There’s no denying that the coronavirus (COVID-19) pandemic has flipped life on its head.
The first national lockdown introduced towards the end of March 2020 saw the world grind to a halt, with several industries ordered to temporarily close their doors, numerous events cancelled, all non-essential workers told to work from home, necessary social distancing measures put in place, and the public encouraged to do everything they can to “protect the NHS [and] save lives”.
But for some of us, working from home looked a little different to the rest.
For Dylan Rixon – a 24-year-old carer from Flintshire in Wales – working from home meant calling a new place home instead, as he left his hometown and country to cross the border and move into the Cheshire care facility where he works full-time.
Dylan works for the Deafness Support Network, which runs four homes caring for deaf people and those with learning disabilities 24 hours a day, and moved into Stepping Stones in Northwich, Cheshire, in March last year when coronavirus began to take hold of the UK.
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The move has meant that Dylan has spent all but three weeks living in the care home since the pandemic began and admittedly spent his 24th birthday “just staring at four walls”, but he said his sacrifice has been the best way to keep himself and the vulnerable tenants safe.
He also said he had better insight into the lives of the home’s 22 residents as a result.
The idea to move into the care facility full-time was suggested to him by his father, as Dylan has a weak immune system as a result of contracting meningitis as a toddler, and also had a mild heart attack two years ago too.
As well as as being in the name of safety, moving into the home also had its conveniences too, as it meant Dylan could avoid the 30-mile commute on public transport each day.
Dylan said: “I remember my dad saying ‘you need to be a bit wiser about your decisions, because further down the line its going to affect everyone and be much worse than you think’
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“And he was right.
“So we made the decision it was best for me, best for the family and work as well because I was reliable and always here.
“I used to get up around five-ish, get on the train for six o’clock and get here for half-past eight. Then I’d finish at nine at night and get home at one in the morning, get a few hours sleep and then come back again, so it has been a bit of a change from doing that, to now sleeping here”.
He continued: “When everyone’s going at seven at night I’m still here,
“I find myself in the kitchen cleaning or doing a bit of laundry and thinking ‘I wish I was going’, but I’m not [so] I usually watch movies or have game of Jenga”.
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But despite the monotony that may go along with his adjusted lifestyle, Dylan believes he has gained a better insight into the lives of those he cares for now that he’s living under the same roof as them, adding: “I was seeing the tenants three [days’] on/three off, and now I see them every day and I’ve got to know the way they approach life, how they go about things”.
And he has no plans to leave any time soon either.
He often even finds himself joking about staying on and paying rent in rent at the home, but admits that he does miss home and hopes that it won’t be too long before he is able to see his loved ones again.
“I miss my family and friends but I’ve just been getting on with work,” said Dylan.
“I keep in contact with everyone from home and I’m sure they’re missing me like I’m missing them.
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“I’ve still got Christmas presents to open and they’ve got presents coming their way when I see them again [so it’d be nice to get back to Wales one day.
“I do miss home.”
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Public vote opens for ‘most memorable’ TV moment of the year at 2026 BAFTAs
Emily Sergeant
What was the most memorable TV moment of this past year? It’s time to have your say.
The BAFTA TV Awards for 2026 are merely months away, with the ceremony set to take place on Sunday 10 May, and now, the shortlist for the Memorable Moment Award have been announced and the public is being called on to vote for their favourite.
Each year, the Memorable Moment Award – which is currently sponsored by P&O Cruises – honours the impact of television in the UK and its power to ‘entertain, inform, and bring the nation together’.
The nominations were compiled by an ‘esteemed’ independent jury of influential TV critics, as well as TV presenter, Josie Gibson, showcasing key moments from 2025 that reflect the power of TV.
The six nominees for this year’s P&O Cruises Memorable Moment Award are…
✨ Adolescence – Jamie snaps at the psychologist ✨ Big Boys – “I didn’t make it, did I?” ✨ Blue Lights – The police are warned of an ambush plot to silence a key witness ✨ Last One Laughing – Bob… pic.twitter.com/Mes4cCjwgH
So, what are the nominees for this year then? Which TV moments does the UK public get to pick from as the winner of the coveted award?
Nominations include moments from smash-hit TV shows like Netflix’s one-shot miniseries Adolescence, BBC’s iconic reality competition show Celebrity Traitors, and Prime Video’s side-splitting comedy show Last One Laughing.
The nominations are:
Adolescence (Netflix) – Jamie snaps at the psychologist
Big Boys (Channel 4) – “I didn’t make it, did I?”
Blue Lights (BBC) – The police are warned of an ambush plot to silence a key witness
The Celebrity Traitors (BBC) – Alan Carr wins The Celebrity Traitors
Last One Laughing (Prime Video) – Bob Mortimer and Richard Ayoade’s speed date
What It Feels Like For A Girl (BBC) – Byron leaves for Brighton to start uni, where she introduces herself as Paris.
The moment chosen to represent Adolescence is where main character Jamie becomes frustrated and then flies into a rage during his assessment by child psychologist Briony, while comedians Bob Mortimer and Richard Ayoade’s ‘speed date’ has been chosen to represent Last One Laughing, and of course, the moment where Alan Carr was revealed as the winner has been selected for Celebrity Traitors.
“It’s been a huge pleasure to chair this year’s jury and share in the thoughtful, passionate conversations about the standout television moments of 2025,” commented Hilary Rosen, chair of BAFTA’s Television Committee, as the shortlist was unveiled.
“From powerful drama to unmissable entertainment and brilliantly sharp comedy, the nominees reflect the creative breadth and cultural impact of best-in-class television.
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“I look forward to seeing which memorable moments resonate with the public, and the conversations they’ll spark well beyond the final vote.”
Voting is open until 9pm on Wednesday 22 April, and you can cast your vote on the BAFTA website online here.
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Review | What we made of Country 2 Country 2026, and why Manchester should be very excited
Danny Jones
Excuse me, but it looks like we might have a new favourite festival on the cards: Country 2 Country – and it’s very rare we gig in London and enjoy ourselves anyway near as much as we do up North, but now we’re already dreaming of just how good C2C Manchester could be.
In fact, scratch that, we know it is.
Billed as Europe’s biggest country music festival, there really isn’t anything quite like it here. Yes, there’s Buckle & Boots Festival closer to home, but there’s nothing in the folk and country world on this kind of massive scale, unless you go all the way to see the actual CMA Fest over in the US.
London’s also been lucky enough to host some very big names at BST Hyde Park too, but this fully-fledged arena weekender, complete with an outdoor festival hub, town square, trading post, a barn full of line-dancers, and SO much more, celebrates every single part of that culture.
By day, the aim is to make a little country town, complete with shops, food, drink and music aplenty. (Credit: Audio North)
But… We think the North can do it better.
So too did some of the acts and punters as well, by the way; we spoke to several people on-site who’d made the trip from all over because it was closer than Glasgow, Belfast or Berlin.
Up-and-coming British country rock artist, Bronnie – who was literally hours away from a move across the pond to pursue her dreams of living the cowgirl turned music artist experience down in the Southern states – said simply: “There’s always this feeling like there’s more fun to be had up North”
Moreover, the friends she’s already made over in America’s ‘Music City’, she says, have claimed that “the vibes are just better”, apparently. Not to sound too biased, but we obviously couldn’t agree more.
However, with the news that C2C is coming to Manchester city centre and Northern England for the very first time, people are already hopping mad at the idea of a Manc debut.
That’s to say that what The O2 in London isn’t special and will always be to most punters, we just know full well that our particular region is going to take to this new annual event like a duck to water.
A lot of the people we spoke to kept repeating the same: that working class connection, simple but relatable imagery, the pure poetry you’ll find not only in Nashville but creative cousins like Manchester.
The Broadway strip in Austin may be the spiritual home of this kind of music, but we Greater Mancunians lay claim to plenty of genres and some of the biggest artistic traditions ourselves.
With that in mind, we are convinced we’re going to leave a lasting impression when our inaugural Country 2 Country Festival comes to the AO Arena next year.
Our line dancing might leave a little to be desired, but we’ve got a whole year to work on it, not to mention plenty of time to dive even further into the UK’s growing country music obsession.
You can see more pictures from our 2026 C2C gallery down below.
Country fashion was everywhereThe official CMA Spotlight Stage was one of the bestNo one shyed away from a partyKruse Brothers were one of our favourite from the weekendAlana Springsteen was incredibleAnd by the evening, it’s a proper hedonist hoedown… (Credit: The Manc)
Emily Sergeant -
8th February 2021 
