One of the most-anticipated gigs of the summer is upon us, with Liam Gallagher set to play a biblical homecoming gig in Manchester.
The former Oasis frontman will take to the stage at the massive Etihad Stadium – the home ground of his beloved Manchester City FC.
Liam will go on this week to play two historic gigs at Knebworth, though sadly without guitarist and long-time friend Bonehead at his side.
The star is performing straight off the back of the release of his new album, C’Mon, You Know, and will likely dip into the huge Oasis back catalogue too.
Here’s everything you need to know ahead of Wednesday night’s gig.
Who’s supporting Liam Gallagher at the Etihad Stadium?
The Charlatans
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Tim Burgess on stage with the Charlatans. Credit: Flickr
The Charlatans need no introduction, as fellow giants of the mid-90s rock scene that they shared with Oasis – and Liam Gallagher himself.
Fronted by Tim Burgess, the group have 13 studio albums, all of which have charted in the top 40.
They most recently released a greatest hits compilation, titled A Head Full of Ideas.
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Goat Girl
London four-piece Goat Girl will be supporting Liam Gallagher at the Etihad on Wednesday night as well as at his two Knebworth gigs.
They’ll then head out to tour Europe, including additional dates in Manchester at Castlefield Bowl and at Psych Fest.
The group first formed in 2016 and have released two studio albums to date.
Paul Gallagher
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Liam’s big brother Paul has just been announced on the line-up for Wednesday’s Etihad concert.
He’ll be playing a DJ set to get the crowds warmed up.
What are the stage times for Liam Gallagher’s gig?
Doors for the Etihad Stadium will open at 5pm on Wednesday 1 June, with Paul Gallagher on decks to welcome people.
The rest of the stage times are expected to be as follows:
Goat Girl – 6.25pm
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The Charlatans – 7.25pm
Liam Gallagher – 9.00pm
How do I get to the Etihad Stadium?
There’s a tram that runs straight to the Etihad from the city centre in less than 10 minutes, which might be your best option, though it only runs every 12 minutes and is likely to be very busy.
Holt Town and Velopark tram stops won’t operate after the gig until the crowds have cleared from Etihad Campus.
You can also walk to and from the stadium, which takes around half an hour from Piccadilly.
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There are several car parks around the venue if you want to drive, though again, these will be busy and will fill up quickly.
TfGM have said: “Based off data from previous events at the Etihad, we expect the roads such as – Regent Road, Hyde Road, Ashton Old Road and Mancunian Way – to be busy in the hours before and after the concert. Please consider leaving the car at home or re-routing your journey. D’You Know What I Mean? This way, you’ll avoid the congested areas.
“City centre Metrolink stops and services on the Ashton line will run to a 12-minute frequency and will be busier in the run up to the gig. This means You’ve Gotta Roll With It, Gotta Take Your Time when boarding a service. Don’t Look Back In Anger wishing you would have set off a little earlier for a more comfortable journey.”
General admission standing tickets are all gone, but if you don’t mind sitting right up at the top of the huge venue, you can grab a last-minute ticket for £62.10.
There are also a few seats a little closer to the stage, priced at £83.10 each before booking fees.
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What will Liam Gallagher’s setlist be like?
As this is the first date in his stadium tour, and the new album has only been out for a few days, it’s hard to call the setlist at this stage.
When he recently performed an intimate gig in Blackburn, this is what he went for:
Hello Rock ‘n’ Roll Star Morning Glory Wall of Glass Shockwave Everything’s Electric Better Days Slide Away Stand by Me C’mon You Know World’s in Need The River Once Encore: Cigarettes & Alcohol Cast No Shadow Live Forever Wonderwall
Featured image: Publicity picture
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
1st June 2022 
