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Win tickets to see Everything Everything, Murkage Dave, IAMDDB and more play the Union co-living launch party

More buildings should celebrate their unveiling with live gigs, in our opinion.

Danny Jones Danny Jones - 8th February 2024

The brand-new Union co-living apartment complex is kicking off its grand opening with a VIP launch party right here in the city centre, featuring some massive Manchester artists including Everything Everything, Murkage Dave, IAMDDB and more — and you can win tickets to be there.

With local Manc band Everything Everything set to headline the exclusive party at the end of February when Union fully opens on the eve of their new album, there are plenty of eyes on the new residential building ahead of it being fully unveiled to the public.

Its construction won’t have slipped under anyone’s radar either: work on the 32-story tower at St John’s began in 2022 and is now nearing completion, already having made headlines for offering people residing in the region a new alternative to traditional renting or house shares.

And now they’re in the news again as they have confirmed that they will be kicking off their new co-living community here in Manchester with a VIP launch party with some of our most exciting musical artists. There’ll even be food from Picos Tacos, Eat New York and Great North Pie Co., as well as drinks from Manchester Union Lager — we see what you did there.

win free tickets to Everything Everything gig Union MCR
Everything Everything
IAMDDB gigs
IAMDDB
murkage dave manchester gig
Murkage Dave
The headliners for the launch of Union MCR’s co-living complex. (Credit: Supplied/Jordan Curtis Hughes/Romany Francesca)

With Everything Everything pretty much Manc royalty at this point, having played almost every UK gig venue and festival imaginable, the headliners will not only be flanked by urban jazz pioneer IAMDDB and soulful R’n’B star Murkage Dave but the likes of locals DJ G2, WHP resident Krysko and DJ Toni Rarri.

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All of these artists are heavily immersed in the Manchester music and late-night scene and with many people having already moved into their new flats, they will naturally be the first to be entered into an exclusive and randomised prize draw to gain access to the gigs.

However, over-18s all over the city are also being given the opportunity to join in with the party and night of live music, with Union MCR running competitions throughout February on their Instagram page — you just have to keep an eye out.

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It’s as easy as that. The event itself will be taking place on Thursday, 29 February (yes, the rare leap year gig), so if you want to be a part of it, make sure to keep your eyes peeled for the giveaway competitions on their IG and other social media pages.

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Created by the ever-expanding Vita Group, who already helped deliver the Circle Square development on Oxford Road just a couple of years back, Union is set to offer co-living spaces where residents will rent by the room with bills included but share amenities spaces almost like in first-year uni halls.

The multiple occupancy housing approach will provide young professionals and more with another way to find a new home, with the aim of not only meeting like-minded people to move in with but also helping build a residential community throughout the complex.

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A few of the other perks included flatmate matching, with the Union team helping pair up the best matches possible, as well as flexible stays rather than being locked into lengthy tenancy agreements and, crucially, no deposits, so you don’t have to worry about saving up for before moving in.

With a total of 2,326 beds in the pipeline, it’ll be interesting to see how Union knits itself into the fabric of the city over time, and for those of you lucky enough to secure a ticket for launch party performances, we hope to see you there!

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Images — Supplied

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An unmissable Whitney Houston tribute event is returning to Greater Manchester

Thomas Melia Thomas Melia

A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.

To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.

0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.

Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.

This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.

Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.

The first Whitney Houston tribute show is taking place over at The Plaza Theatre in Stockport on 20 March, which is also hosting the stage version of a beloved British comedy next month.

Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.

A pair of stunning venues, two stunning shows and one incomparable voice.

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It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.

I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.

Tickets are on sale already now – you can grab yours HERE.

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Image – Publicity Picture (Supplied)

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Better Man has bombed at the box office – but is the Robbie Williams biopic any good?

Danny Jones Danny Jones Better Man review Robbie biopic

So, Robbie Williams’ biopic Better Man has been out for a little while now and the question on many people’s lips – you know, apart from ‘why is he a monkey?’ – is, quite simply, is it any good?

Many of you may have already seen it, others may have absolutely no interest in hearing about Robbie‘s already well-publicised exploits (be they in ape form or otherwise), or maybe you’ve just been waiting to hear whether it’s any good before heading out to the cinema.

Well, if you’re judging it purely by the current headlines circulating online, you’d be forgiven for thinking it’s absolute rubbish. So far, Better Man has ‘tanked’ at the box office, making just over $1 million compared to a budget of nearly $110m (£90.8m).

However, given how pivotal the US viewing figures are, a big chunk of the commercial disappointment has come down to Americans largely not knowing who Robbie Williams even is and it’s no surprise that it’s done a little better here in the UK – though still not stellar. But again, ticket sales aside, is it good?

Better Man – Review

I wasn’t sure a (very good) CGI monkey Robbie Williams film was going to be any good either based solely on the trailer, but they nailed it.

*Once again, some spoilers ahead – though it is his life story, so we’re not really spoiling anything…

I’ll start this off by admitting that for all his foibles and controversies of the years, I am a Robbie fan; his music was always on in my house as a kid and well into my teens. Being born in the mid-90s, he was probably one of the first big pop stars to ever enter my world.

Growing up obsessed with football too, a charismatic, mainstream rock and roll-spirited figure in the mainstream who also loved the beautiful game and even took influence from chants heard around the grounds in his songwriting always made him extra appealing to me.

All that is just to say that I’m fully aware there’s probably some bias here, so I’ll still try to be as impartial and ‘objective’ as you can be with a film review. But back to the point, the short answer is yes: it’s good – very good, in my opinion.

If you’re similarly fond of the frenetic, funny and ferocious showman, you’ll obviously have a vested interest in looking back on his career thru a (somewhat simian) Lens, but even if you’re not, I still think you can get a lot of of the film and a greater insight into a captivating life story.

Monkey see, monkey do—make me sad, very sad…

better man review
This scene (among many) had us welling up. (Credit: Paramount Pictures)

For starters, put simply: as daft as it may seem, the monkey thing does work. It may come across like a strange gimmick when you first see the trailers but it doesn’t take much digging to realise that there’s quite a well-thought-out three-pronged approach behind it.

One of the first things the 50-year-old singer said on the press tour for this film is that he’s always felt “unevolved” and it’s something that’s brought up a couple of times in the film itself, so making him an ape rather than a modern Homo sapien is one way to way to communicate that.

Plus, not only does it obviously make any sad moments – and there are a lot of them – even more emotional and tear-jerking, especially during the scenes during Robbie’s childhood, but it also plays into the sad reality that he’s felt like a performing monkey for the majority of his life.

When you stop and think about the reasoning behind it feels a lot more considered than on first impression, and it certainly helps you empathise and, more importantly, sympathise with the troubled character you’re seeing on screen.

Robert vs Robbie

robbie williams movie good
A very clever movie poster to boot.

And that’s pretty much the rub right there: this was always going to be at least a somewhat self-indulgent watch, not just because it’s a biopic but because it’s Robbie and that’s what his persona is about – but it is and always has been a performance in every sense of the word and the film does a great job of trying to distinguish ‘Robbie’ from Robert.

From seeing the origins behind being given that name specifically, his younger years and affectionate albeit mostly fraught relationship with his father; how the boom of Take That engulfed his entire world and even more so once he went solo, as well as the version of himself he’s shown to the world for last three decades, it’s clear he’s often struggled to find the line between the two himself.

It’s also very important to state the cheeky, cocksure Robbie Williams you were expecting to watch the rise of throughout this biopic has wrestled with a much lower opinion of himself than you could ever imagine. It’s a driving force behind the film and manifests in all manner of problematic and unpleasant ways, just as it did in real life. You see him see a lot of them in the crowd throughout the duration, in fact.

Because for anyone who isn’t aware, a lot of Robbie’s experiences are problematic and unpleasant; the early days as a boyband commodity, his substance abuse, struggles with mental health and beyond are all laid bare on screen in fairly graphic detail at times. A lot of the situations these issues spring from would feel hard to believe were it not for the fact it’s a true story with very little embellishment, if at all.

Manchester references are a bonus

One of the things that did stand out as a particularly surreal aspect of the film was the handful of references to Robbie’s intersection with Mancunian culture, which simultaneously felt familiar and somehow like going back in time to peep behind the curtain at a world that very few saw first-hand.

Again, the behind-the-scenes examination of how Take That transpired and those very dangerous, inappropriate and frankly unlawful series of events in nightclubs over on the likes of Canal Street feels like a fever dream (as it did for Robbie).

Perhaps the biggest buzz we got was the not-so-surprise appearance by the Gallagher brothers and ‘The Robster’s obsession with Oasis. The look is exactly what you’d expect and Liam‘s accent might not be perfect but it still gave us a thrill without feeling like pointless lip service.

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They even recreate this famous showbiz moment:

Is it worth a trip to the cinema?

All that being said, is the much-talked Robbie biopic a good enough film to warrant popping out to the pictures? Well, I’d certainly say so. Not only are the visuals and the CGI itself pretty flawless, but the motion capture is done so well that it never felt like I was taken out of the film at any point – even the very particular Stoke and Cheshire accents of Robbie and Gary Barlow are very convincing.

We knew there was going to be lots of humour too but there’s also a lot of impressive stuff the director does that I wasn’t expecting.

One of those is the transitions: there are lots of clever tonal switches done with great camerawork and effects (particularly during one driving sequence and some of the flashback frames) and they really do help covertly shift the mood so some of the darker moments don’t give you full on whiplash.

And lastly, the director’s fingerprints can be felt all over the movie as Michael Gracey’s The Greatest Showman pedigree certainly makes sections of the film feel more like a musical than I was expecting – but in a good way. Big bold cabaret choreography fitting of the man himself.

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After all, we all know most Robbie tunes are bangers but seeing them brought to life in these new and interesting ways really does make Better Man a better film than we’d even hoped for and it’s certainly good enough to be performing a lot better than it is at the box office right now. Maybe give it a go.

As far as I’m concerned, big stunning set pieces like this are just the tip when it comes to what makes the Robbie biopic a good film.

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Featured Images — Paramount Pictures/Chrysalis Records

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