Dozens of colourful, human-like statues have been placed in Manchester this morning for what will be the city centre’s newest public art trail.
Created by the team behind Bee In The City, Gratitude is officially open to the public today and is a free exhibition made up of 51 sculptures.
The cluster of awesome, colourful sculptures will stand in St Peter’s Square until September 12, before going on tour to Edinburgh and London.
The sculptures were all designed by renowned artists and designers including iconic Scottish fashion designer Pam Hogg, renowned sculptural artist Andrew Logan, British fashion and textile designer Kitty Joseph, one of the UK’s leading ceramic artists, Kate Malone and the project’s creative ambassador Dame Zandra Rhodes.
Charlie Langhorne, Managing Director and Co-founder of Wild in Art said: “Gratitude is set to be a beautiful and striking tribute which celebrates the incredible courage and dedication of the UK’s NHS staff and all key workers and supports the vital work of NHS Charities Together.
“We are delighted to be taking our tour to Manchester’s St Peter’s Square, after months of hard work from artists across the UK, who have dedicated their time and creativity to help us produce an installation which reflects our endless Gratitude for the care and kindness that all key workers have provided.”
Gratitude will pay tribute to NHS staff and ALL KEY WORKERS for their ongoing courage and dedication during the pandemic.
Manchester artists involved include Lei-Mai LeMaow, Guy McKinley, Hammo, Jodie Silverman, Fernandes Makes, Karis Viola Lambert and Nomad Clan.
After the tour, the sculptures will be auctioned off in October, where substantial proceeds will be donated to ‘NHS Charities Together’, which supports the NHS, including its hospitals, ambulance services, community and mental healthcare providers and vital partnerships.
Free tickets will be available to reserve for each location on the Gratitude website here.
Art & Culture
Star of hit CBBC show Operation Ouch! to host live Q&A and meet and greets in Manchester this summer
Emily Sergeant
Little Mancs can meet the star of one of their favourite TV shows at the Science and Industry Museum this summer.
In case you hadn’t heard, Operation Ouch! is back in Manchester again with a fresh new experience for 2025, and this time around, visitors can journey through an ear canal covered in gooey wax, squeeze past sticky snot, and delve deeper into how our brains interpret the world.
Thousands of families from across Greater Manchester and beyond have already visited the city centre museum make the most of the new exhibition, and get stuck into the wide range of immersive and interactive activities it has on offer.
But for those who haven’t been able to pay a visit yet, this summer couldn’t be a more ideal opportunity to do so.
That’s because Dr Xand Van Tulleken – who is one of the presenters of the BBC showOperation Ouch! – will be at the museum in a couple of weeks time to meet visitors as part of his myth-busting mission to answer some of the public’s deepest questions about our senses.
The Science and Industry Museum has unveiled its ‘summer of senses’ programme / Credit: Science Museum Group
Dr Xand Van Tulleken will be at the Science and Industry Museum for one day only, and will not only join mini medics on their voyage through the senses, but will also be on-hand to answer brain teasers from the audience during a series of live Q&As.
Whether it’s banging on a super-sized eardrum, venturing into a massive eyeball, or even taking a whiff of a ‘smell library’, this world-premiere exhibition dives into the science behind hearing, sight, touch, taste, and smell – and Dr Xand will be there every step of the way.
Dr Xand’s visit comes amid a senses-themed summer programme at the city centre museum, where visitors can enjoy everything from silent discos and science shows, to a ‘bogie lab’, brain-boggling challenges, and loads more during six weeks of activities inspired by its latest exhibition.
Book your tickets to visit Operation Ouch! Brains, Bogies and You on Tuesday 12 August, for any of the time slots between 11:30am – 1pm, and 2:45 – 4:15pm for the opportunity to grab a selfie with Dr Xand from inside the exhibition.
Tickets will cost visitors £10 each, with those under three going free, and a range of family discounts available.
Find out more about the exhibition and get tickets here.
Featured Image – Science Museum Group
Art & Culture
Beat-Herder Festival 2025 – a magical weekend of music, madness, miniature worlds and more
Emily Johnson
Some festivals give you good music. Some give you great crowds. And a very rare few create a world so immersive, you forget you’re even at a festival; the cult favourite Beat-Herder Festival does it all – and then some.
Tucked into the Ribble Valley countryside in the Lancashire town of Clitheroe, The Beat-Herder Festival isn’t your average weekend of tents and tunes.
It’s a handcrafted, mind-bending wonderland built by a small crew of dreamers who clearly love what they do and want you to feel the same.
Whether it’s your first time or your fifteenth, the moment you step through the gates, you know you’re in for something special
Then there’s Hotel California, not just an Eagles reference but a site where you could catch a full-on rave in a wild west saloon, as well as The Parish Church: a gothic fairytale where choirs turn into choons and the altar doubles as a DJ booth.
One of the weekend’s highlights came tucked inside The Beat-Herder Working Men’s Club, where The Clone Roses had the entire crowd bouncing with their uncanny tribute to The Stones.
When ‘I Am the Resurrection’ dropped, it was hands-in-the-air euphoria; a true pinch-me moment. Ian Brown might as we have been on the stage, the way the crowd were going wild.
And it wasn’t just music. The Working Men’s also hosted ‘Beat-Herder’s Got Talent’, which is a chaotic and charming mix of poetry, dragon dancing, comedy sketches and more. Heartfelt, hilarious and very Beat-Herder.
Truly immersive worlds
Venture deeper into the wonderful world of Beat-Herder and you’ll find entire miniature towns within the festival. There’s a literal high street, complete with its own tattoo parlour, barbers, a swap shop and even a secret swimming pool.
We’re not going to disclose its location, but let’s just say if you find a dodgy-looking wooden gate and hear splashing on the other side – knock twice and bring a towel…
Late-night mayhem
As the sun went down, the party really came to life. The Beyond Tunnel was your portal to new dimensions, opening out into a maze of secret stages and psychedelic visuals.
From psytrance at The Sunrise Stage, to bassline chaos at The Laundrette and candy-coloured chaos at Bubba Gumma, it was a rabbit hole of sound you never wanted to leave.
Then there was The Temple – a fire-breathing stage that became a haven for breakbeats, jungle, techno and house. Tim Reaper’s set here was a standout for us – fast, furious, and euphoric.
And just when we thought the night was over, we found ourselves at a secret 3am b2b set with Tim Reaper and Samurai Breaks that blew us away – two talented DJs that had the crowd wanting even more despite the sun quite literally rising on the next day.
Another hidden gem was The Ring, an intimate open-air arena where we caught Jungle pioneer Goldie, alongside Sheffield’s own Silva Bumpa and Soul Mass Transit System for a bass-heavy b2b set that rattled your bones and lit up the crowd.
Then there’s The Factory – a steel-clad rave bunker pumping out electro, acid and heavy techno deep into the night. Dancing inside while the rain pelted the tin roof added a layer of gritty industrial magic – proper spine-tingling stuff if you’re into that sweaty, underground energy.
And just when you think you’ve seen it all, along comes Fowler’s Garage: a chaotic, petrolhead fever dream of a stage where you can literally dance on top of cars. DJs spin sets from inside the vehicles, cooking up a storm from the front seat while the crowd parties on the roof.
It’s unhinged in the best way possible and one of the most unique spaces you’ll ever rave in.
Power and the people
What really makes Beat-Herder feel different is the people. There’s an unspoken code of friendliness here – everyone’s up for a chat, a laugh, or a spontaneous dance. You could spill your pint and end up making a friend for life. That kind of energy is rare, and Beat-Herder wears it like a badge of honour.
The merch stand has that signature hand-crafted feel. All of the merch is hand-printed, with designs that feel like proper collector’s items rather than throwaway souvenirs. We spotted punters proudly repping Beat-Herder tees from as far back as 2012 – testament to how deep the community pride runs here.
Even on the way out, with vans and cars getting stuck in the mud, everyone mucked in to help push – proof that the Beat-Herder spirit sticks with you long after you’ve left the gates. Just a bunch of lovely people all getting together to have a good time and make memories for life.
Credit: Andrew Whitton
Fantastic fancy dress
Saturday brought the iconic fancy dress theme – this year, the letter G. And wow, did people go for it. Giraffes towered above the crowd, Gnomes danced in groups, Gardeners handed out seed packets, and one hero turned up as ‘Garbage’, wearing an actual dustbin with a lid strapped to his head. We laughed for a full five minutes.
Final thoughts from the fields
Even though Beat-Herder was slightly scaled down this year due to budget cuts, it never once felt like anything was missing. If anything, it brought a tighter, even more magic-filled experience. The attention to detail, the creativity, and the atmosphere are still unmatched – a reminder that this isn’t just a festival. It’s a fully fledged world of its own.
If you’re looking for something different – stick this one at the very top of your list. But be warned: once you’ve been, you’ll never stop going back.
Tickets for next year go on sale on Thursday, 31 July, and you can be ready to grab your tickets HERE.
You can guarantee you’ll see us at back-to-back Beat-Herder Festivals again in 2026.
The Manc -
3rd September 2021 
