Some schools in the UK are said to be considering moving to three-day weeks this autumn amid fears over energy bill costs and teacher pay.
As the rising cost of living crisis continues to be making its impact felt across the country, it’s now being reported that headteachers, trustees, and governors are holding talks and discussions during the summer holidays in an attempt to work out how to keep schools afloat in the autumn term, according to The Telegraph.
It comes after schools have been facing considerable financial pressure as of late, despite the Government promising to boost budgets by an extra £7 billion in England by 2023.
Funding per pupil in England dropped by 9% between 2010 and 2020.
Now, with some schools’ energy prices expected to increase by 300% in the coming months, according to reports, costs are rising faster than budgets will allow, and then, with teacher pay rises also set to be awarded in September, it’s believed this will add another layer of pressure.
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Mark Jordan, the chief executive of Creative Education Trust – a multi-academy trust – said he had heard discussions of a ‘three-day week’ as a way to save money, while Geoff Barton, the general secretary of the Association of School and College Leaders, said schools were now holding “crisis meetings” to work out how to fund the increased costs.
🔴 School leaders are considering three or four-day weeks to pay for teacher salary rises and crippling energy costs, The Telegraph has learnt https://t.co/2IXARqO2FM
Mr Jordan said that his trust is considering a recruitment freeze and redundancies, and may have to scrap the planned COVID catch-up programmes for children, as well as planned investments and improvements in school buildings.
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“Others less fortunate are facing significant deficits and are already planning for teacher redundancies,” he added.
Mr Barton addd that some schools are even having to forego resources like textbooks.
The chief executive of one of the largest academy trusts in the country also anonymously told The Telegraph: “Shorter school days, fewer after school clubs and enrichment opportunities and draconian restrictions on energy usage will become a reality for all trusts and the situation is particularly challenging for smaller trusts and standalone schools.
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Headteachers, trustees, and governors are holding “crisis meetings” in an attempt to work out how to keep schools afloat / Credit: Flickr
“This is not a plaintive plea of poverty, nor is it the usual begging bowl moment ahead of a spending review.
A spokesperson for the Department for Education said in response to the report: “We recognise that schools, much like the wider economy, are facing increased costs, including on energy and staff pay [and] our schools white paper set out our expectation that the school week should last a minimum of 32.5 hours – the current average – for all mainstream state-funded schools.
“Thousands of schools already deliver this length of week within existing budgets and we expect current funding plans to account for this.”
Review | ‘This is a night to remember, Manchester’ – Jason Derulo’s Co-op Live debut
Amy Williams
Who’s ready for another throwback night? Because this was absolutely a night already full of nostalgia and one to remember.
American singer-songwriter Jason Derulo hit Co-op Live last night as part of his ‘The Last Dance World Tour’, famous for hit songs like ‘Whatcha Say’, ‘Talk Dirty’, and ‘Savage Love’ – we all remember the Covid TikTok dance, don’t we? – as well as many more.
With over 250 million singles sold and tens of billions of streams, you best believe his one night in Manchester was sold out.
Running through the big hits and everything in between, he and his dancers made it a proper party atmosphere on this fine Saturday evening.
He did his throwback songs and more; from the moment he said, “We’re throwing it back to the beginning, back to 2009″, we knew his first debut single, ‘Whatcha Say’, was about to grace our ears, and that it did.
He also brought back absolute classics like ‘Ridin’ Solo’ (I definitely lost my voice during this one) In My Head and It Girl.
The Last Dance run of shows has seen him visit places like Leeds, London, Glasgow and Birmingham, finishing his UK leg right here in Manchester, before he carries on to Europe, but we’re confident our date had the best crowd so far.
And just when you think this couldn’t get any better, he brought his little boy on stage to say hi to everyone, too – shattered everyone’s hearts.
He has that many hit songs, it wasn’t possible to get through them all, so his DJ halfway through did a mash-up of songs he’s also written and featured in, including ‘I Gotta Feeling’ by Black Eyed Peas, ‘Secret Love Song’ with Little Mix and ‘Replay’ by Iyaz.
We knew his voice was amazing – but can we have a moment for this man’s dance moves, keeping everyone on their feet at Co-op Live tonight, and his dancers made everyone want to start dance lessons tonight too, an absolutely incredible performance by all.
Jason Derulo told the audience, “This is a night to remember Manchester’, and that it absolutely was.
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Emily Sergeant -
15th August 2022 
