The AO Arena has announced several details of its enormous transformation project, including increasing its capacity to 23k.
The venue in Manchester city centre is currently the largest indoor arena in the UK and Europe, and has undergone a £50m redevelopment.
When the project is completed, fans will be able to make use of new features like a brand-new lower concourse, a standing floor that has had a 100% capacity increase, and a brand new food and drink offering too.
Despite its new 23,000-fan capacity, the AO Arena promises that fans will feel even closer to their favourite artists.
The 30-year-old venue has gone through a complete re-imagination and reconstruction while continuing to host huge gigs and sporting events throughout.
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AO Arena and ASM Global say that the entire visitor experience will be improved, for gig-goers and performers and venue staff alike.
That includes new entrances with state-of-the-art technology that will make getting in and out of the arena the quickest of any venue in Europe.
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The concourse spaces will be digitised, helping concert-goers to find their way around the arena.
The Mezz at the AO Arena after its transformationThe AO Arena will have brand new bars for fansA new restaurant space at the AO Arena after its redevelopment project
There’ll be brand new bars throughout the AO Arena, and the new The Mezz restaurant and bar, where the menu will be created by Michelin-star chef Simon Rogan and Tom Barnes, who opens Skof in Manchester this year.
The AO Arena’s redevelopment project also includes improved acoustics, sound and sightlines, and the venue already had ones that were regarded as the best in Europe.
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Backstage, there are all-new back of house facilities for artists and touring crews.
Chris Bray, president of ASM Global Europe said: “As part of AO Arena’s redevelopment we have dramatically expanded the standing floor space which means it will compete with any other venue in the UK.
“Its unique bowl configuration means that AO Arena proudly remains the biggest sporting indoor arena, and we are excited to continue to host the world’s biggest and most exciting events here in the heart of Manchester.”
The new-look event floor at the AO Arena ManchesterThe AO Arena’s £50m redevelopment includes new event bars
At a topping out ceremony last month, Greater Manchester Mayor Andy Burnham described the venue as ‘the beating heart of Manchester’.
Aitch also visited that day, saying: “When the AO Arena asked me to be part of tonight I thought, how can I say no? It’s always been a huge part of the culture here in Manchester and you know I’m all about anything that gives back to the community.
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“The AO has been pushing the music scene forward for over 27 years and over one million people walk through these legendary doors every year, and we have them right on our doorstep.”
Last year, the AO Arena raised tens of thousands of pounds and gave hundreds of hours to local community projects.
It also had record attendances for LTA Tennis, England Netball, KSI vs Fury and Elton John’s Farewell Tour.
This year, there’ll be more events like Peter Kay Live, The 1975, Bill Bailey, Niall Horan, Ne-Yo and more.
The AO Arena’s redevelopment will be revealed in full in March 2024. See all of its upcoming events here.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
6th February 2024 
