Manchester music promotors Open Beat have revealed the details for their first round of shows taking place later this year – and they’ve got a whole host of emerging Manchester-based talent to showcase.
Born from a love of the city’s music and everything it has to offer, Open Beat have spent two years developing a brand-new platform for up-and-coming musicians from in and around Manchester to play live and get their music heard.
Their inaugural series of events, ‘Open Beat Presents’ kicks off in August, with four initial dates taking us through to the end of the year.
The first, on Friday 20 August, will see The A.V. Club, The Demo and Rivet City take to the stage at the legendary Night & Day Café.
Warrington band The A.V. Club take inspiration from the soundtrack from hit Netflix show Stranger Things to create their own blend of modern indie-pop. Whilst the indie-rock sounds of The Demo and Rivet City will provide some variety to the night.
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Some of Manchester’s biggest bands came through the Night & Day Café in their early years. So much so, the iconic venue has become somewhat of a rite of passage for new bands nowadays, making it the ideal venue for an Open Beat evening.
Next up, on August bank holiday Monday, will be a specially curated lineup from Manta at another iconic Manchester venue. This time, it’s Oldham Street’s The Castle Hotel that will open up its intimate setting for an evening of live music where you can really get behind these amazing new artists.
The Manta & Friends showcase will feature a selection of the best emerging artists from international music college BIMM Institute. Newcomers Sweets, Sam Brockett and Bluloom will join Manta for an exciting mix of music styles.
On Saturday 30 October, a Halloween special will take over Northern Quarter venue Off The Square.
The all-Manc lineup will see a headline set from Kosmonauts. Since their debut release in 2017, Kosmonauts have become known for their energetic style and honest “real-talk” song writing.
Pre-COVID, they had a strong run of sold-out shows and landed supporting slots for some big bands. Now, it’s their time to shine again.
Foxglove. Image: @ianthe.w/IG
They’ll have support on the night from Foxglove, a quirky four-piece who have already proven to be breath of fresh air, alongside Kestrel Palace, who will complete the bill with his thought-provoking lyrics and Oasis-inspired vibe.
The fourth gig remains under wraps for now. But we can tell you it’ll be held Gorilla in December. Organisers are promising a huge headliner for this one to close this first round of gigs, though. Keep your eyes peeled for another announcement very soon.
However, alongside their Open Beat Presents series, they will also be putting a special freshers all-dayer edition at Hatch on Thursday 23 September, in association with BIMM Institute.
There’ll be loads of live music from artists who are set to play in the Open Beat series. So, expect the return of Manta, The Demo and Foxglove. Plus, Minerva Daisy and Kid Blue will also appear, with music from Unity Radio and BBC Radio 1Xtra DJ Jermaine Lee throughout the day, too.
All the usual independent Hatch food and drink vendors will be on hand to keep you topped up throughout the day. Tickets for this one are on sale here.
Head over to Open Beat’s Instagram here to stay up to date.
Featured image: Graham Binns
Gigs & Nightlife
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Biig Piig brings home the bacon at Manchester’s New Century Hall
Clementine Hall
After releasing her long-awaited debut album, Biig Piig delivered an electric performance at one of the city’s coolest venues.
Oversized satin bomber jacket slipping off her shoulders, Biig Piig aka Jessica Smyth, wasted no time jumping around the stage to an audience equally as energetic.
The Irish artist’s headline tour is in celebration of her debut album 11:11, but the night was scattered with tracks from her prolific seven-year discography.
Biig Piig has two methods to her madness which she effortlessly switches between. Her chilled-out atmospheric songs inspired by R&B and jazz alongside her club dance tracks with heavy drops and mesmerising synth.
Throughout the night we were treated to both, receiving a masterclass in finding the balance between the two.
“You guys have filled out this room. I love Manchester there is so much energy”, she says just moments after opening with track ‘4am’.
“I’m out and I’m back and I’ve missed you”, she pleads to the crowd whilst parading up and down the stage adorned with hot pink strobe lights.
Her band, which features a bassist/saxophonist and drummer, adds nice bits of detail to her songs, specifically ‘Roses and Gold’ which won itself a groovy sax solo which was met with rapturous applause.
Moments later she picks up the pace with a few welcomed dance party throwbacks, ‘Sunny’ had everyone two-stepping along with her whilst flirty ‘Favourite Girl’ transformed the venue into an underground dance party.
Ending the night with a bang was ‘Kerosene’ for which she got the crowd to get low on the ground and bounce together as one, a request which can often prove risky but one which was pulled off without hesitation.
It was clear to see the fun that Jessica, her band, and the crowd were having throughout the hour-long show.
But what’s even clearer is Biig Piig’s path to the top of dance music stardom.
Hannah Starkie -
10th June 2021 
