Bugzy Malone is a rap sensation, an actor, a clothing designer, and – in his words – a man who is ‘capable of anything’.
On the brink of his biggest UK tour to date, which includes a massive homecoming gig at Manchester’s AO Arena, Bugzy’s rise to the big leagues didn’t come easy.
He had to break into an industry that was stubbornly focused on London, escape a life of ‘struggle’, and put in serious graft.
He’s at the highest point of his career so far – and yet, this will be his final tour.
In an exclusive interview with The Manc, we hear about Bugzy’s retirement from the touring circuit, his memories of finding fame in Manchester, and how he got into ‘the shape of his life’.
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‘People call me the king of the north’
Growing up in Crumpsall, Bugzy Malone is a born-and-bred, loud and proud Mancunian.
He’s been dubbed ‘King of the North’ – also the name of his chart-topping EP – which is a title he takes seriously.
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“I see it as my duty to give a good account of myself for the north so people can come after me and be taken seriously,” he tells us.
“I was the first Manchester artist to get taken seriously in what was a London-centric industry, in my genre of music anyway – obviously there was Oasis and things like that.
Bugzy Malone
“We’ve laid a foundation here for other rappers from the north of England to go into the industry and make a serious impact.”
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He name-checks a couple of rising stars from our region – Moston-born Aitch and ‘very talented’ rapper Meekz Manny.
“All I would really say to them guys is ‘Keep going’,” he says.
“The talent’s there in Manchester but the belief system’s not.
“I’m hoping this tour will demonstrate that it can happen – it’s been six years and here I am performing at the arena in my hometown.”
‘Who better to headline the Manchester Arena than me?’
Bugzy Malone will be the first solo grime artist to headline Manchester’s enormous AO Arena.
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It’s a big undertaking to perform in front of a crowd of 21,000 but he’s match-ready.
“For the first rapper from my genre to headline the Manchester Arena, who better than me to do it?” he asks.
2.7M VIEWS IN 5 DAYS & TRENDING #1 😅 All i’m saying is if WARMODE hits 3 Million views by Thursday night, FUCK IT i’m bringing my Lambo out on stage the night of the Manchester arena tour show on Dec 4th!!! 💪🏾😤#RunItUppic.twitter.com/9NYiXlEIxV
“As you know, Manchester’s a unit. To stand there with my audience, who are a real loyal bunch of individuals.
“They’re my people – the people I was getting on the bus with, the people I was sat on the tram with, the people I was walking in the Arndale with. That’s a real deep connection.
“You can’t beat the atmosphere at a Manchester show.”
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He promises that there are ‘serious surprises’ in store on the Resurrection tour, adding: “There are people coming out on stage to perform with me that’s going to blow people’s minds that they’re coming out on tour with me.”
‘Parklife was a big moment’
The AO Arena gig is a big deal, but it’s not the first time the star has been faced with a huge hometown crowd.
He was one of the headliners of Parklife festival back in 2018, a performance that stands out for him.
“I went there nervous,” he admits. “You do wonder if anyone will care when you rock up on stage.
Bugzy Malone on stage at Parklife in 2018. Credit: Andy Hughes
“But I remember I couldn’t see to the back of the audience, it was just thousands of people out on the field.
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“The reaction was insane. When I rolled up on stage it was just a complete shutdown.
“That for me stands out as a big moment and a moment when I knew that my hometown was behind me and I’d built to a big place.”
‘You’re not supposed to go shopping when your face is in the window’
Bugzy’s fame has grown exponentially since his days of freestyling on YouTube (he’s now amassed more than 320m views), and the journey has come full circle.
He says he remembers window-shopping at JD (though he was always ‘nervous’ browsing in Selfridges, which is ‘a bit posh’) with his mates as a teenager.
Then the first time he was recognised and asked for a photograph was also in a JD.
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And now, his face is in the windows.
He says: “There are things that I miss from when I wasn’t famous – Manchester is a real community-based place and I was a kid who was just everywhere all the time.
In 2019, with the B. Malone trainers he designed. Credit: Twitter @thebugzymalone
“You start becoming a little bit famous and that becomes harder to navigate.
“For the first year I’d be looking at my friends like ‘This is mad isn’t it?’ but eventually you start to understand the connection with you and your fans.
“And then flipping heck, eventually we had the clothing [his range B.Malone] in JD.
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“I was still in the habit of running in there for a pair of trainers but one time I was shopping and there was a big picture of me.
“It started to not look right and not feel right. The perception is that you’re not supposed to be in there buying a pair of Nikes when your face is in the window.”
‘Touring is too big of an obligation’
While he’s promised to keep making music, and working the festival circuit, there won’t be a tour of this scale again.
He’s just not got the time with his fingers in so many pies, and refuses to do anything half-heartedly.
“I’ve just got to a stage now where my time’s just really taken up with the bigger picture of where I’m going and where I’m expanding to, so instead of half-heartedly doing anything, I thought I’ll go and do some festivals and connect with people there, but in terms of a tour, it’s a little bit too big of an obligation.
“People will get 100% of me, but next year, the year after, if I’ve got three or four films lined up and big business ventures flowing, I can’t promise that.
“And that’s what’s important for me. As long as I put 100% in, I’m happy.”
Bugzy appeared in Guy Ritchie’s The Gentlemen alongside Hugh Grant and Matthew McConaughey, and has recently been filming alongside Jason Statham in Doha, again on a Guy Ritchie project, due to for release in January.
Acting is time-consuming, he’s discovering, saying: “It all involves a lot of commitment to rehearsals and a lot of commitment to training.
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“I’m a secret agent now,” he jokes, “I had to look cool, you know?
“I’m in the film with Jason Statham and as you know, he’s in crazy shape, so I had to put myself through my paces to get into the shape of my life.
“I turned up in the Middle East for that film and I was in solid shape, I won’t lie to you, and it’ll be the same process for the tour.
“It makes you a sharper individual.
“I’ve got myself to a level of fitness now where I’m capable of anything.”
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‘It takes hard work and dedication to transcend the position you start in’
Bugzy Malone in The Gentlemen. Credit: Twitter @thebugzymalone
Bugzy repeatedly circles back to the message of inspiring future generations.
“I have an investment in people that come from a similar situation to me, which was basically struggle,” he says.
“It takes hard work and dedication to transcend the position you start in.
“You’ve got to figure out who you want to be and build yourself up.
“Any ventures that I’ve got going on, it’s a new opportunity to speak to my audience and teach lessons.
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“Everything I do is about the narrative of get up out of bed and create yourself some freedom – financially and psychologically.”
Bugzy Malone will play at the AO Arena on Saturday, December 4. Final tickets are now on sale through Gigs and Tours.
Featured image: Publicity picture
Feature
How a cult classic game helped create the sound of Blossoms’ new album
Danny Jones
More specifically, their soundtracks, as in a recent chat with the Blossoms boys, we found out that their upcoming album was at least partly influenced by a beloved PlayStation 2 classic from 2006.
This is just more proof that you really can find inspiration in just about anything.
Yes, even if only in part, an old video game that many of you may have played back in the day is somehow connected to the latest and technically still yet to be announced release.
We’ve heard of groups such as The 1975 trying to make an album that sounds “as if John Hughes had directed a movie about our lives”, and Red Rum Club leaning further into the growing Western aesthetic with almost every outing, but we never thought we’d hear of a record born out of a love for Bully…
The lads actually touched on that whole ‘still TBC’ when we spoke to them at their studio in Stockport, joking not just about divorce but how they’re baffled by the whole ‘are they working on new music?’ speculation in the media. “Well, yeah, we’re a band – that’s what we do for a living”, as they put it.
But back to the point at hand: lead guitarist Dewhurt’s affection for Bully, a cult favourite PS2 title released by Rockstar Games – the same people behind Grand Theft Auto (GTA) and Red Dead Redemption – and the score behind it, essentially served as a seed for the feel of their newest work.
As he explained above, before being expanded on by frontman and primary lyricist Tom Odgen, they were fortunate enough to be in possession of the details for one half of a duo they both admire: Young Gun Silver Fox, a.k.a. British artist Andy Platts and US multi-talented instrumentalist, Shawn Lee.
Lee also just so happens to be the composer of the original Bully video game soundtrack.
Ultimately, this all came about because Josh contacted him over email simply to praise the game’s music (sure, when he was a teenager, we promise), and only took them until the last year or so to put two and two together. Small world, eh?
Oh, the nostalgia.
It has since occurred to us that we’ve come across him before, too.
For us, it was when playing the first Tales From The Borderlands (a spin-off of the popular action role-playing looter-shooter series that has since been turned into a Hollywood movie), which features his song ‘Kiss The Sky’ and ALSO enjoyed in our late teens.
It still continues to baffle us how things can come full circle like this.
As it turns out, his music appears in various pieces of pop culture, and with Tom professing his love for the funky, bass-forward 80s vibes of Lee and his partner Platts’ stuff, he was then roped in as part of the production team on the hypotheticalBlossoms LP number six. Not that we know anything about that…
What has now come out of all this is the previously alluded to lead single entitled ‘Joke About Divorce’, the music video for which dropped last month.
‘Joke About Divorce’ our new single is out now! We love this record, we recorded it live to tape at Tilehouse Studios with Shawn Lee producing. The second we got the mix back it felt like an instant Blossoms classic (if we do say so ourselves)!
We’re still not sure whether or not this is just the first finished song from the project, the opener or indeed even a title track; all we know is it’s another catchy creation from the Stopfordians.
But yeah, in a roundabout way, somehow that ‘problematic’ game that our parents and teachers complained about when we were kids, either by sheer chance, serendipity or perhaps the divine will of the audio gods, appears to have served as a kind of sonic sapling for a fresh era of the local outfit.
Sadly, we have very little else to offer you in terms of information regarding the ‘as yet confirmed’ next studio release from the Blossoms, but we can tell you we’re very much looking forward to hearing what comes next – especially live.
In case you missed it, they’re headlining this year’s edition of NBHD Weekender music festival at the end of the month; you can see the rest of the lineup down below.
Featured Images — Rockstar Games/Audio North/Press shot (via Go! Entertainment)
Feature
Inside Tyga, as a Manchester favourite changes its stripes for a new era
Danny Jones
We recently had the pleasure of visiting Tyga, Manchester city centre’s latest Indian restaurant, which has taken the place of former local favourite, Asha’s.
The Peter Street spot had always been a great place for a curry and progressive takes on the nation’s staples, often pulling inspiration from the Rajasthan region, but now the unit is the start of a new chapter.
In truth, the food was always pretty damn good here – often truly great, even – as we found out the last time we reviewed it; however, it’s clear that there’s been a greater honing of the concept.
Put simply, Tyga is trying to elevate what the team already did so well, whilst adding an extra layer of fine-dining refinement.
@the.manc Peter Streets Indian spot Tyga, has had a serious glow-up, bringing a more refined, fine-dining take on Indian cuisine while keeping all the bold flavours at the heart of it. The 24-hour slow-simmered lamb shank is an absolute must, as is the butter chicken which just melts in your mouth. 😍 It’s not just about the food here though, with an extensive cocktail list that brings theatre to the table, they’re the perfect accompaniment to your table full of scran. It’s the perfect spot for date night, celebrations, or when you just want to seriously impress someone over dinner. 🍸 Get it booked. 📍 47 Peter Street, M2 3NG #themanc#tygamanchester#manchesterfoodie#manchestercurry#wheretoeatinmanchester♬ original sound – The Manc
You hear sentences like a ‘contemporary twist on cuisine’ and ‘modern approaches to classics’ recycled quite a lot, and we get it: it can be a great way to get across that you’re trying to push culinary tradition(s) forward, but it often feels a bit of a throwaway term that’s used far too much.
That being said, while there’s definitely a feeling of familiarity to this recently refreshed foodie lineup, this is one of the times and places where it actually seems like that phrase means something.
While the building and stunning venue itself might have stayed largely the same, bar some knick-knacks being swapped for a few different tiger-based decorations, the authentic clay-pot lamb, ‘Tyga’ prawns, salmon tikka, and Vepudu spiced stir fry show some real innovation.
A lot of these might be rooted in a kind of food we know very well here in Britain, but these latest iterations in recipes and experimentation with their components result in some very cool creations.
The ember wings were smoky and moorish in a way that we’ve not had in a restaurant like this before, and the lamb chops alone were worth ordering by the wheelbarrow full.
Small plates have also been thrown into the mix more seamlessly this time around, too, as have some of the Indo-Chinese options that feel less like a footnote now and, instead, like a continuation of the tweaking and trying out new things seen throughout the rest of the offerings.
Even the vegetarian/vegan section of the menu has been lifted in certain aspects, too, with previously popular dishes being brought back better and more beautifully presented than ever.
Before we forget, a special shout-out goes to those beetroot dill patties.
Speaking of presentation, although they might have simplified some stuff (such as the okra fries that simply need to be dumped on the table and be devoured in seconds by gannets like us), as mentioned, plenty of other bits have been levelled up.
It comes as no surprise, therefore, that they’ve just been voted alongside some fellow standout spots by the Asian Catering Federation.
They’ve never shied away from a bit of pageantry, and nothing has changed in that respect.
Everything from the plating to even giving you a rotating water jug that revolves on a single point and never spills has a bit of flair, without being too much or straying into gimmicky territory.
Most importantly of all, whether you want a classy room for your next date night, somewhere intimate the next time you go out for tea with your partner, or still fancy a more banquet-style feast for you and your mates in the form of the updated ‘Maharaja’s Grand Platter’, Tyga can turn its paw to any occasion.
Daisy Jackson -
19th November 2021 
