Lightopia is officially returning to Heaton Park for a new, socially-distanced edition of adventures, lights, lanterns, sculptures and shows this December.
Following the UK government’s announcement that England’s national lockdown will end on 2nd December, Lightopia – which was originally due to open on 20th November – is now to open its award-winning and visually spectacular lantern and light festival at Heaton Park on Thursday 3rd December, and extend its run all the way through until Sunday 10th January.
The event will be also now be open every day, except Christmas Day.
With Christmas very much the theme for this year’s light and lantern festival, Lightopia will use the stunning Grade I-listed Heaton Hall as its sparkling backdrop for all its festive merriment, and will feature a 10-metre illuminated Christmas tree.
Ticket holders whose booking has already been affected by lockdown restrictions have been informed directly and advised on all their options – including moving their booking to another date in December, or being offered a refund – and Lightopia is currently working with local authorities in accordance with government guidelines to create its socially-distanced festive spectacular.
This year’s event showcases unique interactive and immersive lights and lanterns, with new installations and a brand-new route for guests to explore for 2020.
The new route has been designed to create a safe environment where visitors are able to see the sights safely with friends and family, and there will be wider footpaths to maintain social distancing, a one-way system, three entry points to reduce queuing, and direct access to two car parks.
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Lightopia has also implemented a series of further measures to ensure all steps are taken to keep visitors safe, and these include:
NHS Test and Trace: QR codes will be displayed at multiple locations on the trail.
Social Distancing: This shall be mandatory at the event at all times.
One Way System: The Lightopia trail is one direction only.
Pre-booked Tickets Only: Trail tickets are only available to prebook online.
Contactless Ticket Scanning: All ticket scanning will be contactless on entry to the event.
Card Payments Only: Vendors and car parks will only accept card payments.
No Alcohol: Following latest government guidance no alcohol is permitted onsite.
Quick Food and Drink: All food & drink on the trail will be takeaway only.
Hand Hygiene: Hand sanitising stations will be located throughout the trail.
Increased Cleansing: All facilities, surfaces and touch points will be cleaned regularly.
Increased Stewards: Increased number of stewards on our route to manage social distancing and assist with any visitor queries onsite.
Lightopia
Lightopia will be open to the public from Thursday 3rd December – Sunday 10th January (except for Christmas Day) and opening times are between 5pm to 10pm, and last entry is 8.30pm daily.
Advance pre-booked tickets are priced at £20 for adults (or £22 on the day), £13 for children (or £15 on the day), and £60 for families of two adults and two children (£68 on the day).
Children under three can go free.
Essential carers of disabled visitors can also attend the event for free, with the disabled visitor paying the normal admission fee.
There are also a limited number of tickets available for key workers – with a 20% discount off the standard ticket price when using code KEY20 – plus, the 20% discount is applied to all tickets in the online basket.
One essential worker ID is required for entry, per party.
The festival will also launch a Wheel of Light for Black Friday with special prizes to be won from Wednesday 25th November – Sunday 29th November, and you can head to the Lightopia website to spin the Wheel of Light and be in with a chance of winning 25% off tickets, a VIP tour for two, and many more prizes (T&Cs apply).
You can book your tickets and find more information via the Lightopia website here.
What's On
Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
What's On
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
Emily Sergeant -
24th November 2020 
