Thankfully, our Manchester New Year celebrations are shaping up to be a damn sight better than last year’s locked-down version.
Now that more and more New Year events are getting announced, it’s looking like we’re going to be stuck for choice – and we would not have it any other way right now.
As always, The Warehouse Project comes through strong with their New Year agenda – and they’ve just dropped another cracking set of shows to celebrate the end of another tough year getting back to ‘normal’.
In a first for the city, four of Manchester’s biggest music brands will come together to round off what has been an unforgettable return to live music and events this year on New Year’s Day, whilst the New Year’s Eve event also has some big tricks up its sleeve.
Here’s what to expect.
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New Year’s Eve
The biggest party night of the year, New Year’s Eve is always one for making memories with some huge music lineups. Whilst we weren’t able to see in the new year at Depot Mayfield last year, WHP has pulled off one to remember for the big night on Friday, 31 December 2021.
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Fat Boy Slim and Radio and DJ legend Annie Mac will headline the night, bringing in the new year with another prime NYE slot, alongside Yousef.
Over on the Concourse, Hannah Wants, Redlight, Low Steppa, My Nu Leng plus loads more will be responsible for a house, tech, and bassline driven soundtrack. Then in the Archive, it’ll be over to Emerald, Big Miz, and Joe Motion to spin some funky beats.
With an early start from 8 pm, there’ll be plenty of time to get the drinks in before midnight strikes, too, before rounding things up by 4 am – if you can make it that far.
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New Year’s Day
On New Year’s Day, an extra special party is set for the Depot.
In a first for the city, four of Manchester’s biggest music brands will come together to round off what has been an unforgettable return to live music and events this year.
In a collaboration named ‘The Riot’, Homoelectric, Electric Chair, Repercussion, and The Warehouse Project will join forces to produce the biggest NYD lineup the Depot has ever seen.
Credit: WHP 21
If your New Year’s Eve hangover allows it, from 3 pm until 2 am, you can enjoy five stages of music, each with a different takeover all day and into the night.
The Depot’s usual three rooms will be open for business, with music from the likes of The Blessed Madonna, Todd Terje, Jayda G, and Krystal Klear in the Depot’s main room, with Louie Vega, Hunee B2B Palms Trax headlining the Concourse.
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Over in the Archive, a Homoelectric takeover will see Horse Meat Disco, Leon Vynehall, Shanti Celeste, Sherelle and more.
What’s more – one of Manchester’s most famed pubs, The Star & Garter, will play host to a WHP lineup again.
The venue was recently taken over as part of the inaugural Repercussion Festival back in September, where Sassy J, Greg Wilson, Krysko and Space Afrika took to the decks at The Star & Garter for a special day of music.
Repercussion Festival took over a number of venues in and around the Depot, including the Star and Garter and Temperance Street pictured here / Credit: Zed Bias
For The Riot, though, the pub will have two stages.
Upstairs in ‘The Loft’ you can expect to see Erol Alkan B2B Ivan Smagghe, alongside Nancy Noise and Maurice Fulton. Meanwhile the ‘Downstairs’ stage will feature the likes of Manc legend DJ Paulette, Abigail Ward, and Aficionado.
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And with that extra bank holiday on Monday, 3 January, you might just get away with the hangover for your return to work.
Micheal Bibi Presents Isolate
A third night has also been revealed today.
The brand-new show, Michael Bibi & WHP presents Isolate, has been added to the calendar on 18 December. Although we know there are some very special guests in the pipeline, the lineup announcement and full details will follow soon.
Credit: WHP 21
How to get tickets
Getting hold of tickets for the closing parties is simple.
For previous WHP21 ticket holders, limited pre-sale tickets will go on sale at 6 pm tonight (Wednesday, 27 October).
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The remaining tickets will go on general sale to everyone else from 10 am tomorrow (Thursday, 28 October).
For links and more info, head over to the Warehouse Project website. Here, you’ll also find tickets for the final 20 events that are still to come, featuring Bicep – Live, The Chemical Brothers, Honey Dijon, Jamie xx, Solomun, Avalon Emerson, and hundreds more.
To read more like this, head to our music tab. And don’t forget to stay up to date with music and events in Manchester over on Instagram with The Manc Audio.
Featured Image – The Warehouse Project
Audio
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Hannah Starkie -
27th October 2021 
