Manchester’s newest social experience Escape to Freight Island has just announced its ‘next stage of evolution’ at Depot Mayfield.
After what has been the monumental success of the summer, the team behind Escape to Freight Island – currently housed at Depot Mayfield – are “proud to announce the true vision for this unique urban destination” with the addition of ‘The Ticket Hall’.
The Ticket Hall is the next chapter of Escape to Freight Island’s story, which started with the extraordinary arrival of Platform 15 – the original outdoor area that opened in the summer – and from Friday 30th October, will see a whole host of new food vendors descend on the venue and take over the industrial indoor space.
The fully-heated new opening will feature table seating, a wine shop, bars and a bike cloakroom.
The Ticket Hall is positioned underneath the original and striking roof structure within Depot Mayfield, and will see the vision for Escape to Freight Island unfold into a sprawling indoor market, which captures the atmospheric charm of the imposing building.
Food vendors joining the original and much-loved Baratxuri, Voodoo Rays, Patty Queen and Madre will be:
Sugo Pasta Kitchen – The critically acclaimed Manchester-born pasta restaurant that takes its inspiration from its deep-rooted southern Italian heritage.
Mi & Pho – The award-winning family-run restaurant, which will offer authentic Vietnamese dishes.
Plant Grill– A vegan offering of modern cuisine created by Dan Hope of Fire Bird Hope and Krum fame.
El Boleto – A San Sebastian-style Deli selling small plates and the freshest produce to enjoy at home or on site.
The Jane Eyre – A cocktail bar serving classic drinks with a twist.
The Ticket Hall will have two tap rooms – Camden Town and Pomona – serving a tasty range of beers, plus the independent wine shop Forever Changes will add to the market takeaway vibes.
Another addition to the multifaceted urban space, and a first for the city of Manchester, is a bike cloakroom, which is brought to Escape to Freight Island in partnership with world-renowned cyclewear brand Rapha, and it will enable visitors to safely park their bikes while they enjoy the full experience.
Co-creator Luke Cowdrey said: “When we launched Platform 15 at Escape to Freight Island this summer, we created one of the most forward-thinking venues of its time, in this country. It’s a place of positivity; somewhere that people can safely meet with their family and friends and experience some of the most beautifully crafted food and drink with world-class entertainment.
“The Ticket Hall is the next phase in our long and interesting journey developing Escape to Freight Island.”
James Heather – Development Director at U+I for the Mayfield Partnership – added: “The extraordinary success of Escape to Freight Island this summer has underlined Mayfield’s role as an outstanding location for culture and entertainment.
“With Freight Island expanding further into Depot Mayfield, we’re excited to welcome yet more visitors to enjoy this distinctive space and contribute to the soulful regeneration of Mayfield.”
The Safe + Social Manifesto means Escape to Freight Island has been designed as a space where you are able to socialise safely with your party, maintain social distance from others, and remain alert to the risks of coronavirus (COVID-19), while being part of the overall urban festival atmosphere.
Platform 15 is also set to change, with more information on this to be announced soon.
You can find more information and book tickets via the Escape to Freight Island website here and you can follow Escape to Freight Island on Facebook, Twitter and Instagram.
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Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
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‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
Emily Sergeant -
1st October 2020 
