Everyone and their nan has been trying to get tickets to see Coldplay across one of their twelve UK dates next summer.
The nine-time BRIT award winners have continued to see immense success ever since their debut album in the millennium.
Their most recent achievement is one many artists can only dream of: selling out Wembley Stadium for a whopping 10 whole dates across August and September next year.
Unfortunately, fans of the world-renowned band have been left frustrated after tickets to the upcoming events followed the same fate of Taylor Swift and Oasis.
Coldplay announced their tour this month.Crowds are always special at Coldplay gigs.Credit: Stevie Rae Gibbs/Supplied
Coldplay seem to be skipping over Manchester this time round, they’re playing two nights at Craven Park in Hull and ten almost back-to-back dates at Wembley Stadium in London.
But ear not, us Mancs act fast – here is a rundown of plenty of Coldplay-inspired events happening soon to get your ‘Viva La Vida’ fix.
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Coldplay-inspired events this year
The Music of Coldplay By Candlelight – The Monastery, Openshaw
The first event eases you into the hits of one of the best-selling music acts of all time. Instead of the usual guitars and drums that are heard in their most famous songs, an orchestra takes the lead.
Originally there was one date available on Friday, 15 November but due to the event selling out unexpectedly, an additional concert has been added on Friday 25 October which still has tickets left.
Prices start at £30 for Band B, £35 for Band A, £40 for Premium and £45 for VIP tickets. Access tickets are also £30 with a free companion too with proof of ID. You can grab tickets HERE.
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There are Coldplay tribute acts galore, as it turns out. (Credit: Facebook)
Ultimate Coldplay – Manchester Academy, City Centre
Is that Chris Martin? No, it’s Ultimate Coldplay, who have an uncanny lookalike taking on the role of the famous frontman and live band.
For £18.15 you and over 2,000 fans can be transported through Coldplay’s musical timeline as this tribute act makes your night one to remember, at a fraction of the price.
Playing at Manchester Academy on Saturday 7 December, doors will open from 7:15pm and there’s a curfew of 11pm meaning attendees can get home in time to ‘dream of para-para paradise’. Tickets HERE.
Coldplay-inspired events in 2025
A Head Full Of Coldplay – The Witchwood, Ashton-under-Lyne
The UK’s self-proclaimed ‘number one Coldplay tribute act’ are setting their sites on one of Manchester’s many boroughs, choosing Ashton-under-Lyne to show off their talents.
On Saturday 1 March, audiences are treated to ‘A Sky Full of Stars’ when they leave the venue as this event doesn’t finish until the early hours, with a curfew of 1am.
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They double down on the statement before saying they’re ‘The number one Coldplay tribute act in the world – fact’, so if you fancy hearing them live catch them while you can. Sort your tickets for the tribute night HERE.
Whether this is your closest stop on the tribute acts tour or you’ll be following them all around the North-West, these boys are making sure everyone gets a chance to have an ‘Adventure of a Lifetime’.
This time Ultimate Coldplay are painting the town ‘Yellow’ as they travel across Manchester, reaching The Met in Bury on Saturday 29 March.
Tickets are categorised by two prices, £24 for seats and £22 if you’re up for standing with the other 400 people in this more intimate and up-close performance space.
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Ultimate Coldplay – Irlam Live 2025, Manchester
If you haven’t had enough of these cheeky chaps yet, they’re back but this time at a festival with a wide range of other tribute acts.
‘Harry Styled’, ‘Bootleg Blondie’ and ‘VengaLive’ are just a few of the acts listed on the lineup for the Manchester festival which is taking place at the start of summer next year.
With this being a festival ticket prices are dependent on how long you’re planning on attending. ‘Ultimate Coldplay’ and the acts listed above are all gracing the stage on Friday 30 May.
A beautifully chaotic Thursday night – Rossi. at YES Pink Room for BRITs Week 2026 for War Child | Review
Harry Quick
There’s something beautifully chaotic about watching Rossi. take over a room the size of YES’s Pink Room on a midweek night in Manchester.
No towering LED walls. No Ibiza sunset backdrop. Just low ceilings, flashing pink strobes, and a crowd packed in tight enough to feel every kick drum in your ribcage.
For a DJ who has commanded renowned venues across the globe like Space Miami, Hï Ibiza, and Manchester’s very own Warehouse Project, it felt almost mischievous seeing him in a space this intimate on a Thursday night.
If you were lucky enough to grab a ticket to this instalment of the BRITs Week 2026 for War Child fringe events, you could tell early doors that whoever had one was more than ready to turn up for him. When Rossi. stepped behind the decks, taking over from the talented Olive F, who set the tone for the evening, and once the headphones were firmly sat on his curly locks, he eased us in with a rolling, groovy opener – not so subtly dripping in snippets of his biggest and best tracks. We’d have to wait for those.
His sound sits in that sweet spot between underground grit and polished punch. Tech-house, but with his own East End character. The drums feel tight and deliberate. The basslines don’t just thud, they glide.
To start us out, we were hit with a few dancey vocals filled with his hometown of London’s Grime influence, all the way to Frank Ocean’s ‘Lost’ at 125 bpm. Within minutes, the pink room was in full swing.
From there, the set unfolded like a guided tour through the different shades of Rossi.’s catalogue. Underground favourites like ‘U WONT SEE ME’ slipped into the mix with a knowing reaction from the very keen lads at the front. ‘FREAK IN THE SHEETS’ followed later, cheeky and rhythmic, drawing that half-grin from dancers absolutely going for it at the front right.
It’s easy to forget how far he’s come. A decade ago, he was carving out space in the underground. Now he’s headlining globally recognised parties like Circoloco, Music On, Paradise, and Fuse, and launching a world tour that’s been tearing through the UK, Ireland, Europe, and the US. Yet here, there was no arena ego. Just a cheeky lad going back to his roots like he’s on his CDJs in the bedroom.
Mid-set, he began to lift the energy. Brighter synths edged in with the odd jangly finger floater for good measure (that’s what I’m calling that dance move anyway!). The percussion grew punchier. The room, already warm, never quite tipped into sweatbox territory. Strangers were dancing together. Drinks were abandoned on ledges. I had realised I’d bagged the perfect vantage spot overlooking things on the ledge, in prime view of a truly fortuitous occasion.
Rossi. at YES for BRITs Week 2026 for War Child / Credit: Holly Pimlott (Supplied)
Then came one of the night’s real eruptions. ‘High On Me’ – his breakout collaboration with Jazzy – landed like a spark in dry grass. The track, which stormed into the UK Top 20 and racked up over 20 million streams in a matter of weeks, felt enormous in a room this size.
Arms shot up. Lyrics were shouted back. For a few minutes, YES felt like the epicentre of British dance music or maybe a flashback to a ruthless TikTok doom scroll session.
But what impressed me most was the pacing. Rossi. didn’t sprint through bangers. He let grooves breathe. He allowed tension to stretch before unleashing the drop on almost every occasion. Teasing in a little snippet of an upcoming track, a few minutes before we could revel in it in full. It’s the confidence of someone who’s sold out 2,500-capacity headline shows – even breaking ticketing systems with demand – yet still understands that the magic is in the build.
The talented Olive F supported and set the tone for the evening / Credit: Holly Pimlott (Supplied)
As the final stretch approached, he nudged the tempo upward… and he was about to drop some serious crowd pleasers.
LEDs dampened. Darkness fell. The murmurings of ‘Lady – Hear Me Tonight’ rose in unison with the crowd’s curiosity. It didn’t take long until the entire gaff was going mental. Just pure, euphoric house music.
And to finish, with his headphones resting against the decks and mixing all said and done, he pressed play on the swan song. As ‘These Sounds Fall Into My Mind’ echoed around the room, the speakers hardly needed to be playing anymore. When he finally eased out, it felt less like an ending and more like an enticing warning shot for the summer ahead… hello, is that Ibiza calling?
Rossi. at YES wasn’t just a warm-up for this Saturday’s big BRIT Awards, it was proof that no matter how big the stages get, he thrives in the arm-flaring closeness of a proper club room.
Global headline DJ. Underground heart.
Featured Image – Holly Pimlott (Supplied)
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Olivia Dean proves she deserves all her flowers with a captivating performance for BRITs Week 26 for War Child
Clementine Hall
BRITs Week 26 for War Child continued in Manchester last night, with Olivia Dean taking over a beautiful candle-lit Albert Hall… and it was a night we won’t forget.
I don’t need to tell you how utterly brilliant Olivia Dean is.
It’s something I’ve known for years (humble brag), but luckily it seems the entire world has caught on over the past few months.
I’ve been lucky enough to see Olivia five times now, and from watching her joyfully shake here banana-shaped maraca on a small stage at Glastonbury in 2023, to swishing her olive green satin gown at one of the country’s best venues last night – her indisputable talent remains.
Images: The Manc
The Art of Loving, her sophomore album, came out in September last year and features global hits ‘Man I Need’ and ‘Nice to Each Other’.
The record is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, but perhaps the most prominent theme of love throughout is self-love.
And this is so clear as we watch Olivia beam from ear to ear as she makes her way through a setlist that is a celebration of her entire discography.
Of course, we heard all the fan favourites from the new album including ‘Lady Lady’ and ‘So Easy (To Fall In Love)’, but we were also treated to some of her older songs like ‘Echo’ and ‘UFO’ that initially brought her into the limelight.
A highlight for me was Ladies Bathroom which saw the gigantic disco ball hanging above us kick into gear, which as you can imagine at the gorgeous Albert Hall was a real sight to behold.
The entire evening underlined why smaller, grassroots venues are so bloody brilliant and deserving of our support now more than ever.
Image: Supplied
No pushing, no overcrowding, we were all there to revel in Olivia’s greatness and we all knew how lucky we were.
This was no doubt a very special show, a complete one-off in aid of BRITs Week 2026 to raise money for War Child, which Olivia joyfully announced that we had raised £270,000 for that night.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent.
We’ll be watching with our fingers crossed as she attends the BRIT Awards on Saturday evening with an impressive (and very well deserved) five nominations.
If you’re lucky enough to have tickets to her upcoming tour then just know how much fun you’ll have, but you’ll never have as much fun as Olivia does on that stage.
You can find out more about the remaining War Child performances here.
Thomas Melia -
6th October 2024 
