Bimini, one of the headliners of this year’s Manchester Pride Festival, has pulled out of performing due to the event’s main headline sponsor.
The drag artist, who placed as runner-up on RuPaul’s Drag Race UK, said in a statement this week that they ‘cannot in good conscience perform at this year’s event’.
Bimini wrote that the ‘tough decision’ had been taken because of Manchester Pride Festival’s headline sponsor Booking.com, which is alleged to have profited from the occupation of Palestine (it’s been reported that the platform had listings in the Occupied Palestinian Territory between March 2021 and May 2023).
They said in their statement that ‘as an artist and activist, I stand for justice and accountability’.
Bimini is a familiar and popular face at Manchester Pride, having also nabbed a triumphant headline spot last year.
The line-up for Manchester Pride 2024 also includes Sugababes, Jessie J, Eurovision star Loreen, Rita Ora, Katy B and Keala Settle, alongside a staggering list of LGBTQ+ performers and talent.
Bimini is the fourth artist to pull out of this year’s huge celebration, with BollyWitch, Felix Mufti and Dan Chan also refusing to perform for similar reasons relating to the event’s headline sponsor.
Booking.com has said it’s ‘incredibly disappointed’ to head that Bimini has pulled out of Manchester Pride Festival.
Manchester Pride, the charity behind the huge August bank holiday festival, added that it ‘respects and understands’ Bimini’s decision and added that it continues to ‘engage in meaningful dialogue’ with Booking.com.
Bimini said in their statement: “After careful consideration, l’ve made the tough decision to withdraw from headlining the Friday night at Manchester Pride this year. This choice is not taken lightly; I deeply value the Manchester community and the celebration of love and diversity that Pride represents.
“However, after learning of allegations against one of the event’s sponsors, Booking.com, I have decided I cannot in good conscience perform at this year’s event.
“Booking.com list vacation homes in disputed territories and has been blacklisted by the United Nations Human Rights Council as a company that has human rights violations concerns.
“As an artist and activist, I stand for justice and accountability. Bimini”
BIMINI. Credit: Publicity picture
A spokesperson from Booking.com said: “We are of course incredibly disappointed, but we continue to engage with Manchester Pride on this topic to help understand the context behind our position.
“We firmly believe that it is up to travellers to decide where they want and need to go. Our role is to ensure that people can make an informed decision that’s right for them, and that includes accurately labelling listings in areas that are disputed or affected by conflict.
“We also remain steadfast in our commitment to making travel easier for everyone, regardless of who you love or how you identify, and to our many partnerships with organisations like Manchester Pride that share in that inclusive vision.”
In a statement shared with the Manchester Evening News, David McGovern, the Chair of Trustees at Manchester Pride, said: “We respect and understand Bimini’s decision to withdraw from the Manchester Pride Festival. Manchester Pride has always valued the principles of freedom and liberation, and we honour each individual’s right to protest in their own way.
“The team at Manchester Pride stands in solidarity with all those suffering from the devastating war in Gaza and all the innocent people subjected to violence in Palestine and Israel. At our core, we value liberation and believe nobody’s free until everybody’s free.
Bimini’s statement in full as artist pulls out of Manchester Pride. Credit: Instagram, @biminibabes
“After extensive discussions with Booking.com to understand their stance and actions regarding accommodation listings in occupied territory, we are continuing to engage in meaningful dialogue with them and our other sponsors.”
David also explained that, as a charity, Manchester Pride must utilise commercial revenue streams to fund their vital events, community work, and other charity objectives.
He continued: “Manchester Pride and the LGBTQ+ community have a long, proud history of protest. We fully recognise, respect and support any artist’s decision to perform or not perform at the Manchester Pride Festival and we continue to stand by, facilitate and champion our communities’ right to protest.
“We are a listening charity, we continuously engage with our communities to ensure our programme of activities and grant-making meets the needs and priorities of intersectional LGBTQ+ people living in Greater Manchester. We continue to consult with our artists and communities to be able to provide authentic, meaningful support in the run-up to our vital celebration of LGBTQ+ life.”
Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
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‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.