An open call for people across Greater Manchester to contribute to a new national touring art installation has been issued.
Wild in Art – the global art producer behind the much-loved Bee In The City trail – is inviting people from right across the UK to submit real-life stories and poems about key workers during the coronavirus (COVID-19) pandemic for a chance to be included in the ‘Gratitude Stories’ installation, which is arriving in Manchester later this year.
The Gratitude art installation – which is a collection of 49 uniquely-painted human form sculptures, all designed by individual artists, and curated in partnership with creative ambassador Dame Zandra Rhodes – will be free for all the public to visit and accompanied by a selection of stories recorded by a host of well-known local voices, designed to thank NHS staff and all key workers for their ongoing courage and dedication.
Gratitude is hoping to connect people, communities, artists and businesses to reflect and show their appreciation.
The chosen stories will become part of the spectacular public art installation that thanks all key workers for their courage and dedication during the pandemic. Key figures voicing the stories so far include @KTTunstall, @adilray & @juliehes further names to be revealed soon.
Visitors to the installation will be able to listen to stories and poems that pay tribute to all key workers, from doctors on the front-line to shopkeepers, carers and teachers, via the Gratitude app and the website.
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Key figures lined up to voice the stories so far include singer-songwriter KT Tunstall and actors Julie Hesmondhalgh, Christopher Eccleston, John Thomson and Shobna Gulati – with further names to be revealed soon.
Time for quiet reflection will also be built into the installation’s daily opening schedule when the exhibition comes to Manchester in September.
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One of the first audio stories to be announced as part of the installation is from Matt Kelly, a Wigan Council service manager who last year penned a poem named ‘Our Heroes’, which was initially for his partner – a district nurse – but then shared on social media and brought to life on BBC Radio 5 live by one of the UK’s most prominent actors, Christopher Eccleston.
Daniel Graves Photography
“I am delighted that ‘Our Heroes’ will be part of this fantastic project.” Matt Kelly said.
“During this last year, our doctors, nurses, carers and support staff have quite literally saved us from this awful pandemic [and] the war-like effort of the NHS and the scenes I was seeing on the news helped inspire me to write the poem at the start of the pandemic.
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“At the time, it was a poem of hope, but one year on, it is becoming a poem of nostalgia and gratitude.
“This project is a fitting tribute to our wonderful heroes”.
Charlie Langhorne – Managing Director and co-founder of Wild in Art – added: “We’re delighted to have the support of so many well-known figures to help us to bring words and art together to tell the story of this unprecedented time [and] we hope people will be inspired to submit their stories and poems and we look forward to listening to them as part of Gratitude this summer”.
Daniel Graves Photography
Keen to take part?
Wild in Art is now accepting submissions from all over the UK, which should be no longer than 500 words in length, must tell a personal story about a key worker, and showcase the amazing work they have done during the pandemic.
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It can also be a story about yourself, for example, if you work as a key worker or if there is something a key worker has done for you personally that has made a difference to you life.
You have until 5pm on 20th May 2021.
All details and guidelines for submissions can be found on the Gratitude website here.
Featured Image – Scott Kershaw Photographer
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Everything you need to know about Manchester Christmas Markets 2026 – dates, locations, and more
Emily Sergeant
Manchester Christmas Markets will be taking over the city centre this festive season, with hundreds of little wooden huts lining the streets.
Now in their 27th year, Manchester Christmas Markets are known and loved for bringing thousands of people into the city centre each year to fill up on fantastic festive treats and soak up all the Christmas atmosphere.
This year will see a bigger return of Albert Square, after the headline-grabbing partial return at last year’s event – with the big wheel also set to make a comeback.
There’s also set to be some new locations too for 2026, with Lincoln Square joining in on the action, as well as big changes to St Ann’s Square with what is being described as a ‘brand new layout’ bringing in a bigger number of market stalls.
There will be a total of 210 stalls spread out across the city centre.
When are the Manchester Christmas Markets 2026?
This year’s Manchester Christmas Markets will take place between Friday 6 November and Monday 22 December, across 10 different city centre locations.
Some sites will remain open even longer though – there’ll be festivities continuing at both Albert Square and Cathedral Gardens (which is home to the Skate Manchester ice rink) until Sunday 3 January 2027.
Another date for your diary is the Manchester Christmas Parade, which will see floats and performers filling the city on Sunday 6 December.
Manchester Christmas Markets locations
Manchester Christmas Markets
There are some brand-new spots to check out this year as the markets officially leave Piccadilly Gardens and return to their spiritual home around Albert Square.
Notably, Lincoln Square will be hosting a food and drink-focused market for the first time.
St Ann’s Square will also have a brand-new look, and Albert Square will again be home to a helter-skelter and a big wheel, along with loads of food, drink, and festive retail.
The locations are:
Albert Square
Lincoln Square
King Street
St Ann’s Square
Corn Exchange
Exchange Street
New Cathedral Street
Market Street
Exchange Square
Cathedral Gardens
You can see more about what each location will offer HERE.
Manchester Christmas Markets 2026 opening and closing times
The vast majority of the Manchester Christmas Markets locations will be open from 10am to 9pm daily, through to 22 December.
The only exceptions are as follows:
Albert Square
6 November – 23 December: 10am to 9pm
24 December (Christmas Eve): 10am to 5pm
25 December (Christmas Day): Closed
26 December – 30 January: 10am to 6pm
31 January (New Year’s Eve): 10am to 12.30am
1–3 January: 10am to 6pm
Cathedral Gardens
6 November – 23 December: 10am to 9pm
24 December (Christmas Eve): 10am to 5pm
25 December (Christmas Day): Closed
26 December – 30 January: 10am to 6pm
31 January (New Year’s Eve): 10am to 12.30am
1–3 January: 10am to 6pm
Food and drink highlights at the Manchester Christmas Markets
Great North Pie Co. at the Manchester Christmas Markets. Credit: The Manc GroupHong Kong French Toast at the Manchester Christmas Markets. Credit: The Manc Group
Until the markets are officially open, we’re not sure exactly what this year’s top stalls and must-eats will be – but looking at the trader list, we can give you a good idea.
The always-popular Yorkshire Pudding Wraps from Porky Pig will be back in Exchange Square, along with the iconic Witch House German bratwursts a short distance away on New Cathedral Street.
Other traders we loved in 2025 who’ll be returning this year include Great North Pie, Flat Baker, Hong Kong French Toast, and Oi Dumplings.
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Travel advice and how to get to the Manchester Christmas Markets
As usual, passengers are advised to travel with public transport wherever possible, as the city centre will be very busy with both Christmas Markets visitors and shoppers.
There are eight tram stops in the city centre that will put you within walking distance of the festivities, with St Peter’s Square the closest to the main site at Albert Square.
Trains and buses also serve the city centre well, but if you really need to drive, TfGM is advising to make use of the park and ride system rather than risking traffic delays in town.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
Emily Sergeant -
6th May 2021 
