153 years ago this week, central Manchester’s high-security prison opened its doors for the first time.
HM Prison Manchester – which is commonly referred to as Strangeways by all that know it, which was its former official name derived from the area it’s located, until it was rebuilt following the major riots in 1990 – was declared open on 25 June 1868.
Built to replace the New Bailey Prison in Salford which closed in 1868, Strangeways was famously designed by architect Alfred Waterhouse.
With construction said to cost in the region of £170,000, the eye-catching Grade II listed building has the capacity to hold 1,000 inmates and is instantly recognisable to Mancunians primarily thanks to its 234 feet (71 m) ventilation tower – which is often mistaken for a watchtower, and has become a local landmark.
The prison’s walls are rumoured to be 16 feet thick, and are said to be impenetrable from both the inside and the out.
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Because of this, Strangeways has been home to some pretty notorious inmates over the years.
From some of the UK’s most-prolific serial killers, to television personalities, Premier League footballers and more, here’s a handful of famous faces who’ve spent time behind bars at Strangeways during its 153 year history.
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Harold Shipman
Harold Shipman was held at Strangeways in 1998 / Credit: Biography
Harold Shipman remains to this day one of Britain’s most prolific serial killers.
Serving as a GP at a medical centre in Hyde, Shipman often targeted the elderly by injecting them with lethal doses of diamorphine, resulting in a victim number thought to be between 215 and 260 people over a 23 year killing spree – which is one of the worst ever documented.
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Shipman was eventually arrested on 7 September 1998, and was held in Strangeways.
His trial took place at Preston Crown Court in 1999, where it took four months to find him guilty of just 15 cases of murder, and he was sentenced to 15 life sentences.
Ian Brady
Ian Brady served a three month stint at Strangeways prior to the Moors Murders / Credit: Biography
Ian Brady is most-known as one half of Britain’s infamous killing pair, The Moors Murderers.
Many will know that Brady and Myra Hindley devastatingly murdered five innocent children between 12 July 1963 and 6 October 1965 and buried their bodies in the vast landscape of the Saddleworth Moors, which eventually led to Brady being found guilty of three murders and sentenced to life imprisonment.
Prior to all of this though, within a year of moving to Manchester, Brady was caught with a sack full of lead seals that he had stolen and was trying to smuggle out of the market.
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He was subsequently sent to Strangeways for three months.
Joey Barton
Joey Barton served 74 days of a six month sentence / Credit: Wikimedia Commons
Former Manchester City midfielder Joey Barton’s prolific football career and life have been marked by numerous controversial incidents and disciplinary problems over the years, as well as two convictions for violent crimes.
On 20 May 2008, Barton was sentenced to six months’ imprisonment after pleading guilty for common assault and affray during an incident in Liverpool city centre.
Barton served 74 days of this prison term at Strangeways, being released on 28 July 2008.
Ian Brown
Stone Roses frontman Ian Brown was sentenced to four months imprisonment in 1998 / Credit: YouTube
One of the more well-known names to serve a stint behind bars at Strangeways is Stone Roses’ frontman, Ian Brown.
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Brown was charged for threatening behaviour towards a British Airways flight attendant and captain, and was sentenced to four months in the summer of 1998.
He served only two months of his sentence at Strangeways, and admitted that while locked up, he wrote three songs – including ‘Free My Way’.
David Dickinson
Credit: ITV
Another one of the more surprising Strangeways residents comes in the form of Cheadle Heath-born antiques expert and television personality, David Dickinson – who you’ll probably recognise as the host of Bargain Hunt and Dickinson’s Real Deal.
Believe it or not, at the tender age of just 19 years old, Dickinson served three years of a four-year prison sentence for mail-order fraud, with the majority of that sentence being spent at Strangeways.
Dickinson has since described this time as “horrendous”, and that he’s learned to “take it on the chin and accept it was his own fault”.
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Dale Cregan
Dale Cregan is one of Manchester’s most notorious killers / Credit: Greater Manchester Police
Undeniably one of Manchester’s most notorious killers of this century is one-eyed murderer Dale Cregan.
He began his life of crime from an early age dealing drugs, but then notably turned to gun crime by first shooting Mark Short in the Cotton Tree Pub in Droylsden and attempting to kill three other men, before violently murdering Short’s father a few months later.
He then made national headlines when he tricked two female police officers to a property in Mottram in Longendale by reporting a burglary, before ambushing them with gunfire and a grenade which murdered them both.
Greater Manchester’s chief constable Peter Fahy called the attack “cold-blooded murder”, and then Prime minister David Cameron said it was a “despicable act of pure evil”.
Cregan handed himself in and was sentenced to life imprisonment, with a whole life order on June 13 2013.
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Emily Davison
Suffragette Emily Davison was detained at Strangeways twice / Credit: Wikimedia Commons
Suffragette Emily Davison was detained at Strangeways twice as a result of her efforts for the women’s rights movements during the early twentieth century.
Her first stint was for disrupting a meeting with Chancellor David Lloyd George and throwing rocks at the windows, and during this imprisonment, she famously went on a significant hunger strike, which resulted in her losing 21 pounds.
She was released just five and a half days later.
Her second Strangeways stint came just two months after, again for throwing stones, and lasted two and a half days.
Paul Taylor
Paul Taylor was the ringleader of the infamous 1990 Strangeways Prison riots / Credit: Merseyside Police
Unlike the other people on this list, it was Paul Taylor’s actions during his time inside Strangeways rather than prior that have ensured his name is written in the prison’s history books.
It all started when a visiting Church of England preacher had just delivered the sermon, and the prison chaplain stood to thank him before Taylor took the microphone and addressed the congregation.
Over the course of 25-days, the riots – which are still the longest in British prison riot history, with one prisoner killed, and 147 prison officers and 47 prisoners injured – spread throughout much of the prison, and Taylor famously ended up on the roof.
Much of the prison was damaged or destroyed, with the cost of repairs coming to £55 million.
Featured Image – Wikimedia Commons / Biography
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.