Sounds of the City is set to return this month, bringing some of the world’s biggest bands to Manchester.
Over the course of nine very special evenings, bands including James, Pixies and Foals will all take to the outdoor stage.
This year’s headliners also include Sam Fender, Lewis Capaldi, and the return of the ever-popular Hacienda Classical.
Since launching in 2013, Sounds of the City has hosted the likes of Kylie, Arcade Fire, Elbow, Noel Gallagher’s High Flying Birds, Catfish And The Bottlemen and Courteeners.
As with most music events, Sounds of the City had its 2020 and 2021 summer seasons disrupted, but returned with a handful of gigs last September.
Now it’s back in full force and ready to kick off in a matter of days.
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Here’s what you need to know.
Who’s headlining Sounds of the City on which date?
Foals will be among the headliners for Sounds of the City.
Tuesday 28 June – Lewis Capaldi plus special guest Jp Saxe & Emie Nathan
Wednesday 29 June – Foals plus special guests Wet Leg & The Regrettes – Sold Out
Thursday 30 June – Crowded House plus special guest
Friday 1 July – The Libertines – Up The Bracket performed in full plus other classics plus special guests Sports Team
Saturday 2 July – James plus special guest – Sold Out
Tuesday 5 July – Pixies plus special guests The Slow Readers Club & Klangstof
Wednesday 6 July – Sam Fender plus special guest – Sold Out
Friday 8 July – Hacienda Classical with special guests Soul II Soul, Peter Hook, DJ Paulette & Tom Wainwright
Saturday 9 July – Primal Scream Presents Screamadelica plus special guests The Mysterines, Lonelady & Walt Disco – Sold Out
How do I buy tickets?
Sam Fender.
There are still tickets left for a few of the Sounds of the City gigs, as well as tickets cropping up on resale sites (as always, make sure you’re using a verified fan-to-fan service so you don’t get ripped off).
You can expect to pay between £40 and £50 for most of the events – Lewis Capaldi tickets are £44.25, The Libertines tickets are going for £47.40, and The Pixies for £50.50, for example.
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You can browse the events and see the latest ticket availability through Ticketmaster.
What are the stage and venue times?
Doors to the venue are expected to open at 5.30pm for most of the concerts.
There’ll be a strict 10.30pm curfew.
Each artist is likely to announce their individual stage times on social media in the coming days, but you can probably expect headliners to take to the stage between 8.30pm and 9pm most nights.
What’s the seating chart for the venue?
Castlefield Bowl is an amphitheatre-style outdoor venue in the city centre.
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Although all tickets are billed as unreserved standing, if you’re quick you can take a seat on the large concrete steps that curve around the stage.
Many people also take a perch up on the grassy banks at the back of the venue too.
How do I get to Castlefield Bowl?
Castlefield Bowl is located at 101 Liverpool Road in the city centre.
The closest tram stop is Deansgate-Castlefield, which is only a six-minute walk away.
You can also walk it from the major train stations, or use the 101, 197, 255, 256, 41, 50 or X50 buses.
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Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Daisy Jackson -
5th July 2022 
