“Reading them makes all the lives in It’s A Sin feel more real, because some of them are so similar and they’re people that deserve to be remembered.”
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You can watch all five episodes of It’s A Sin on All 4 here.
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Inside the Grade I-listed Cheshire mansion currently on the market for an eye-watering £11.4m
Emily Sergeant
A Grade-I listed manor house has gone on the market over in Cheshire, and to say it’s absolutely stunning is a serious understatement.
Oh… but you will need a spare £11.4 million to fork out on it though.
Of course, it goes without saying that the vast majority of people reading this article right now won’t see a sum of £11.4 million ever in their lifetimes, and properties of this size and stature are not the kind we’ll ever get to call home, so the next best thing we can do is just snoop around on good old Rightmove and have a nosey at all the jaw-dropping pictures instead.
Like us, if you’ve got no shame in admitting that one of your favourite internet pastimes is looking up houses you can’t afford in places you’ll probably never visit, then allow us to introduce you to this absolute beast of a mansion in Cheshire.
We’re talking a Grade I-listed, 10-bedroom, has its own library, lake, tennis courts, self-contained lodges, a venue for hosting weddings and corporate events, and is sat in extensive farmland kind of ‘beast’.
This is Dorford Hall.
Nestled in a secluded, yet still very easily-accessible corner of Nantwich in south Cheshire, the expansive Dorfold Hall Estate boasts a seriously-stunning Grade I-listed Jacobean manor house surrounded by breathtaking Victorian gardens that’s been immaculately-restored and renovated by the current owners over several years to now offer accommodation for modern living within a historic setting.
While the estate may now serve the dual purpose of being a cherished family home, and a picturesque venue for weddings and corporate events, that’s now how it started life in the 17th century.
Built in 1616 and designed in the characteristic Jacobean style, the Grade I-listed Hall is steeped in local historical and architectural significance – with rumours claiming its construction was even expedited to host King James I during a royal visit.
It’s a Grade I-listed manor estate rumoured to have been built for King James I to stay in during the 17th century / Credit: Savills
Now, estate agents Savills call it a “fine example of Jacobean architecture”, all thanks to its symmetrical design, red and blue brick diapering, stone detailing, slate roofing, large mullioned windows, ornate chimneys, and gables.
Accommodation is arranged over three floors, with the spacious reception rooms, bespoke kitchen and dining room, library, billiards room, and the separate lodges, cottages, and apartments for housekeepers, being just a few of the stand-out features it has to offer.
And the wow-factor doesn’t stop with indoors either, as the outside is arguably even more impressive.
It’s currently on the market for £11.4 million / Credit: Savills
Once you’ve entered the estates grounds through the electric gates and make your way down the impressive tree-lined drive, you’ll find acres of mature and historic gardens, new lawn and garden irrigation systems, several outbuildings, and even an enviably-beautiful walled garden with its very-own wildflower meadow, lake.
As mentioned there’s even tennis court within the grounds too, as well as a restored Clock Tower, and the small matter of a RIBA award-winning avant-garde event space and Coach House that’s licensed to hold civil ceremonies.
We know we’ve used the word ‘impressive’ quite a few times throughout this, but what’s one more… it’s all pretty impressive, right?
Dorford Hall is currently on the market with Savills for a whopping £11.4 million, and if you fancy taking a closer look, then you can contact the property company to arrange a viewing.
Or take the cheaper route instead and just have a nosey at the Rightmove link here.
Featured Image – Savills
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New narrators to take over from Sir David Attenborough for special episode of Planet Earth III
Emily Sergeant
The BBC has announced that some new narrators will be taking over from Sir David Attenborough for a special episode of Planet Earth III.
The BBC stalwart has been narrating nature documentaries for over 70 years now, and is known all across the world as the voice of nature – but, as our natural world faces even greater challenges than ever before, the broadcaster has claimed that “one voice alone is not enough to speak up on behalf of planet Earth”.
This is why, especially to mark Earth Day yesterday (22 April), the massively critically-acclaimed documentary series, Planet Earth III, decided to collaborate with BBC Children in Need for a one-off episode of the show.
New narrators are taking over from Sir David Attenborough for a special episode of Planet Earth III / Credit: BBC
But what exactly is it that makes this episode so “special”? Well, that’s because it’s uniquely narrated by dozens of schoolchildren.
The children – who are each aged between nine and 13, and are all said to be “budding naturalists” – can be heard reading from Sir David Attenborough’s original scripts in a bid to both “champion the power of youth voices” and, ultimately, “speak up for the planet”.
The BBC explained that the 50 student narrators were chosen from schools selected by BBC Children in Need as some of the most engaged fundraisers for the charity across the UK in recent years.
There are some new kids on the block this Earth Day…
Sir David Attenborough steps aside for a special episode of Planet Earth III, narrated by schoolchildren.
Alongside the airing of the special episode, the BBC also gave tens of thousands of children nationwide the chance to tune into a virtual assembly hosted by wildlife biologist, explorer, and presenter Lizzie Daly, as well as take part in a Q&A with the producers of the popular documentary series.
Clips from Planet Earth III were also made available so curious kids could have a go at narrating for themselves.
The special episode of Planet Earth III narrated by the schoolchildren is now available to watch on BBC iPlayer here, but it will also be airing on BBC One on Monday 6 May too.