Organised crime membership might be an open secret, but there’s always a golden rule that dictates you can never reveal the true nature of this work to people beyond the circle.
So, when one Salford criminal decided to unabashedly wrap himself in the flag for gangland and parade it around his city with bravado, it made for quite the story.
Paul Massey – the man who came to be best-known by the swaggering moniker ‘Mr Big’ – was raised in the rough-and-tumble surroundings of Ordsall in the sixties; moving from rapscallion to crime kingpin during the dawn of Madchester.
His blood-splattered story – which culminated in his murder in 2015 – sounds like it was lifted from the pages of an airport paperback, and has proven a popular subject for crime media over the years. But the latest in a long line of investigations, a BBC podcast called Gangster, has ambitiously attempted to go further than the documentaries that have come before it.
The new series – whichlaunched on streaming platforms last week – offers unprecedented access to Salford gangland; serving as a compelling new addition to the ever-expanding library of content on one of the region’s most infamous crime lords.
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‘I know the stakes’ – Gangster charts the rise and fall of Salford crime kingpin Paul Massey / Image: BBC
Led by experienced investigative journalist Livvy Haydock (VICE, BBC), Gangster is chopped up into five chapters each dedicated to a moment in Massey’s life; covering his time as a tearaway on Salford’s streets, running security at The Hacienda, and his bid for local Mayor, right up to his final moments when he was gunned down on his own doorstep.
With each episode clocking in at less than 30 minutes, Gangster rips along at the kind of binge-worthy pace required to carry a true crime doc, and host Livvy – who has made a living out of interviewing dangerous figures on camera – said she relished the chance to pursue a podcast as it offered an opportunity to “explore things with much more depth.”
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“Doing a podcast…. we got to explore the logic behind the chaos,” she explains.
“And [learn] how this man was born out of this situation.”
Mentions of The Godfather and The Sopranos frequently pop up throughout the podcast, and Gangster does indeed share some similarities to these seminal pieces of crime media – not least the fact there’s so much character to unpack beyond the barbaric surface.
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But despite suffering a predictably bloody downfall like many of his peers, Massey’s legacy is more multifaceted than the title of the podcast suggests. It’s also very real – unlike Michael Corleone’s or Tony Soprano’s.
Mr Big said he “knew the stakes” of living a life of crime. But, fascinatingly, he also had another reputation outside of gangland – one that cast him as a community champion. Many in his local neighbourhood looked up to him, considering him something of a Robin Hood figure.
“He did become a little bit of role model,” one resident explains in the podcast.
“Y’know… you’re kind but you take no shit.”
Massey built a criminal empire and later ran for Mayor / Image: BBC
People remain at loggerheads as to whether Massey was a force for good or evil. But what remains undeniable is his influence – which seemingly continues today despite his death in 2015.
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Some believe Massey may be pulling strings from beyond the grave – an idea amplified by Mr Big’s appearance in the Gangster podcast (a previously unheard interview from the archives).
Creating the series came with challenges, and producers said that the criminals’ code of silence was a serious obstacle in opening doors into Massey’s past. Mr Big might be gone – but he left a world behind that’s still very much alive. One that’s fraught with danger for outsiders.
“It’s so hard to navigate [this world] and pull info out of these experiences and the people you meet without causing danger to yourself,” Livvy admits.
“It’s a very careful line you walk. But we’re always transparent with people. We say: ‘Let’s talk if you’re comfortable, if not we’ll leave it, that’s fine.’
“What you need to remember is this is someone else’s environment – it impacts their lives. So, making sure someone was comfortable with talking was essential to getting the stories.”
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Series producer Paul Grant also said it felt necessary to bring in people from the other side of the law for the podcast – including the Police Chief Constable in power whilst Mr Big ruled the roost on city estates – so they could “get a good perspective from all sides.”
But convincing the story’s main characters to appear on the pod was only half the battle. The other side of production involved finding a way to re-create the sensory atmosphere of the period – and doing it a convincing enough way to lure listeners right in amongst the action.
The thumping tunes that soundtracked The Hac during Massey’s heyday whirl around interviewees, with blaring sirens and grungy guitars circling criminal subjects like vultures.
“For me, it was [important] to get the vibe right,” Livvy explains.
“The production, the music. We wanted to immerse people in this world and give a 360-point of view.”
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Paul adds: “As well as the story itself and the narrative arch is this sense of time and place. It’s very much a Manchester music soundtrack. We tried to give it a northern feel.”
Massey’s influence led to him running many areas of Salford and beyond / Image: BBC
Massey was a larger-than-life figure who appeared to revel in the camera lens when all evidence suggested he should be palming it away with fury. He was one-of-a-kind in that way, and is described in Gangster as a “walking contradiction”. There may not be another like him.
Livvy states: “Massey is quite unique in that when you look at other big name criminals – The Krays, The Richardsons etc – they’re things of the past. [Massey’s] story stretches to 2015 and is still kind of going on now.
“He was almost the last of his kind before this new generation came up. ‘Massey’ is still a household name and people are on the opposite ends of the spectrum on their opinions on him.”
Paul adds: “Here’s a guy who was a criminal but also stood to be Mayor.
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“Whether you’ll see that in modern criminals… I’m not so sure.”
Whilst investigating how Massey exerted influence over his area, Gangster also analyses the impact that criminal enterprises have on local communities – including how residents respond to living under these regimes.
Whilst Massey was an anomaly and the product of a very particular era, Livvy believes the patterns that led to his rise through the ranks – and how he recruited members into his entourage – remain the same.
“The impact [Massey had] on Salford as an area – it taught me a lot about the young gang members I’m interviewing on the streets today. I think the stories are very similar.
“Massey’s story is unique with the rave scene and The Hacienda, that will never happen again. But I think the things behind ithow communities can be forgotten and then exploited… I see that happening all the time in the work I do.
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She pauses for a moment or two.
“We can learn an awful lot by looking at a story like this: Why communities are distanced from the authorities… and perhaps how we can get them back.”
Gangster is available to stream and download from BBC Sounds now.
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
The show starts from 7pm, and you can secure your seat right HERE.
Printworks set to host a FREE music festival headlined by local music veterans
Danny Jones
You heard us right, Printworks is expanding its wide-ranging calendar of entertainment and leisure in 2026 with its very own completely free music festival here in Manchester.
Better still, it’s set to be headlined by some cult favourites.
The one-off event will debut next month to celebrate the arrival of the 2026 BRIT Awards, with the annual ceremony and accompanying seven days of intimate live shows coming to the city of Manchester for the very first time.
Set to take place from Friday afternoon until Saturday evening, 27-28 February (4-10pm and 2-10, respectively), the open access weekender has been dubbed ‘Live and Loud’.
Judging by the lineup of artists announced for Printworks’ debut music festival, we have every faith it will live up to the name.
As well as Manchester DJ Matt Hydes kicking things off, followed by the likes of R’n’B soul artist, KingFast, resident Reform Radio MC Urbi will also be joining the lineup, as well as regional dance veteran, Gareth James, and an intimate set by Sabira Jade.
That’s just a small handful of those who signed up to play the inaugural Live & Loud 2025.
As for your headliners, we’re buzzing to confirm that local house legends K-Klass are topping the bill; they may be from Chester, but they’ve been based here for ages and are practically part of the cultural fabric at this point.
You can see the full Live and Loud lineup and Printworks artist spotlight down below:
Friday, 27 Feb, 2026
Tristan Walsh
2Vibe
Urbi
KingFast
Honey Bee Jazz Band
Matt Hydes
Sat, 28
K-Klass
Matt Walsh & Jay Murt
Sabira Jade
Gareth James
Kick Back Sundays
Jorge Martin
Guy Connor
Emma Ellis
Printworks general manager, Dan Davis, said in an official statement: “Manchester is renowned for its musical heritage, and we are excited to bring music to life here at Printworks.
“Live & Loud will place Manchester artists front and centre, with an eclectic line-up that is diverse in genre, background and generation – reflecting our commitment to championing a wide range of local and upcoming artistic talent for a must-attend weekend of live music.”
In case you missed it, this brand-new event also comes amid a raft of small-capacity fundraising shows across the country.
Colette Burroughs-Rose, Director at Genre Music, added: “Live & Loud is Manchester in full voice – familiar faces and new names coming together under one roof across two standout days.
“This is Genre Music’s home city, and we’re proud to be partnering with Printworks on a music programme that welcomes everyone: family-friendly by day, great for evenings with friends.
“Alongside curating a truly eclectic mix of the city’s incredible DJs and live acts, we’re also capturing the artists’ stories on film to help amplify their voices and creativity beyond the stage.”
With the BRIT Awards being hosted at the Co-op Live arena not just this Feb but until 2027 as well, here’s hoping this is just the inaugural ‘L&L Fest and we at least get a sophomore edition next year.
There’s plenty of other music festivals happening in Greater Manchester throughout the year, especially this summer.
Sounds From The Other City has released its 2026 lineup, and there's set to be more than 100 exciting acts playing on 17 stages across #Salford. 🎶🎸