A live West End recording of one of the best-loved musicals of the last decade is to be screened in two of Greater Manchester‘s biggest cinemas.
And you’ll only have one night to catch it.
Theatre lovers and musicals fans will probably want to make their way down to Vue in the Printworks, or Odeon at the Trafford Centre, at the end of this month, as the smash-hit Broadway and West End production, Heathers: The Musical, will be screened for one-night-only as part of a special nationwide cinema event.
You may recognise that Heathers: The Musical is based on the 1989 cult classic film starring Winona Ryder and Christian Slater.
The musical adaptation – which was first staged in LA back in 2010, before moving to Broadway in 2014, and then to the West End in 2018 – follows Westerberg High student Veronica Sawyer, whose dreams of popularity finally start to come true when she’s taken under the wings of the three beautiful, yet impossibly cruel, girls named Heather.
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But when mysterious new kid, teen rebel J.D, arrives in town, Veronica realises that “while it might kill to be a nobody, it’s murder being a somebody.”
Brought to cinemas by Kaleidoscope Entertainment, the version of the production to be screened across the UK is a live recording of the West End show captured in its original London home, The Other Palace, and features some of the incredible 2022 cast.
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Musical star Ailsa Davidson takes on the role of Veronica Sawyer, while Simon Gordon is J.D., Maddison Firth is Heather Chandler, Vivian Panka is Heather Duke, and Teleri Hughes is Heather McNamara.
The recording also stars Mhairi Angus as Martha Dunnstock and Vicki Lee Taylor as Ms. Fleming / Veronica’s mum.
The cast is completed by Liam Doyle, Rory Phelan, and Andy Brady, as well as Oliver Brooks, Jermaine Woods, Benjamin Karran, Chris Parkinson, Eleanor Morrison-Halliday, Mary-Jean Caldwell, Hannah Lowther, and May Tether.
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The West End production was directed by Andy Fickman, who called the gig a “career high”.
We're thrilled to share the trailer for Heathers: The Musical as we count down to its ONE NIGHT ONLY screening in cinemas on 28 March
“But when we got a chance to film the stage capture at our beloved theatre in London where it all began, that was an even bigger high,” he added.
“And thanks to our partners at Bill Kenwright Studios, Village Roadshow, and now Kaleidoscope, we get a chance to share that the magic at cinemas all across the UK.
“I can’t stop smiling and I hope audiences feel the same way.”
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.