First installed in 1997, Lemn Sissay’s poem Flags stretches a little under a mile down Tib street – running from Market Street up toward Swan Street.
Originally part of the Tib Street art trail, created to draw people back into the Northern Quarter when it was in serious decline, Flags has long been a part of the area’s fabric.
Over the years, some of the poem’s stones have disappeared: leaving us to guess the missing letters and marvel at the way a simple act of feet treading the pavement has, over time, changed the meaning of the Chancellor of the University of Manchester’s words.
On his blog, academic Dr. Tony Shaw calls it “living poetry, uncertain poetry” – where “sometimes you have to kick aside cigarette ends to read more clearly, or wait for a momentarily parked car to move.”
And for the past 24 years, that’s exactly how it has been: A piece of urban poetry slowly eroding under our feet, the very meaning of the art changing as stones disappear, wear away or – as artist Tim Rushton notes – are taken home as souvenirs.
In a bold move, the full work has been immortalised in a new ‘cast iron’ rendering – restored on Tib Street in full, with a new version of the poem written especially by Sissay for the occasion.
Supported by Manchester City Council, Bruntwood, and the Arts Council, Sissay was able to work once again with artist Rushton – who designed the original poem’s font back in 1997 – on the new installation.
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Rushton had designed a special font called cypher for the piece back in the ’90s, which is used again on the new rendering.
“In the last couple of years it has become obvious that Lemn Sissay’s poem Flags on Tib Street has finally become past reasonable repair,” said Tim, reflecting on how the poem on the pavement has changed over the years.
“General wear and tear, scaffolding pole drops and souvenir hunting has rendered [the original poem] very patchy.”
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Sissay’s poetry can be found across Manchester. In fact you’ve probably noticed one of his most famous, Rain, painted on a wall above Gemini takeaway near the Oxford Road university campus.
Lemn Sissay’s poem Rain can be found above Gemini Takeaway on the Oxford Road corridor / Image: Gerald England
Now an internationally respected poet with work recognised across the globe, Sissay has come a long way from using his unemployment benefit to self-publish his first poetry pamphlet Perceptions of the Pen.
The official poet of the 2012 London Olympics and Chancellor of the University of Manchester since 2015, for this year’s Manchester International Festival Sissay has also co-curated an exhibition at HOME with Hans Ulrich Obrist.
On display until 30 August, it’s called Poet Slash Artist and is all about forging new links across cultures, continents, languages and generations – joining up poets and visual artists to connect words and images across gallery walls and city streets.
Just like the Tib Street poem, it’s not all found in the gallery: Rather, the new exhibit has spilled out onto the streets of Manchester: creating a new trail that runs from Deansgate to Whitworth Street West.
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A full map of the locations for these new works of living art can be found here.
Flags by Lemn Sissay – the original poem (deciphered by Dr. Tony Shaw) versus the new edition:
The original 1997 poem:
These pavement cracks are the places where Poets pack their warrior words
These pavement cracks are the places where sleeping shadows of moving bridges stole
Where dying dust of dreams slides where the slits silt turns to food
Where home truths trickle home and confide Where the silent forests brood
Where spines bent?? the bridges arches where they vaulted with asice(?) to ? speak
And unity sown on to the sun of alll trades perhaps they’re a script words of the street
Perhaps these pavement cracks are the places awhere flattened flags lies solidified waves
The telling lines within a sea of faces where sufferers take cover of street caves
The telling lines within a sea of faces Where sufferers take cover of street caves
Where wander the wayward and lost Where the runaway can chart his journey back home
Where the water runs as the world defrosts The street breathes beneath this stone
And perhaps the pavement cracks are the pattern of concrete butterflies
Where thoughts carefully cultivated waiting to waken grow wings and fly
Like us they hold the people of a modern earth This world between the windswept flags
Where pavement cracks are the places where sleeping shadows of moving bridges stole
The cold
The updated 2021 poem:
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Pavement cracks are the places
Where poets pack warrior words
Verses to catch the surfeit of faces
Where seeds slip from bitter birds
Trip and fall between the ledges
Where sweeping silent rivers run
Hidden roughened toughened edges
Where darkness swallows the sun
Pavement cracks are the places
Where shadows of bridges roll
Where water falls water races
Heat crouches beneath the cold
The dust of the city slides
And secret silent worries wait
Home truths trickle home
Cracks are the lines of fate
These pavement cracks are patterns
of concrete butterflies
A perfectly positioned parallax
Waiting to wake grow wings and fly
And perhaps these pavement cracks
Hold the Manchester myriad———————————————————————————————————————————————————————————————————————————————
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The cracks the cracks the cracks!
The world between the windswept flags
Art & Culture
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
The Oldham Man and The Sea: the documentary about the Latics owner’s record-breaking Atlantic voyage
Danny Jones
It doesn’t matter if you’re not an Athletic fan or native to the borough; we think everyone should go along to watch the much-anticipated documentary about football club owner Frank Rothwell and his record-breaking journey across the Atlantic Ocean: The Oldham Man And The Sea.
One of the simplest and most satisfying names for a film we’ve heard in a long time.
For anyone who doesn’t know about the Oldham Athletic FC chairman turned OBE’s incredible story, Frank Rothwell has set multiple records with his impressive sea-faring feats in recent times.
This new doc, which just premiered at this year’s Manchester Film Festival, charts his latest trip across one of the biggest bodies of water on the planet in March 2024.
As you can see from the recent trailer, it’s almost as arduous a tale as the original Hemingway story.
This movie – produced by Journeyman Pictures and Chief Productions – made its full debut at the Odeon in Great Northern Warehouse for MFF 2026, and is set to have a number of other screenings in and around Greater Manchester in the coming weeks and months.
One of those is happening rather soon, in fact, over at Saddleworth’s Millgate Arts Centre on Saturday, 28 March, which is ideal for those local to the region; grab your tickets now.
ln fact, there’s also one happening even closer to his hometown the following month, with Oldham’s very own Queen Elizabeth Hall also hosting a special screening of Rothwell’s incredible achievement.
You can reserve your seats for that one right HERE.
Having not only become the eldest (70) Talisker Whisky Atlantic Challenge finisher back in 2021, but now holding the Guinness World Record for the oldest person to ever complete the crossing while rowing solo at 73 years old, he’s become nothing short of a local hero – and that’s just his stewardship of the Latics…
The film does, obviously, touch on his time at the helm of the League Two side, who finally returned to the EFL last June, but the heart and soul of this inspiring watch is the sail itself.
More importantly, it also documents not just the gruelling nature of the 64-day, seven-hour and 53-minute trek, but also how Frank has now helped raise more than £1.4 million on behalf of Alzheimer’s Research UK.
What an absolute icon.
Hopefully, this should be just about all the reason you need to watch The Oldham Man And The Sea the very next opportunity you get to do so – and, of course, all proceeds from ticket sales will also be going to charity, because just the kind of bloke he is.
And here’s hoping we get a streaming version sometime soon.