The land of the ‘pie-eaters’: Why is Wigan obsessed with pies?
The first seven days of March is British Pie Week; a period where this glorious pastry-and-filling is given its deserved recognition right around the country. But there’s one town in Greater Manchester where every week is Pie Week: Wigan.
The beginning of March marks British Pie Week; a time of year where the glorious pastry-and-filling dish enjoys renewed recognition right around the country. But there’s one town in Greater Manchester where every week is Pie Week. Wigan is known as the land of the ‘pie-eaters’ – although there’s more history behind that nickname than you might think...
In Wigan, they treat pies a little differently / Image: David Blake via Twitter
On a balmy summer evening back in 2002, I was caught up in a current of Wigan rugby supporters, all gently floating in a sea of Cherry and White t-shirtstowards the JJB Stadium turnstiles.
St Helens were in town for rugby league’s flagship fixture, and the game was a near-sellout.
Wigan vs Saints invariably pulls in a massive crowd; with the two teams old enemies since time immemorial. The clubs are separated by just 9 miles and a grassy hill called the ‘Billinge Lump’; representing rival regions since the county borders were moved in 1974 (it’s now Greater Manchester v Merseyside, rather than a Lancashire derby).
The game was one of my first visits to the rugby as a young ‘un, and whilst my memories of the match itself are fuzzy, what has stuck with me ever since is the sight of Saints fans suddenly breaking out into a strange song.
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I didn’t quite understand the lyrics, so I tugged on my grandad’s coat sleeve and asked him: “Why do they keep shouting ‘pie-eaters!’ at Wigan?”
The St Helenian answer to that question – and one that’s often told in nearby towns – goes something like this…
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In 1926, more than one million coal miners were at loggerheads with pit owners over wages and working conditions. So, in a show of solidarity, many British workers went on strike. The protests lasted for several days, but Wigan workers were apparently among the first to return to their shifts – and in doing so were said to be ‘eating humble pie’.
They’ve been teased about it ever since. But according to Wiganers, that’s a little unfair.
Some point out that whilst Wigan workers were the first to stop striking, they were also the first to start. Others claim that townsfolk had the pie moniker long before the unrest of 1926.
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But perhaps the true origins of the nickname don’t matter. Because labelling Wiganers as ‘pie-eaters’ works on an elemental level, anyway.
Idioms aside, Wigan is a place that is inescapably besotted with pies.
The town’s penchant for pastry is everywhere. I noticed it from the moment I first set foot in Wigan’s sport stadium as a kid – from the pie posters slapped across the walls of the concourse to the pastry offer announcements crackling across the PA system. An advert for ‘POOLE’S PIES!’ (a company which produced pies in Wigan for 171 years) even danced its way across the scoreboard during the game.
Poole’s has sadly folded since then. But there’s still a minimum of 20 listed pie shops operating in the Wigan region today (with dozens of local cafes and food stores serving up pies as part of their wider menus).
Since 1992, Wigan has also been the prideful host of the World Pie-Eating Championships – where contestants aim to wolf down as many of these crumbly concoctions as quickly as possible (historically held at Harry’s Bar on Wallgate).
See, in Wigan, it’s socially acceptable to tackle any type of pie, at any time of day, in almost any way.
Residents even put pies between two slices of bread for a snack; which is known as a ‘Wigan Slappy’ or ‘Wigan Kebab’ (a local delicacy with the latter name features three pies impaled on a stick).
Wow!! Got to say Baldy's Pies are smashing it out of the park right now, reinventing the Wigan kebab 😡😡 I mean PIE BARM. Can't wait to get my hands on them!! #Wigan#piepic.twitter.com/BBUMoSBRvX
It’s true that many Wiganers are happy to embrace their passion for pies with good humour, but some evidence suggests that pies here are no laughing matter.
Wigan journalist David Barnett – who has written multiple pieces on the topic – concludes that pies are in fact a “way of life” for denizens. During his time working at the Wigan Evening Post, a fire ripped through the town’s pie factory, and Barnett was sent to cover the story. Despite the disaster, shutting down pie production was seemingly out of the question. Instead, the company drafted in “emergency pie-makers” to work through the night and get pie deliveries out on time. The article made the front page.
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Wigan’s appetite for pies has been rumbling for decades – and remains insatiable to this day.
One of the most recent examples of this fixation can be found in 2019 – when Wigan Athletic needed a new mascot for their football team. Club officials turned to local school children for inspiration – and over half of entries featured a pie in the design.
Wigan’s love affair with pies is well-entrenched and utterly unapologetic.
When one study dared to rank nine regions above Wigan on a list of the UK’s top pie-loving places, World Pie-Eating Championships organiser Tony Callaghan was aghast.
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“I’m stunned. This can’t be right,” he told Wigan Today.
“The table is very misleading. Everyone knows that Wigan is the capital of the pie world and home to the World Pie-Eating Championships. It goes down in history as such.
“Even now the pie shops are open and they’ve been trading throughout the pandemic. Wiganers can’t get enough of them.”
Wigan has revelled in many other achievements outside the oven, of course.
It’s home to one of the most successful rugby league teams of all time in Wigan Warriors. It also has a plucky little football club that has repeatedly defied the odds to make sporting headlines (including a famous FA Cup triumph over Man City in 2013). The town’s name features in the title of classic Orwellian work The Road to Wigan Pier. And Wigan is also the birthplace of legendary singer-songwriter George Formby.
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But every time British Pie Week rolls around, all eyes are always on the Greater Manchester town for its inextricable link with the golden brown grub.
Wiganers, meanwhile, will be scoffing down pie barms as if it were any ordinary time of year.
That’s what they do there. It’s a town with pie-sonality…
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.