Manchester Pride Festival has just revealed its 2023 line-up, promising the most diverse and representative bill of performers to date across the city’s world-famous Gay Village.
The beloved LGBTQ+ celebration will be back in the city over the August bank holiday weekend, shining a spotlight on local and international queer talent.
The Gay Village Party will have a line-up that’s 96% queer, with 54% of performers women, 51% people of colour, and more than 42% from trans and non-binary communities.
Headlining will be Brazilian drag sensation Pabllo Vittar, international pop star (and former Scissor Sisters vocalist) Jake Shears, and RuPaul’s Drag Race UK winner Danny Beard.
They’ll be joined by pop performances from Natasha Bedingfield, and Lisa Scott-Lee from STEPS.
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The line-up has been co-created with Manchester’s queer communities, and will span four days and multiple venues and stages.
Manchester Pride Festival. Credit: Supplied
Manchester Pride Festival will once again host takeovers, including the Queer Asian Takeover, Trans Filth & Joy, Black Pride MCR and the Queer Women’s Takeover.
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The main performances will take place on three stages; the Village stage, the Mancunity stage, and the Alan Turing stage.
Takeovers this year include the Queer Asian Takeover, Trans Filth & Joy, Black Pride MCR and the Queer Women’s Takeover.
Back to that line-up then, and Pabllo Vittar is the most-followed drag queen in the world, with a social following of 34.8m and 4m monthly listeners on Spotify.
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The Manchester Pride march. Credit: SuppliedManchester Pride Parade. Credit: SuppliedManchester Pride Parade. Credit: Supplied
Meanwhile Jake Shears has dominated the charts while part of the Scissor Sisters with hits including Filthy/Gorgeous and I Don’t Feel Like Dancing. He’s now pursuing a solo career with a new album due to be released later this year.
Local drag star Danny Beard is also back on the line-up hosting Danny Beard and Friends for the fifth consecutive year.
Also returning to Manchester Pride Festival is multidimensional cultural icon Cheddar Gorgeous, who placed as runner-up in last year’s RuPaul’s Drag Race UK (beaten only by Danny Beard).
They’ll be joined by season four Drag Race UK stars Black Peppa and Dakota Schiffer.
The festival’s first Queer Asian Takeover will celebrate queer brown joy, headlined by international DJ Gok Wan, who will be joined on stage by local talent including The Bitten Peach, a gender-diverse, pan-Asian collective showcasing joy and excellence, Gracie T, who runs a South Asian creative collective and platform for unrepresented artists, and House of Spice, an LGBTQ+ South Asian and Middle Eastern performance house.
Trans led and curated event Trans Filth & Joy, hosted by Milk Presents and Trans Creative, returns for 2023 where party-goers can expect to be entertained by a night packed with DJs, drag, burlesque, cabaret, activism and music. Headlining Trans Filth & Joy is British drag queen BIMINI, who is best known for competing on the second series of RuPaul’s Drag Race UK, and has since been awarded ‘Drag Hero’ by Gay Times magazine.
Black Pride MCR will take festival goers on a musical journey, celebrating the black roots of house music, disco, funky house, vocal and tribal, all brought together by exceptional DJs and iconic dancers.
Fat Pride also returns, celebrating big bodies with an evening of dancing, partying, showing off and feeling good.
The Cabaret Stage will again host The Enby Show, described as an ‘electric, unique and vibrant’ gender-bending variety show that ‘bins the binary and crashes the cis-tem’.
This stage will also host Pecs Drag Kings, a female/non-binary theatre and cabaret company who’ve been creating critically acclaimed shows for the LGBTQ+ community since 2013.
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Manchester Pride Parade. Credit: Supplied
Festival goers can also expect exciting and diverse performances from Queeriosity Cabaret, Cutie-POC Cabaret, and Disabled Queer Joy Cabaret.
Other events announced as part of the Pride celebrations include Youth Pride MCR and Family Pride MCR, where young people and families will be able to join in the celebrations with a series of performances and events, such as Ginny Lemon’s Dog Show, an unmissable doggy extravaganza, and Disney Classics performed by The Untold Orchestra.
Other performers include Kelly Llorenna from N-Trance (Set You Free), Jodie Harsh, Misty Chance and Friends, Lucky Roy Singh, Queen Bayard, La Discothèque Orchestra, Manchester Residents Blasha and Allatt (Meat Free/Frixxxion), Kim Lana, Mix-Stress and Friends, SWAGGA, Monopoly Phonic, Kele Le Roc, and Tom Aspaul.
Mark Fletcher, CEO of Manchester Pride, said: “We have worked closely with our communities to offer a line-up that is for the community, by the community. As a world leading city and an organisation that is spearheading the global Pride movement, our aim is to provide a platform which elevates and showcases local queer performers alongside renowned international LGBTQ+ talent, with a little support from our allies. This is Manchester and this is how our communities want us to celebrate our Pride.
“We are so proud to announce that our line-up consists of 96% queer performers, 54% female performers, 51% people of colour, and over 42% trans and non-binary performers.”
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Manchester Pride Festival, in partnership with Booking.com, takes place over four days in Manchester city centre on August bank holiday weekend (25 – 28 August) and is made up of several fringe events.
The events of Manchester Pride Festival 2023 are free to attend with the exception of the Gay Village Party, tickets for which can be purchased through Ticketmaster now. £2.50 from every ticket will be donated to the Manchester Pride Community Fund, with the money going directly to LGBTQ+ causes and projects in Greater Manchester through the distribution of grants.
The Manchester Pride Festival 2023 Gay Village Party line-up in full
Pabllo Vittar | Jake Shears
Natasha Bedingfield | Danny Beard | Jodie Harsh | Gok Wan | BIMINI |
Lisa Scott-Lee | Cheddar Gorgeous | Black Peppa | Jonbers Blonde | Monki | Gracie T | Angie Brown | La Discotheque Orchestra | Kelly Llorenna (N-Trance) | Dakota Schiffer | Ginny Lemon’s Dog Show | Blasha and Allatt (Meat Free/Frixxxion)
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Kim Lana | Mix-Stress and Friends | The Bitten Peach | House of Spice | The Enby Show | Queeriosity Cabaret | The Noirtones | Queer Women’s Takeover | SWAGGA | Black Pride MCR | Danny Beard and Friends | Fat Pride | Cutie-POC Cabaret | Queer Asian Takeover | Disabled Queer Joy Cabaret | Trans Filth and Joy | Misty Chance and Friends | Your Manchester | Monopoly Phonic | Kele Le Roc performing Basement Jaxx ‘Romeo’ | Val The Brown Queen and Blaq Ivory presents | The Runway by Banksie | DJ Stacy Bee | Tom Aspaul | Violet Blonde | Lucky Roy Singh | Jsky | Reeta Loi | Queen Bayard | Barb | Lady Bushra | Misty Chance | The BollyWitch | Lill | Banskie | Joanna Cuddle | Sam Buttery | Ivy Profemme | Leila Rafoui | Joe Spencer | The Niallist | Minara ‘El Waters | Club Clam | What She Said | Vanilla Girls | FATCAMP | Pecs Drag Kings | The Fat Britney | | Ghetto Fabulous | Donna Trump | DJ Nkay | DJ KL | Carrot | Flick | Queens in Kicks | Frequency 3 | DJ Klitbait | Cyro | Club Zindagi | Belinda Scandal | Disney Classics with The Untold Orchestra | DJ Billy Andrew | DJ Callum Parr | Duniya Dhoom | Shanika Sunrise | Immy Terial | Jason Patel | Rikki Beadle-Blair |
An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Better Man has bombed at the box office – but is the Robbie Williams biopic any good?
Danny Jones
So, Robbie Williams’ biopic Better Man has been out for a little while now and the question on many people’s lips – you know, apart from ‘why is he a monkey?’ – is, quite simply, is it any good?
Many of you may have already seen it, others may have absolutely no interest in hearing about Robbie‘s already well-publicised exploits (be they in ape form or otherwise), or maybe you’ve just been waiting to hear whether it’s any good before heading out to the cinema.
Well, if you’re judging it purely by the current headlines circulating online, you’d be forgiven for thinking it’s absolute rubbish. So far, Better Man has ‘tanked’ at the box office, making just over $1 million compared to a budget of nearly $110m (£90.8m).
However, given how pivotal the US viewing figures are, a big chunk of the commercial disappointment has come down to Americans largely not knowing who Robbie Williams even is and it’s no surprise that it’s done a little better here in the UK – though still not stellar. But again, ticket sales aside, is it good?
Better Man – Review
I wasn’t sure a (very good) CGI monkey Robbie Williams film was going to be any good either based solely on the trailer, but they nailed it.
*Once again, some spoilers ahead – though it is his life story, so we’re not really spoiling anything…
I’ll start this off by admitting that for all his foibles and controversies of the years, I am a Robbie fan; his music was always on in my house as a kid and well into my teens. Being born in the mid-90s, he was probably one of the first big pop stars to ever enter my world.
Growing up obsessed with football too, a charismatic, mainstream rock and roll-spirited figure in the mainstream who also loved the beautiful game and even took influence from chants heard around the grounds in his songwriting always made him extra appealing to me.
All that is just to say that I’m fully aware there’s probably some bias here, so I’ll still try to be as impartial and ‘objective’ as you can be with a film review. But back to the point, the short answer is yes: it’s good – very good, in my opinion.
If you’re similarly fond of the frenetic, funny and ferocious showman, you’ll obviously have a vested interest in looking back on his career thru a (somewhat simian) Lens, but even if you’re not, I still think you can get a lot of of the film and a greater insight into a captivating life story.
Monkey see, monkey do—make me sad, very sad…
This scene (among many) had us welling up. (Credit: Paramount Pictures)
For starters, put simply: as daft as it may seem, the monkey thing does work. It may come across like a strange gimmick when you first see the trailers but it doesn’t take much digging to realise that there’s quite a well-thought-out three-pronged approach behind it.
One of the first things the 50-year-old singer said on the press tour for this film is that he’s always felt “unevolved” and it’s something that’s brought up a couple of times in the film itself, so making him an ape rather than a modern Homo sapien is one way to way to communicate that.
Plus, not only does it obviously make any sad moments – and there are a lot of them – even more emotional and tear-jerking, especially during the scenes during Robbie’s childhood, but it also plays into the sad reality that he’s felt like a performing monkey for the majority of his life.
When you stop and think about the reasoning behind it feels a lot more considered than on first impression, and it certainly helps you empathise and, more importantly, sympathise with the troubled character you’re seeing on screen.
Robert vs Robbie
A very clever movie poster to boot.
And that’s pretty much the rub right there: this was always going to be at least a somewhat self-indulgent watch, not just because it’s a biopic but because it’s Robbie and that’s what his persona is about – but it is and always has been a performance in every sense of the word and the film does a great job of trying to distinguish ‘Robbie’ from Robert.
From seeing the origins behind being given that name specifically, his younger years and affectionate albeit mostly fraught relationship with his father; how the boom of Take That engulfed his entire world and even more so once he went solo, as well as the version of himself he’s shown to the world for last three decades, it’s clear he’s often struggled to find the line between the two himself.
It’s also very important to state the cheeky, cocksure Robbie Williams you were expecting to watch the rise of throughout this biopic has wrestled with a much lower opinion of himself than you could ever imagine. It’s a driving force behind the film and manifests in all manner of problematic and unpleasant ways, just as it did in real life. You see him see a lot of them in the crowd throughout the duration, in fact.
Because for anyone who isn’t aware, a lot of Robbie’s experiences are problematic and unpleasant; the early days as a boyband commodity, his substance abuse, struggles with mental health and beyond are all laid bare on screen in fairly graphic detail at times. A lot of the situations these issues spring from would feel hard to believe were it not for the fact it’s a true story with very little embellishment, if at all.
Manchester references are a bonus
One of the things that did stand out as a particularly surreal aspect of the film was the handful of references to Robbie’s intersection with Mancunian culture, which simultaneously felt familiar and somehow like going back in time to peep behind the curtain at a world that very few saw first-hand.
Again, the behind-the-scenes examination of how Take That transpired and those very dangerous, inappropriate and frankly unlawful series of events in nightclubs over on the likes of Canal Street feels like a fever dream (as it did for Robbie).
Perhaps the biggest buzz we got was the not-so-surprise appearance by the Gallagher brothers and ‘The Robster’s obsession with Oasis. The look is exactly what you’d expect and Liam‘s accent might not be perfect but it still gave us a thrill without feeling like pointless lip service.
All that being said, is the much-talked Robbie biopic a good enough film to warrant popping out to the pictures? Well, I’d certainly say so. Not only are the visuals and the CGI itself pretty flawless, but the motion capture is done so well that it never felt like I was taken out of the film at any point – even the very particular Stoke and Cheshire accents of Robbie and Gary Barlow are very convincing.
We knew there was going to be lots of humour too but there’s also a lot of impressive stuff the director does that I wasn’t expecting.
One of those is the transitions: there are lots of clever tonal switches done with great camerawork and effects (particularly during one driving sequence and some of the flashback frames) and they really do help covertly shift the mood so some of the darker moments don’t give you full on whiplash.
And lastly, the director’s fingerprints can be felt all over the movie as Michael Gracey’s The Greatest Showman pedigree certainly makes sections of the film feel more like a musical than I was expecting – but in a good way. Big bold cabaret choreography fitting of the man himself.
After all, we all know most Robbie tunes are bangers but seeing them brought to life in these new and interesting ways really does make Better Man a better film than we’d even hoped for and it’s certainly good enough to be performing a lot better than it is at the box office right now. Maybe give it a go.
As far as I’m concerned, big stunning set pieces like this are just the tip when it comes to what makes the Robbie biopic a good film.
Daisy Jackson -
30th March 2023 
