Fawlty Towers is set for a reboot after four decades, and the show’s original lead John Cleese is set to star alongside his daughter.
It’s been a long time coming, but after more than 40 years off air, production company Castle Rock Entertainment has announced this week that it has closed a deal with John Cleese to bring Fawlty Towers back to our screens.
The show originally ran from 1975-1979 on BBC Two, and is widely regard by fans and critics as being one of the greatest sitcoms of all time.
Written by and starring John Cleese and Connie Booth, in case you’re unfamiliar with the show, or haven’t gotten around to giving it a watch, Fawlty Towers is set inside a fictional hotel of the same name in the seaside town of Torquay, and follows the working lives of rude hotel owner Basil Fawlty played by Cleese, his bossy wife Sybil played by Prunella Scales, the sensible chambermaid and peacemaker Polly played by Booth, and the hapless and English-challenged Spanish waiter Manuel played Andrew Sachs.
Storylines usually follow the team’s attempts to run the hotel while a bunch of farcical situations and an ever-changing lineup of demanding guests and tradespeople run a muck.
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Cleese told The Independent in 2018 that “there’s not much point” in a Fawlty Towers remake, and had even hinted that reboot probably wouldn’t work nowadays – but it seems he’s now changed his tune on the idea.
The 83-year-old comedian, actor, and screenwriter – who has in recent years been vocal against what he calls “wokeness” and “cancel culture”, and is soon set to present a show on right-wing news channel GB News as he wants to “promote proper argument” – will reprise his role as Basil Fawlty in the reboot.
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His real-life daughter, Camilla Cleese, will star alongside him as the hotelier’s long-lost daughter who has recently returned.
According to the show’s directors Matthew George and Derrick Rossi – who are also producing alongside Cleese, and Rob and Michele Reiner – the reboot will explore how the dramatic and cynical Basil navigates the modern world, while running a boutique hotel.
Speaking on the upcoming reboot, Cleese said: “When we first met, he [Matthew George] offered an excellent first idea, and then Matt, my daughter Camilla, and I had one of the best creative sessions I can remember. By dessert, we had an overall concept so good that, a few days later, it won the approval of Rob and Michele Reiner.
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“Camilla and I look forward enormously to expanding it into a series.”
Executive producer Rob Reiner called Cleese a “comedy legend” and that even just “the idea of working with him makes me laugh”.
Expected filming and air dates of the Fawlty Towers reboot are yet to be revealed.
Featured Image – BBC
TV & Showbiz
Married at First Sight UK is looking for single Mancs to take part in the next series
Emily Sergeant
Would you like to marry a complete stranger?
If you (somehow) answered yes to that question, then you’ll probably be keen to hear that hit Channel 4 reality show, Married at First Sight UK, is currently on the lookout for brave contestants to take part in the next series.
And you’ll probably be even keener to hear that casting directors are urging single Mancs to stick an application in… if they fancy it.
If you haven’t seen Married at First Sight yet, well then firstly, where have you been? And secondly, it’s a dating show like no other that sees singletons marry complete strangers in a social experiment – and it’s undoubtedly binge-worthy and extremely entertaining.
Contestants – who will not have met or had contact with each other until the wedding day – are matched up with their supposed ‘perfect match’, determined by a group of experts who use “scientific matchmaking methods”.
Once the contestants are married off, the camera follows them for five weeks to see whether the new relationship is a success or not.
Calling on singletons to put their faith in the matchmaking service, Channel 4 wrote in the casting announcement on the ‘Take Part’ section of its website: “If you are ready to swipe left to the dating apps and say ‘I do’ at the altar, then our experts are here to help you find the one.”
Channel 4 wants singletons to put their faith in the matchmaking service / Credit: Channel 4
Casting directors say singles of all ages, backgrounds, gender identities, and sexualities are “welcome to apply” for the new series.
Fancy it then?
Applications are currently open for the next series, and to apply to the show, you just need to be over 18 years of age, live in the UK, and feel ready for marriage.
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.