A new community-lead art trail is set to line the streets and brighten up Old Trafford when it arrives next month.
The OT Art Trail – which has been organised by OT Creative Space and is funded by Arts Council England – sees a number of artists work together with members of the local Manchester community to create six individual large scale murals, which are soon to be painted onto walls and building gable ends around the area, including in Seymour Park and Ayres Road.
The new murals will add to murals and artwork already seen around Old Trafford.
The several new street art sites will be linked together via a downloadable audio tour, which is said to be suitable for people of all ages.
Five artists, all bringing an individual and different style to the mix, have been commissioned by OT Creative Space to paint the new murals, and they include Old Trafford artist and designer Robert Lomas, aerosol and graffiti art specialist Jamie Rennie, fine artist Sam Owen Hull, Russ Meehan, who is also known as Mural Life and graffiti artist, and photographer Martene Rouke.
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On top of that, Old Trafford-born spoken word artist and writer Isaiah Hull will also create a piece of spoken word to connect the murals as part of the audio tour.
Each mural on display will centre around the theme ‘community togetherness and diversity’.
Due to several lockdowns and ongoing restrictions amid the coronavirus (COVID-19) pandemic, the workshops that the art trail team had originally planned to hold in local schools, residential homes and other community settings had to be put on the back-burner, and they instead sent out 300 creative packs.
The team also involved the community through a number of activity sessions over Zoom and through social media, as well as with interactive displays in the window of OT Creative Space on Ayres Road.
Several local organisations also lent a hand in recruiting the community on board, and creative packs were even handed out to families in local parks.
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That’s not all either, as last month, the trail team ran a prize draw with local shops in the Old Trafford area to encourage residents to submit their ideas, and pupils from two local schools – St Alphonsus RC Primary and Old Trafford Community Academy – were also asked to get involved and share their thoughts on what Old Trafford means to them.
Speaking ahead of the arrival of the OT Art Trail, Lynda Sterling – from OT Creative Space – said: “We had to be very creative in order to maximise community participation at a time when we are being encouraged to stay apart rather than come together.
“Technology has played a part, but also good old fashioned paper and colouring pencils”.
She continued: “To find the locations, we walked around the local area and picked out key places [and] it was then a case of knocking on doors and putting notes through people’s doors if they were out.
“We found people extremely keen to have original artworks painted on their houses, [and] we estimate the murals will last between five and 10 years before they start to fade, so it’s quite a commitment”.
Michelle Griffith, one of the Old Trafford residents who has volunteered her home on Ayres Road as a blank canvas for a mural, has said that the trail is “just what Old Trafford needs”.
“It will bring some colour to an otherwise muted part of Old Trafford.” she continued.
“I’m really excited by the community engagement and getting to work with and alongside the artists.
“It’s bringing together factions of the community that are normally dormant”.
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You can find more information ahead of the launch of the OT Art Trail in early May via the OT creative SPACE website here.
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Elbow teams up with Co-op Live to donate equipment to Manchester grassroots venues
Thomas Melia
Bury band Elbow have joined forces with Manchester’s biggest indoor arena, Co-op Live, in aid of supporting local grassroots venues.
The funds will help improve the already incredible music scene in Manchester, benefitting staples likes Night and Day Café, Matt and Phred’s Jazz Club, SOUP and more.
All of the donations will be distributed across six independent music venues and will be used for various instruments, PA equipment, backline technology and other necessities depending on the requirements of each site.
Elbow have teamed up with Co-op Live in aid of supporting Manchester grassroots venues.Credit: Supplied
This initiative has been keeping Manchester’s Northern Quarter in the forefront of people’s minds when it comes to live music as well as the impressive Co-op Live.
Alongside providing vital resources for these local institutions, Elbow teaming up with Co-op Live also helps cement the North West as one of the main powerhouses in relation to live music.
The latest efforts from the largest indoor arena in Manchester fall in line with celebrating one year of bringing some of the best live music to the city, being officially open for 12 months in May.
Co-op Live have made a commitment to the people and the planet, promising to donate £1 million annually to the Co-op Foundation.
The stunning Co-op Live venue, Manchester’s largest indoor arena.Elbow performing at Co-op Live, marking history as the first act to grace the venue.Credit: Audio North/Supplied
Manchester’s latest live music venue also contributed significantly to selected charities, including Happy Doggo – chosen by Liam Gallagher and Eric Clapton’s addiction recovery centre, Crossroads.
As Elbow teams up with Co-op Live, even more money is making its way to necessary resources, this time in the likes of crucial live music establishments.
Elbow front-person Guy Garvey says: “Playing Co-op Live’s opening night will stay with us for a lifetime, not least because of how incredible the room sounded.”
“When the venue donated funds in our name to support the city we love, it made complete sense to carry that through to the Northern Quarter and to venues that have meant so much to my bandmates and I throughout our career.”
Guy Dunstan, Senior Vice President and General Manager, Co-op Live, adds: “In the past year, I have been proud to see Co-op Live become an integral part of such an incredible city.”
“Teaming up with Elbow to directly support the venues that first put Manchester on the map, and to share something so intrinsic to us as venues – proper sound – is something truly special.”
Award-winning The Kinks musical Sunny Afternoon to kick off UK tour in Manchester
Emily Sergeant
Multi award-winning musical Sunny Afternoon is set to kick off its UK tour here in Manchester later this year.
Following a sell-out run at Hampstead Theatre, the musical production featuring all the hit songs by legendary rock band The Kinks opened to critical acclaim at the Harold Pinter Theatre in London’s West End, where it ran for two years ahead of its sensational UK and Ireland tour throughout 2016/17.
It also collected four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies, along the way.
Award-winning The Kinks musical Sunny Afternoon is kicking off its UK tour in Manchester / Credit: ATG Tickets
Set against the backdrop of Britain on the cusp of the rebellious 60s,Sunny Afternoon is described as being an ‘exhilarating and moving’ celebration of the music, life, and the band that changed it all, The Kinks.
Sunny Afternoon celebrates The Kinks’ raw energy, passion, and timeless sound.
Charting the ‘euphoric highs’ and ‘agonising lows’, the smash-hit production tells the band’s story through an incredible back catalogue of chart-toppers – including ‘You Really Got Me’, ‘Lola’, ‘All Day and All of the Night’, and of course, ‘Sunny Afternoon’ itself.
Tickets are on sale now from just £15 each / Credit: Kevin Cummins
Producers Sonia Friedman Productions and ATG Productions announced last week that the show would be returning for another UK tour later this year, and it’ll be opening right here on one of Manchester‘s most iconic stages.
The hit musical will open at Manchester’s Palace Theatre on 10 October 2025 and it will run right through until 18 October.
Sunny Afternoon has music and lyrics, and an original story, all by the band’s frontman Ray Davies, along with a book by Joe Penhall, direction by Edward Hall, design by Miriam Buether, and choreography by Adam Cooper.