Castlefield, with its iconic viaduct and cobbled streets, is once again being used for big-budget filming as the latest Batman/DC Universe title, Clayface, looks to be setting up in the eye-catching Manc corner.
Whether it’s football kit reveals and brand shoots, BBC dramas or the next upcoming Netflix series, production crews can’t get enough of Castlefield, it would seem.
For those who hadn’t heard, work on the new Clayface movie revolving around the cult favourite Batman villain is well underway, and the North West has been used as the backdrop on multiple ocassions this month already.
You can see early glimpses of the set being put together down below.
Come on, how cool is it that we get to stumble on stuff like this right on our doorstep so often?
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Speaking to The Manc, a source detailed that the set is being assembled today (Tuesday, 16 September) ahead of a single day of principal photography on what we can only assume is more Clayface filming sometime tomorrow.
While she could not confirm with us directly, she said, “If you’re a comic book nerd and look at the posters, you’ll be able to figure it out.” We’ve certainly been studying all the easter eggs already.
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It might not quite be as dark and gritty as Gotham City, but this particular part of Manchester has been used in TV and film – especially period dramas – many times for good reason.
The Victorian-era steel structure, dark red brick and overall industrial aesthetic work so well when it comes to creating a believable and cinematic world.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, you can add multiple music videos, several Manchester United and Man City shirt launches, and so many more that we’re starting to lose track.
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As for Clayface, this isn’t even the first time the upcoming DC ‘body-horror’ flick has popped up in Greater Manchester.
Last week saw the equally striking Art Deco facade of the old The Plaza Super Cinema in Stockport turned into a fictional movie premiere to stunning effect:
Speaking of, another childhood favourite is filming here in Manchester right now, too.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, the new Narnia adaptation by Greta Gerwig may just be one of the biggest projects that has ever landed underneath the familiar ‘birdcage’.
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ln fact, it just so happens that there are actually multiple noteworthy small and silver screen works fighting over the Castlefield shooting schedule at the moment…
James Acaster reveals eerie song all Traitors contestants are forced to listen to before every roundtable
Emily Sergeant
James Acaster has revealed the eerie (and pretty surprising) song that all Traitors contestants are forced to listen to before every roundtable.
In case you’ve been living comfortably under a rock, you’ll probably be aware that comedian James Acaster is currently a contestant on this current season of BBC‘s smash-hit reality TV competition show, The Celebrity Traitors – a show that viewers in their millions are tuning into each week, with some big names on the cast.
Acaster is currently (spoiler alert… but it shouldn’t be at this point, we are several weeks in after all) one of three Traitors competing on the show, and he’s doing a pretty good job at it.
But we wonder how much of his success can be put down to the producers’ love of a certain song they like to play before every roundtable? Probably next to none, but it’s surprising to find out how much of an integral role the tune plays though.
The song we’re referring to here, it has been revealed, is ‘The Hanging Tree’ – a folk ballad made popular by The Hunger Games.
‘The Hanging Tree’, composed by James Newton Howard and Suzanne Collins, was famously sung by Jennifer Lawrence’s character Katniss Everdeen in the third instalment of the film franchise, The Hunger Games: Mockingjay – Part 1.
The lyrics are as follows:
Are you, are you Coming to the tree Where they strung up a man They say who murdered three? Strange things did happen here No stranger would it be If we met at midnight In the hanging tree
So, as you can see, the song does make reference to ‘murder’, which is a key part of The Traitors game (not real murder, of course), but even with that context, we’re still not sure why the producers are keen to play it out before every roundtable.
During a viral TikTok clip from an on-stage Q&A this week, Acaster revealed the song’s usage to the audience: “You all walk in silence down the corridor, and you all sit down, and they don’t announce it’s gonna happen.
“The first time this will completely blindside you, but they do it every single roundtable. They play that song from The Hunger Games, that ‘coming to the tree’ song. Like acapella, Jennifer Lawrence.”
He continued: “It was every f***ing time, it was the only song we heard the whole time we were in there, and all day I would have it in my head constantly, everyone would, I’d go ‘have you got coming to the tree in your head?’ and they’d go ‘yes, it’s in my head, again’.”
Viewers who watch the show may have spotted the song being played in the background or transition between certain scenes, but now it’s been revealed that the contestants hear it too.
Who would’ve thought?
Featured Image – Euan Cherry / BBC / Studio Lambert
TV & Showbiz
One Born Every Minute is returning to TV – and this time, it’s filmed in Manchester
Daisy Jackson
The BAFTA-award winning documentary series One Born Every Minute is returning to our screens this week – and this time, it’s been filmed in Manchester.
The hit series ran for 11 seasons between 2010 and 2018, before taking a break.
But Channel 4’s acclaimed series will return from 25 October, following a whole new set of parents as they welcome new arrivals in one of the UK’s busiest maternity wards – Manchester’s St Mary’s Hospital.
Viewers will be taken back onto the wards for a new series of the observational documentary series, following the intimate, emotional journey of childbirth in 12 new episodes.
They’re promising that this latest season of One Born Every Minute will capture modern Britain, highlighting evolving family dynamics, advances in maternity care, and the real-life challenges faced by NHS staff in 2026.
Vivienne Molokwu, Senior Commissioning Editor, Reality & Entertainment and Commissioning Lead for E4 said: “Nearly 10 years on, we feel very privileged to once again follow the journey that parents embark on as they welcome their babies to the world.
“We know the roller coaster of emotions that this period brings is something that will really resonate with the E4 audience, and we cannot wait for our viewers to see how the digital age has reshaped how families navigate this stage of life.”
Will Rowson, Co-Creative Director at Dragonfly TV added: “There’s such affection for One Born Every Minute, and we’re thrilled to return to it. In the years it’s been away so much around pregnancy and maternity care has changed, making this an exciting moment to reimagine the show for an E4 audience.”
One Born Every Minute will return to E4 on Sunday 25 October at 9pm.