One of the most popular city centre venues is back with another edition of its new music festival this May bank holiday weekend.
In case you missed it, award-winning Spinningfields bar and one of the city’s best-loved sun traps, The Oast House, has launched a brand-new music festival, and it kicked-off for the first time over the extended Easter bank holiday weekend, with a full day of tunes provided by local musicians throughout the one-day event.
And now, it’s back once again for the upcoming May bank holiday on Sunday 1 May.
The festival, which is named ManiFest, takes over The Oast House’s large outdoor terrace area, with a dedicated stage set up.
Set to run from 1pm right through until 10pm in the evening, a packed roster of acts are lined up to perform on Sunday, including bands, solo artists, and duos, all taking to the stage throughout the day, with interludes provided by a number of resident DJs.
ADVERTISEMENT
The Oast House says that festival-goers can expect a “party atmosphere” and sounds of rock, pop, soul, R&B, funk, disco and blues – with headline acts and full artist lineups set to be announced over the next week.
The event is not ticketed, and is free to attend on a first come, first served basis.
ADVERTISEMENT
ManiFest is taking over The Oast House’s large outdoor terrace every bank holiday weekend this spring and summer / Credit: The Oast House
Given the fact that the event is not tickets and knowing how popular The Oast House is on most weekends in general, the venue is recommending that people get there early to avoid disappointment.
If the tunes weren’t enough of a draw as it is, The Oast House’s unique street food menu will also be on offer to try out throughout the weekend for those looking to line their stomachs during the festival, which has a wide range of signature dishes such as the Northern Poutine, Crispy Chicken Burger, and the famous Hanging Kebabs.
Some of the vegan options on the menu include Cauliflower Wings, Salt and Pepper Fries, and the Plant Based Gyro Wrap.
Festival-goers can expect a “party atmosphere” provided by a packed lineup of local musicians / Credit: The Oast House
Festival-goers will also get a glimpse at a new street art mural by Northern artist Sam Porter, which was unveiled earlier this month to celebrate the launch of the new festival, and has seen iconic Manchester scenes painted onto the inside of The Oast House stage.
ManiFest is set to return to The Oast House on each bank holiday weekend throughout the spring and summer.
More details of individual events will be released in due course on The Oast House website.
Featured Image – The Oast House
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Emily Sergeant -
21st April 2022 
