Noel Gallagher and his mighty High Flying Birds are back in Manchester this week with a massive outdoor show at the wonderful Wythenshawe Park and it’s set to be a night to remember.
With 0161 set for a massive weekend as people travel into the city for the likes of Festa Italiana and ManiFest, over to Stockport for Moovin Festival and to Bolton for the annual food fest — not to mention that little thing called Pride 2023 — there is A LOT going on this weekend.
However, for those of you revellers who’ll be heading over to M23 for the older Gallagher brother’s huge homecoming gig, we’ve got you sorted.
It’ll be no surprise whatsoever to hear that this thing is going to be absolutely massive with an estimated capacity of around 25,000 people.
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That being said, with such a large expectancy, those of you who still haven’t grabbed a ticket are in luck: there are still a fair few ticket options available for now but we wouldn’t advise waiting around much longer. After all, he is a Manc music legend and one of the biggest names on the planet.
You can still grab general admission tickets for £60.50 upwards and even a few resales from £46 on Ticketmaster, as well as VIP packages if you fancy treating yourself.
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If you do end up scrambling for one, as always, we advise being very cautious whenever buying from reseller sites and we beg you to stay well and truly away from ticket touts. No gig is worth being stung over and making the problem even worse.
Credit: Noel Gallagher’s High Flying Birds (via Instagram)
Support acts
When it comes to the support acts on the night, you really are getting proper value for money with this one as not only are you seeing Noel and his High Flying Birds, but you’ll also be graced with the presence of fellow British rock legends, Primal Scream.
As if that wasn’t good enough, you’ll also be getting alternative American band and synth-pop icons Future Islands (a real Manc Audio favourite) as your second support. But it doesn’t stop there; you also have locally-formed rockers, Picture Parlour, as well as Leicester singer-songwriter, Billy Nomates.
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Some lineup that.
We’re just praying they all join each other on stage at some point for one big supergroup moment. Come on, you lot, make it happen.
Stage times for Noel Gallagher’s at Wythenshawe Park
As for at what time you’ll get to see who, doors to the event are due to open from 2pm and although all timings are subject to change, here’s your rough running order and each artist’s expected set times:
We often turn to Setlist.fm when looking for what artists are going to play ahead of a big gig and while you can definitely find that info for the High Flying Birds’ most recent gigs on there, on this occasion we also have the added assurance of the man himself confirming it for us.
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Obviously, setlists change on the fly all the time due to various circumstances, especially when you’re talking about someone with a catalogue as huge as Gallagher’s, but we think this is a fairly safe bet — here’s what he’s been playing most recently.
Old, new, a cover and some Oasis – you’re getting a bit of everything.
How to get there
Last but not least, there’s just the small matter of getting there. While we’d always recommend travelling as green as possible/using public transport where you can, there are still some car park tickets that you can buy online from the Live From Wythenshawe website for £16.91.
As for those of you catching a ride, there is yellow signage to the north of the site which will lead you to the pick-up/drop-off point on Wythenshawe Road, M23 0AB.
There are also three tram stops to choose from: Wythenshawe Park, Moor Road and Baguley. However, it’s worth noting that both Wythenshawe Park and Baguley will be closed from 9pm so you won’t be able to get back home this way.
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Finally, you can always catch one of the shuttle buses back into the city centre, which will set you back just £3.50 on the day. The service will be operating in a loop from Sale and the city centre, running from 1pm-8pm on the way to Wythenshawe Park and then from 8pm-1:30am when heading home.
For more information, you can find all the up-to-date travel stuff HERE or check out (TfGM) Transport for Greater Manchester’s guidance and even use their interactive map below.
Featured Image — @themighti/Sharon Latham/Ignition (via Instagram)/Wikimedia Commons
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.