Bluedot festival is finally set to make a return in 2022, with headline performances from Bjork, Groove Armada, Mogwai and Metronomy.
The popular festival at the Jodrell Bank Observatory in Cheshire has revealed the first wave of its line-up for this July’s event.
Bluedot marries the worlds of music, science and culture in a family-friendly four-day extravaganza.
Both its 2020 and 2021 festivals had to be cancelled, with organisers saying a ‘lack of government support around insurance’ had forced them to call it off.
Bluedot will return in 2022. Credit: Lucas Sinclair
But Bluedot will be back between 21 and 24 July for its fifth instalment.
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There’ll be huge performances beneath the 76-metre-wide Lovell Telescope, which will be lit up with projections as a huge digital artwork for the first time.
Bjork will close this year’s Bluedot in a UK festival exclusive, with a uniquely commissioned performance with the Halle Orchestra.
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Bluedot has revealed its 2022 headliners. Credit: George Harrison
On Friday night, dance act Groove Armada will headline as part of the band’s final live tour.
Scottish post-rockers Mogwai are set to headline the Saturday night, following the release of their Mercury Prize-nominated As The Love Continues.
They’ll be joined on the Saturday evening by Metronomy, who’ll perform tracks from their upcoming seventh album, Small World.
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Bluedot’s now-traditional opening concert on the Thursday evening will see Mercury-nominated Hannah Peel and Paraochestra take to the stage.
Bluedot Festival. Credit: Lucas Sinclair
Bluedot Festival. Credit: George Harrison
Also confirmed on the bill are psychedelic space rockers Spiritualized, current chart-toppers Yard Act, Warp Records mainstay Squarepusher, multi-instrumentalist composer Anna Meredith, the legendary likes of A Certain Ratio and Tim Burgess, and techno producer and creator of the official theme for the 2023 Women’s World Cup Kelly Lee Owens.
Bluedot 2022’s science programme will welcome key speakers including Radio 4’s Jam Al-Khalili, British filmmaker David Olusoga, space scientist Monica Grady, and many more.
Comedians such as Desiree Burch, Olga Koch, Robin Ince and Ahir Shah will also be making appearances as part of the culture programme.
The family-friendly festival will also have curations from Wallace & Gromit creators Aardman Animations and Clangers, and an enormous range of science-focused activities, workshops and live experiments across the Star Fields.
Festival director Ben Robinson said: “After two years away we are thrilled to be able to return with such a unique and diverse line up to the iconic Jodrell Bank for the fifth instalment of bluedot.
“We can’t wait for people to join us beneath the Lovell Telescope in July to experience four days of cosmic adventures which will close with a very special orchestral performance from Björk and The Hallé.”
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
1st February 2022 
