A number of prominent musicians and names within the Manchester music scene have condemned Rishi Sunak’s comments appearing to suggest arts workers should “find other jobs”.
The Chancellor of the Exchequer’s comments have gone on to cause uproar online.
In a video-recorded and printed interview with ITV Politics this morning, Mr Sunak appeared to issue some vague remarks about what people working in the arts should do as the industry struggles amid the coronavirus (COVID-19) pandemic.
He said: “I can’t pretend that everyone can do exactly the same job that they were doing at the beginning of this crisis.
“That’s why we’ve put a lot of resource into trying to create new opportunities.”
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He then went on to say that government is “trying to do everything we can to protect as many jobs as possible”, but conceded that unemployment is “likely to increase”.
When asked whether he was suggesting some of the UK’s “fabulous musicians and artists and actors” should get another job, Sunak said “as in all walks of life everyone’s having to adapt”. He continued: “Can things happen in exactly the way they did? No. But everyone is having to find ways to adapt and adjust to the new reality”.
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The ITV article was later updated to state: “This article has changed to reflect that the Chancellor’s comments were about employment generally and not specifically about the music or arts sector.” however, Sunak’s comments still caused anger from those working in the struggling arts sector.
Now, well-known names on the Manchester music scene have had their say.
Oasis frontman Liam Gallagher, The Smith’s guitarist, co-songwriter and solo artist Johnny Marr, Charlatans’ lead singer and solo performer Tim Burgess, and Bolton-born singer/songwriter Badly Drawn Boy have all taken to Twitter this afternoon to address Mr Sunak’s controversial comments on the arts sector.
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In his expletive-filled rant, Liam Gallagher asked the government to “show a bit of respect”.
So the dopes in gov telling musicians and people in arts to retrain and get another job what and become massive cunts like you nah yer alright c’mon you know LG x
He also went on to state that: “If anyone needs to retrain, it’s [the government]”.
The same sentiment was echoed by Tim Burgess, who also called on Chancellor Rishi Sunak to talk with him about the struggles the arts sector is currently facing.
Hey @RishiSunak – I think we need to talk about this : /
Johnny Marr questioned the Chancellor’s comments with regard to the content produced by the arts sector and consumed by the public during lockdown.
This is someone running the country. How about you not have your movies, TV shows, Netflix etc during lockdown ? All the music, paintings, art in the culture since time began. Moron. pic.twitter.com/jyBXf2sjde
Sacha Lord – Night Time Economy Advisor for Greater Manchester – has also hit back at the Chancellor’s comments today.
The co-founder of Warehouse Project and Parklife has continued to be vocal on the topic on Twitter and in the media over the past few months, and more significantly in the wake of the #CancelTheCurfew campaign – the nationwide campaign calling on the UK government to remove the curfew which requires venues to shut at 10pm – where he has previously that the lack of support would result in “a tidal wave of redundancies” across the country.
Taking to Twitter to respond to Rishi Sunak’s comments this afternoon, Mr Lord indicated that the government is “killing off our scene”.
He also called on live music fans to “remember this when we are through it”.
Today, the Chancellor has said musicians and others in the arts industry should look for another job.
That includes your favourite DJ….
If you like to go to nightclubs/events/festivals, just remember this when we are through it.
Earlier in the day, Mr Lord had also taken to Twitter to call on the government to “urgently introduce a sector-specific support package” and stated that the night time economy would not survive without it.
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One of the significant points in his call was to “cancel the current 10pm curfew” for public safety.
Today I am calling on the Government to urgently introduce a sector-specific support package if the night time economy is to survive #WeAreViablepic.twitter.com/HFbv9RF944
Rishi Sunak has since responded to the backslash surrounding his comments.
Following the change in headline of the originally-published ITV article to reflect the nature of the comments in the interview, the Chancellor took to Twitter to respond to the widespread criticism he has received throughout the day.
He indicated that the original article headline “falsely suggested” his thoughts on the arts sector.
An earlier @itvnewspolitics tweet falsely suggested I thought people in arts should retrain and find other jobs.
I'm grateful they have now deleted that tweet. I care deeply about the arts which is why our £1.57bn culture package is one of the most generous in the world. https://t.co/raEXxXUMqx
Mr Sunak also went on to say that he “cares deeply about the arts”.
He then referenced the government’s £1.57 billion culture package – which he called “one of the most generous in the world” – as a reason to back up his supportive stance.
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.