One of the Peak District’s most impressive landmarks is being turned into a pop-up cinema this spring.
The dramatic Peak Cavern will be kitted out with a full cinema set-up, plus cosy blankets and hot water bottles, for an unmissable film experience.
The next series of Village Screen events will begin later this month, with films on the bill including Dune, The Lost Boys, and Back to the Future.
Lovers of a horror film will also be able to watch The Descent – a critically-acclaimed thriller flick that’s actually set in a cave system – in the most eerily immersive setting possible.
The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
Visitors are greeted by live music, street food stalls, and pop-up bars before heading through to the cinema area, surrounded on all sides by stunning natural limestone walls.
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The Peak Cavern itself is one of the gems of the Peak District, with a fascinating history.
The rock formation used to be known as the ‘Devil’s arse’, because of the fart-like noises created by the water that flowed through it.
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The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
It also has the largest cave entrance in the British Isles, at 20m in height, 35m in width, and 100m in length.
Inside are the remains of a rope maker’s village – and in more modern times, it’s the Village Screen that keeps visitors flocking back here.
The full line-up of films will all be projected onto a 21ft screen, with state-of-the-art sound and lighting.
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Movie-goers can get drinks and snacks delivered to their seats during the film, and add on ‘Snuggle Packages’, which include blankets, hot water bottles, cushions, and a selection of sweets and chocolate.
The Village Screen is a small, independent events team that has been running cinema experiences at the Peak Cavern since 2017, with 60 cave events so far.
The company is also behind similar events at the Victoria Baths former swimming pool in Manchester itself.
The Village Screen was set up in 2015 to create a stunning cinema experience, showing classic films in unexpected locations – they’ve also made use of venues like Kenwood Hall in Sheffield and Hathersage Swimming Pool, plus a range of drive-in experiences.
The Village Screen’s Peak Cavern line-up for spring 2022.
Thursday 28 April – The Lost Boys, doors at 6pm, film at 8pm
Friday 29 April – The Goonies, doors at 6pm, film at 8pm
Saturday 30 April – The Descent, doors at 5.30pm, film at 7.30pm
Sunday 1 May – Back to the Future, doors at 5.30pm, film at 7.30pm
Thursday 5 May – Pulp Fiction, doors at 6pm, film at 8pm
Friday 6 May – The Lost Boys, doors at 6pm, film at 8pm
Saturday 7 May – The Rocky Horror Picture Show, doors at 5.30pm, film at 7.30pm
Sunday 8 May – Dune, doors at 5.30pm, film at 7.30pm
Friday 13 May – Alien, doors at 6pm, film at 8pm
Saturday 14 May – Princess Bride, doors at 5.30pm, film at 7.30pm
Sunday 15 May – The Goonies, doors at 5.30pm, film at 7.30pm
Featured image: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
Art & Culture
Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Daisy Jackson
One of the Science and Industry Museum’s most iconic attractions will reopen this summer – and the beloved museum has revealed a sneak peak of how things will look.
The museum has shared CGIs of the reimagined Power Hall: The Law Family Gallery, where visitors will be able to explore a lively working gallery full of engines and rail vehicles.
The popular part of the museum closed for urgent repairs in 2019 and has since been undergoing conservation work and a new look created by award-winning designers Studio MUTT.
The sounds, smells and sights of Manchester’s past and present industry will be brought to the Power Hall when it reopens.
Visitors will soon again be able to rediscover objects and learn the stories behind those who powered Manchester’s industry.
There’ll be three main themes within the Power Hall – Making More, which will explore how engines helped people make more, faster, with steam engines installed at factories and mills.
Then there’ll be Powering Lives, which will examine how engines power the electricity network we all plug into every day.
And also Connecting Places, which looks at how locomotives have connected communities around the world, starting at the site of the museum which sparked a transport revolution in 1830.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Kate Chatfield, Interpretation and Content Manager at the Science and Industry Museum, said: “Power Hall: The Law Family Gallery will be a must-see Manchester experience – a living gallery that showcases a unique collection of historic 19th and early 20th century working engines to tell the story of Manchester as an epicentre for the engine-driven ideas and industry that shaped the world as we know it today.
“Our most iconic objects will be available to explore like never before as we bring to life the people behind the power through stories of the engineers, makers and technicians who use their skills and senses to create and care for engines, both today and in the past.”
The work on the Power Hall is part of a multi-million-pound regeneration project across the Science and Industry Museum, which is conserving and reimagining these historic buildings.
The Power Hall has been future-proofed in the six years it’s been closed to the public, including urgent roof and timber repairs.
Further information about what to see and do and the Power Hall’s opening date will be announced in the coming weeks. Sign up to the museum’s mailing list to be among the first to hear more.
Power Hall: The Law Family Gallery project has been made possible with support from The Law Family Charitable Foundation, the Wolfson Foundation, The National Lottery Heritage Fund, The Headley Trust, Royal Commission for the Exhibition of 1851, Atmos International, The Beaverbrooks Charitable Trust, The Zochonis Charitable Trust and other donors who choose to remain anonymous.
Special thanks to the Department for Culture, Media and Sport for their significant contribution to the gallery, and to the Department for Energy Security and Net Zero for funding the decarbonisation of the Power Hall through the Public Sector Decarbonisation Scheme, delivered by Salix Finance.
Daisy Jackson -
10th April 2022 
