A film that received terrible reviews when it was released several years ago has been doing surprisingly well on Netflix.
Strangeways Here We Come, set in Salford and starring Michelle Keegan, was initially slammed for its ‘vile stereotypes’ – something its creator has defended.
It follows a group of residents on a council state plotting revenge on a local loan shark, played by Stephen Lord.
Alongside Michelle Keegan in her first film role, the cast also includes Chanel Cresswell and Perry Fitzpatrick from This Is England and Misfits actor Lauren Socha.
Strangeways Here We Come was written and directed by Chris Green, from Lower Broughton, in 2018.
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The film was absolutely slated by The Guardian on its release, who said in a one-star review that it was an ‘awful Salford-set Shameless ripoff’.
It’s named after a The Smiths album of the same name, but the paper noted it was ‘roughly as funny as Morrissey is nowadays’ – which is not very.
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The Times went a step further, giving it exactly zero stars out of five. I didn’t even know that was a thing.
Michelle Keegan stars in Strangeways Here We Come. Credit: Strangeways Here We Come
“This was made by someone who lived there. Growing up on Spike Island we saw a lot of violence. I can honestly say that 90 per cent of what you see in that film is true – its stuff I’ve seen, stuff I’ve experienced or know about. Apart from the murder, obviously.”
He added: “When [the film] came out, it was like putting Salford on the map. At the end of the day, all those unsavoury characters who are a bit brutal, are part of a community.
“When the chips are down, like the Salford communities I remember, they all come together to help each other out.”
But despite failing to wow the critics (understatement), the film has been quietly plucking away with Netflix audiences, and popped into the top 10 in the UK on its release week.
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Green said: “I couldn’t get my head round the fact that Strangeways Here we Come had gone to number ten on Netflix films yesterday. But now it’s at NUMBER 9!!!
ITV is reviving an iconic music trivia gameshow Name That Tune from the 70s
Emily Sergeant
ITV is set to revive one of the most iconic music-themed gameshows of all time for a new generation.
That’s right – Name That Tune is making a comeback.
Based on the successful US format of the same name, and airing in the UK on its original run from 1976 through to 1987, before being rebooted for the first time by Channel 5 from 1997-98, Name That Tune is being revived for the third time and is set to hit screens on ITV early next year.
If you’re unfamiliar with the premise of the show, Name That Tune sees contestants pitted against each other as their music knowledge is put to the test in a series of fast-paced rounds that featuring tracks from some of the world’s best-loved music artists and bands across every genre, all building towards a nail-biting finale.
Competitors will be tasked with correctly deciphering iconic riffs, melodies and lyrics from some of the biggest songs on the planet.
Set to be presented by Alison Hammond, and with a studio audience singing along, the show’s reboot will invite viewers at home to play from their living rooms, making it the ultimate soundtrack for all generations.
Every round is designed to challenge music enthusiasts by asking them just one simple question – can you name that tune?
“As a massive music lover, my biggest challenge as a host will be trying not to grab the mic and start singing along when one of my all-time favourite tunes comes on,” commented Alison Hammond as she was announced as the host for the reboot.
“And trust me… that will take serious self control.
“I grew up absolutely loving the original show so being part of this now feels like a real full-circle moment. I cannot wait to get into the studio, put the contestants through their paces, and see who really knows their music.”
ITV has told viewers to expect the show to be ‘bigger, louder, and more feel-good than ever’ once it returns in January.
Featured Image – ITV
TV & Showbiz
BBC cancel three hit shows, including legendary stand-up series, Live at the Apollo
Danny Jones
The BBC have reportedly cancelled three of their hit TV shows, including the long-standing Live at the Apollo.
With the company facing even more cuts and the television industry facing the ever-changing obstacles set about by increasingly dominant digital platforms, the hit live stand-up series, which has run for over two decades, is the latest big IP on the chopping block.
But that’s not all: joining them in cancellation after long stints on the box are Celebrity Mastermind and the most recently rebooted version of British favourite, Blankety Blank, brought back with Bradley Walsh as host back in 2020.
With roughly 65 full-length seasons between them, and literally hundreds of episodes under their belt, the unfortunate trio have fallen foul for varying reasons.
At first I read that as Celebrity Masterchef, but that show is immortal.
Really surprised to see Live at the Apollo go. It can't cost much and has been instrumental in giving many comedians their big TV breaks. https://t.co/BrT8k2hoYd
While Walsh announced that he was quitting the programme after three series (the fourth was set to begin recording later this year) largely due to scheduling conflicts, the driving force behind the decision is the aforementioned cutbacks.
In case you hadn’t heard, the BBC has seen an approximately £500 million reduction in annual spending, which has meant that one or more productions were always going to be hit hard as a result.
They are aiming to save upwards of £100m annually, which is set to come in the form of 100-150 hours less originally telly by the end of 2028.
Issuing an official statement, they say: “We are incredibly proud of all three of these much-loved shows and would like to thank everyone involved, both in front of and behind the camera, for bringing them to screen and making them such a success over many years.
“Unfortunately, we have to make some really tough choices in light of our funding challenges, and these savings have been identified from the entertainment genre.”
With Live at the Apollo, in particular, having served as an important proving ground and spotlighting stage for rising comics, the UK mainstay originally hosted by Jack Dee is sadly going the way of Mock the Week by being pulled after 22 years on the air.
As you can see, it’s already been heavily mourned by performers around the comedy circuit and fans alike. It goes without saying that those within the industry know all too well how important it’s been.
Unfortunately, more announcements and cuts are expected throughout the remainder of the year as the BBC‘s entertainment arm tries to regain profitability.
This means that these three likely won’t be the last to be axed; who knows? Given that even the biggest of IPs don’t seem to be safe, maybe even mainline Mastermind could be in trouble…
It’s also worth noting that this news comes not long after the media giants launched their big campaign to reassert their domestic significance and beyond, with more and more people straying away from the TV licence in favour of modern streaming.
You can read the full ‘savings’ update right HERE.
Daisy Jackson -
25th November 2022 
