Bluedot is the festival where science, space and music come together and meet in the Cheshire countryside. Just outside the massive Jodrell Bank Observatory, to be precise, which I learnt at is the third biggest movable telescope in the world. Every day’s a school day.
The Bluedot team had an amazing week of live music and science talks planned, it’s just a shame Mother Nature had other ideas and decided to open the heavens onto the North West of England. How rude of her.
As a 9-5 worker, I was planning to be there all weekend but as it got to Friday evening and I was sleepy, so I joined in on the fun Saturday morning. I was already jealous of the previous day’s sun and blue skies because straight away we were met with heavy rain and cars having to be towed out of mud. Oh, joy.
Now this part might be confusing to some (it’s confusing still to me), but after successfully traversing the soggy car park I went ahead and hopped out of my car, in Converse. Big mistake.
Once my shoes were two inches deep in the sludge I gave up trying to ballerina on the dry parts of the grass and got fully into what Bluedot 2023 had to offer.
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And there was plenty of it.
Walking into Jodrell Bank, I was teleported into another world; a world where science fiction characters had all got together for one big party. Straight away I was greeted by an R2-D2 casually rolling up on me, and across the way were stormtroopers accosting a woman trying to buy socks at the gift shop.
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There were people with UFO umbrellas, babies with alien ears, astronauts and more. Everyone was head to toe in their best sci-fi get-up. Here were some of our favourites:
First on my music schedule was Manc band, Nightbus, who are still in the early days with just two singles out at the moment, but already gathering a lot of attention, including ours.
There was plenty more post-punk on the schedule today, including one band I caught after just hearing them from afar, Treeboy & Arc, who I really enjoyed watching.
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My favourite part of the festival was the main stage and just listening to the live music whilst occasionally glimpsing up at the gigantic Jodrell Observatory just beside it — it’s truly breathtaking in size and engineering.
In between the music, there was plenty of chance to check out everything else Bluedot 2023 had on show and after a short walk, I found myself wrangled into a group of people who were all getting a tour around the observatory and watching it reposition itself was mind-blowing to see.
It was great to see how many kids were soaking up all the fun as the festival was filled with families too, from parents dancing with their babies at the main stage, to the groups of kids participating in lightsaber training and running around with balloon sabres for the remainder of the day.
I definitely recommend this festival for next year if you’re a family with younger ones wanting to get out of the house and since it always aligns with the school holidays, Bluedot is a great place to spend a weekend, especially if the sun manages to stay out longer than an afternoon.
Unfortunately for everyone, including the Bluedot team, who tried their best to prevent a mud bath by putting bark and walkways down, it was a complete washout.
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And even though as the day went on and the bands got better and better, with incredible sets from Snapped Ankles, Dry Cleaning, Folly Group and Pavement, who closed the main stage, there was no doubting the impact the rain and mud had on the festival.
Where perhaps if it was Parklife you would’ve seen a younger generation mud sliding and various other shenanigans, this festival had plenty of older families and couples and even though most people just ‘got on with it’ the conditions were simply too much and that led to the cancellation of Sunday tickets.
As you can probably guess and much to my sadness, I didn’t go on Sunday but still, the Saturday of Bluedot 2023 was brilliant.
For anyone still unfamiliar with this wonderful annual event, Bluedot is a science festival which has multiple talks on the consequences of global warming and a whole exhibition titled ‘Our Fragile Space’ which is on the negative impact we’re having even in space.
So it’s kind of poignant and ironic to me that this whole festival, which is trying to teach people about the ramifications of global warming and our impact on the Earth, is completely washed out by a month’s worth of rainfall in the height of summer.
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People will just say, “That’s just English weather for you”, but if that’s not an anymore obvious indication of global warming already impacting us while you’ve got wildfires burning over in Greece, then we don’t know what is.
Grab yourself a Bluedot 2024 ticket, attend some of those talks and, hopefully, we’ll see you there.
Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’. If you saw Ryder shaking off that snake biting his hand like it was nothing then you already know he’s hard as nails.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.