ITV has announced a two-part documentary on the Manchester Arena attack will air next spring.
The programme is set to broadcast five years on from the 2017 suicide bombing – in which 22 people were killed and more than 1,000 were injured at an Ariana Grande gig.
The documentary will explore the events leading up to, and the aftermath of, the devastating incident – using insights gleaned from the Manchester Arena Public Inquiry which has been ongoing since September 2020.
The programme will also feature testimonies of those who were there on the night.
ITV to mark fifth anniversary of Manchester Arena bombing with new documentary https://t.co/EQ1xZFxP89
Award-winning independent production company Label1 (Hospital; School) is putting the documentary together, with BAFTA nominee Marcus Plowright (Football, Prince William and Mental Health; The Murder of Jill Dando; In Cold Blood; Generation Gifted) directing.
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Tom Giles, Controller, Current Affairs at ITV, said: “As we approach the fifth anniversary of the devastating attack at the Manchester Arena, we’re pleased to be working with Label 1 on this series, which aims to provide fresh insight into what happened and ask what lessons can be learned.”
Creative Director, Label1, Simon Dickson, added: “The programmes will sensitively piece together the timeline leading up to the bombing and its aftermath, as well as exploring the evidence that has been presented to the Public Inquiry”.
Featured image: David Dixon / Geograph
TV & Showbiz
New trailer and images have dropped for BBC series Ten Pound Poms, starring Michelle Keegan
Daisy Jackson
A new trailer and images have been dropped for the BBC’s Ten Pound Poms, starring Michelle Keegan.
The Stockport-born actress has been filming Down Under for the drama, which will return for a second series on Sunday 9 March.
Ten Pound Poms comes from the same BAFTA-award winning writer as Fool Me Once and Brassic, Danny Brocklehurst, and follows a group of Brits leaving post-war Britain to embark on a life-changing adventure on the other side of the world.
As we head into season two of the BBC drama, it’s now 1957 and our stars are trying to make their Australian dream a reality.
The cast includes Michelle Keegan as nurse Kate Thorne, who’s trying to forge a future for herself; Faye Marsay and Warren Brown as Annie and Terry Roberts.
A new trailer and first-look images for the return of the BBC series have been released this week ahead of its return to our screens next week.
Ten Pound Poms is back on BBC for season two. Credit: BBC/Eleven Film/Lisa Tomasetti
In the trailer, we see Robbie (Nic English) share a tender moment with Kate as they rekindle their friendship, as well as meeting a new character for the first time.
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All episodes will be available on BBC iPlayer from 6am, with weekly BBC One transmission from 8pm on Sunday 9 March.
It’s made by Eleven (Sex Education, Red Rose) for BBC iPlayer and BBC One in a co-production with Stan, which airs the series in Australia.
Joseph and the Amazing Technicolor Dreamcoat – a masterclass in comedy, colour and movement
Danny Jones
To start with, we’re going to begin this review by advocating for going into stage shows with as little knowledge as possible because it only dials up the already exaggerated nature even further – we knew next to nothing about Joseph and the Amazing Technicolor Dreamcoat before seeing it in Manchester.
And we truly think it helped.
Now, when we say nothing, we’ve obviously heard the title plenty of times over the years as it remains one of the most celebrated musical productions on the planet, and you don’t need to be an avid theatre buff to know who Andrew Lloyd Webber is. The point being is that all we knew was its reputation.
Going along with a second party several decades older than us who shared the same blindspot and just never quite understood what all the fuss was about makes the next part even funnier: we both loved it.
Colour, colour and more colour.Some impressive yet superbly simple production value.Our review of Joseph and the Amazing Technicolor Dreamcoat at the Opera House in Manchester. (Credit: Press Tristram Kenton)
We’re not going to dive too heavily into the story as we’re sure plenty of you who are more well-versed in the genre don’t need a synopsis regurgitating for the umpteenth time, but what we will say is that we’re somewhat glad we weren’t aware of its religious themes and numerous biblical references.
Not because we have any particular issue with Christianity nor adapting stories within theologies to turn them into entertainment, but because as atheists we probably would have been less keen to choose this particular text over another.
However, this is why we’re thankful for going in blind as we fear many others have missed out on this long-standing vibrant, energetic, all-singing, all-dancing twist on the tale of Genesis for decades simply due to being non-believers/agnostic.
That being said, we can confidently assure you that not only can you put your thoughts on faith to one side for the duration of the performance but, for us at least, it felt like it was more of an undercurrent than anything else and had little bearing on what a truly joyful evening for all ages.
You also get hand-held through it through the eyes of the children being retold the story right in front of you by the expert narrator, Christina Bianco, whose interventions and comic timing were lethal on a crowd already easily cracked up by a punchline or two – but she had the best of the lot.
Where else to begin than with Joseph himself, played by Adam Filipe, who although we’ll admit to being layman on the subject until last night, feels almost born to play the role.
Not only did he bring respite to an otherwise frenetic (in the best way possible) onslaught of singing with his ability to deliver certain lines as nothing more than perfectly enunciated and emotional speech, but his voice was on point throughout and the way he made full use of the stage from the start was great.
One particularly immature slide up the curved wall of the set in the opening five minutes and we knew all we needed to know about not just movement but the rest of the cast too; pretty much non-stop movement and expression virtually at all times.
The dancing – particularly a rather hilarious ‘can-can’ confusion – was top-notch throughout and no matter which bright, flowing costume he or the ensemble was wearing during a specific number, they all looked the part and didn’t put a foot out of place.
Even a more serious interlude was welcome.We’d have loved more yellow-forward moment and backdrops in the palette but that’s just us being picky…Credit: Press Images
But much to our delight, there really wasn’t one standout performance that stood head and shoulders above the rest, simply because they were all brilliant.
Whether it was the Jacobs and Sons company of brothers bringing both melodrama and some comic relief, or the score of female dancers delivering an elegance and added level of pageantry to proceedings, they all played their part.
However, every time one or more of the kids took to the stage a show-stealing moment was ripe for the picking and they all seized their opportunity, be it in unison or in the select few solo moments in the spotlight. An audience is always going to get up for youngsters shining front and centre.
But, we suppose if we absolutely had to give another special mention to another member of the production and single them out, there’s only one person it could be…
Having previously played the lead role back in 2016 following his X-Factor success, Joe McElderry returns to Joseph and the Amazing Technicolor Dreamcoat and the Manc crowd in the role of the Pharoah and boy was he good having passed the baton and shifted gears. So good and so funny.
As well as an expert command of light, colour and choreography, the one thing we were surprised by was just how well-placed the comedy was throughout.
Not too much, not too little and nothing too contrived – a hard balance to strike and one that helps ease in those rare typically theatre-goers prone to a touch of cringe.
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All in all, we sincerely urge you to go and see this show for yourselves, especially if you’re like us and have never given it a chance before. You won’t regret it.
Joseph and the Amazing Technicolor Dreamcoat is on in Manchester until Sunday, 9 March. You can still grab tickets HERE.
In case you were wondering who stole the show in @JosephMusical at the @PalaceAndOpera, they all did… but we'll admit the Pharoah is a bit of a legend. 😅👏