Temple Bar: The public toilet that became a drinking den for Manchester’s musicians
From the poster-stapled walls to its graffiti-scrawled toilets, Temple is brimming with character - a rare breed of bar that offers something completely different to any ordinary pub visit.
Perched on the top deck of the Magic Bus one Saturday evening several years ago, peering out beyond the blurry windows at Oxford Road, I was suddenly taken by surprise.
As soon as The Cornerhouse Cinema flashed into view, my friend bolted from his seat, grasped the yellow railing and jabbed his index finger against the red ‘stop’ button.
A short, sharp pinging sound zipped through the cabin, and the juddering vehicle began to slow to a crawl.
This wasn’t supposed to be our destination.
“There,” he said, answering my quizzical expression by gesturing to a underground staircase in the distance.
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“Change of plan. We need to try this place. I’ve been wanting to go for ages.”
The doors hissed open and I clambered off the bus earlier than anticipated, strolling over to a set of stone steps, encircled by a black railings, covered by a white canopy.
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Printed overhead was a name. “The Temple”, it read.
We descended, and discovered a whole other world waiting for us at the bottom.
The night I first stumbled across Temple Bar – one of Manchester’s weirdest and most wonderful institutions – will live long in the memory.
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It was unlike any other pub I’d ever visited before; boasting a larger-than-life vibe that defied its diminutive size.
The place served as a public toilet over a hundred years ago during the Victorian era, but as TimeOut so aptly put it: “Temple Bar is anything but crap.”
Ever since being converted into a subterranean drinking den; the venue has become a real favourite among Mancs; earning a reputation for being low on frills but big on music.
Despite the fact that two dozen drinkers in here is a tight squeeze, Temple Bar is nonetheless the proud owner of the best jukebox in the city – serving a wide array of draught and bottled beer brewed from all around the world.
This has led to the cubby hole acquiring quite the creative cult following – with the bar being frequented by Manchester’s poets, writers, artists and, most prominently of all, musicians.
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Elbow lead singer Guy Garvey is a particularly popular patron, with Temple even inspiring some of the lyrics for his band’s song “Grounds for Divorce”.
There’s a hole in my neighbourhood, down of which I cannot help but fall.
Garvey told the BBC he spent many a night below Great Bridgewater Street penning songs – finding solace in scribbling away in the nether regions of the city centre.
Footage shows a newspaper cutting of the vocalist was even plastered on the side of the pub at one point; accompanied by a speech bubble saying: “Pint of Krombacher please”.
Despite being one the smallest watering holes in the city, Temple is among the most intriguing you’re likely to find.
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From the poster-stapled walls to its graffiti-scrawled toilets (you won’t need to scroll your phone for reading material in here), it’s brimming with character – a rare breed of bar that offers something completely different to any ordinary pub visit.
In a nutshell, you could describe Temple as tight-knit, offbeat, and obsessed with music.
Or in other words, utterly Mancunian.
Feature
Liam Broady is on the comeback – here’s why you need to watch out for him at Wimbledon
The Manc
Local tennis player Liam Broady is quietly rising back up the ranks on the ITF Tour, and here’s why we think you should watch out for him come Wimbledon 2026 this summer.
He is physical proof that the ATP Tour ranking means so much to a player’s career.
The Stockport-born tennis player has suffered many injury setbacks since turning pro in 2014. With a host of ankle and back injuries plaguing his playing career, he has had to turn to the ITF (International Tennis Federation) Tour to climb the rankings once again.
He is currently placed at 283* on the ATP (Association of Tennis Professionals) Tour after reaching two semi-finals in the space of a month.
With wins on two of Portugal’s hard courts in Faro and Santo António, the 32-year-old has climbed from rank 303 at the start of the year to under the threshold in less than three months.
His hard work on outdoor courts is paying off as his seeding is slowly improving, and his opponents are becoming less of a challenge.
For the unititated, the ATP ranking is decided by a points system that determines your playing level, and therefore who you can possibly draw, with lower seeds getting tougher games as they need more points, and vice versa.
These point tallies factor into every win, loss, serve, and shot as it propels you up or down the table.
With an injury over Christmas, the Stopfordian Team GB player came back stronger for the start of the annual tournament calendar and now looks to be in fighting form on the ITF Tour.
He’s definitely had to tackle some obstacles over the years, both on and off the court…
Competing solely on outdoor hard courts to gain his fitness levels back is necessary, but the grass courts – his speciality – will come around with time and consistent form, with Wimbledon being his home tournament and his highlight of the competitive calendar.
His career best ranking was 93, after becoming the first British wildcard entry to beat an ATP top five player in 2023 when defeating Casper Rudd on Wimbledon’s centre court.
His win against the Norwegian in round two sent him into the top 100 rankings for the first time, and into the shining spotlight alongside British tennis stars.
The adverse effects of time away from the tour are clear to see with Broady’s peaks and dips in the table below; this means taking a hit to player motivation, game-to-game momentum and teamworking within doubles pairs.
Liam Broady’s career rankings progression chart. (Credit: ATP Tour)
It is a likely situation for players to neglect their doubles career without the added stress of injury, so if they are to arise, it does not just impact individual physicality levels but also communication between doubles pairs.
A fellow British player with similar injury problems is Emma Raducanu, who rose to fame with a shocking US Open grand slam win as a qualifier. Since her win, she has had multiple surgeries, which saw her plummet down WTA (Women’s Tennis Association) standings due to time spent off court.
The issues that come with injury upsets can make a career really difficult to reclaim, even at a young age; tour rankings can be brutal on game time and match opponents, such as Broady’s Wimbledon draw against Holland’s Van De Zandschulp and Raducanu’s recent draw against American no.3 Anisimova.
We hope to see Team GB’s athletes fit and ready to fight on tour, and we have a strong feeling we’ll see native talent Broady back in the spotlight where he belongs.
Gig review | KEO at the O2 Ritz in Manchester – Sometimes you just KNOW…
Danny Jones
Fontaines D.C., Turnstile, Wunderhorse, Sleep Token, Neck Deep; sometimes it only takes a few listens and a live show to KNOW that a band is going to catch fire and go on to be huge – for Audio North and KEO, it only took a few.
But having now seen KEO for a third time, collectively, we’re more convinced than ever that they’re going to be massive.
Sadly, a prior engagement meant that we just missed catching the support act, Tooth (though we did hear great things rumbling around the eager young crowd), but there was no chance we were going to miss this lot show off how very good they are at what they do.
And there was absolutely no chance they were going to disappoint us, either…
We first caught this fast-rising post-grunge outfit live in action at Kendal Calling last year, where they somehow turned a daytime slot on the Woodlands stage into a moody mid-evening mosh.
They had even less fully produced and officially released music out then, but then we had the pleasure of watching them at The Key Club in Leeds this past October, and they were even better; punchier, more graduated at their game, and their fandom seemed plenty strong already.
As it turns out, that same progression proved true in Manchester, as KEO played their biggest headline show to date, and that same cult following only appeared more fervent than ever.
They might be based down in the capital, with roots in Portugal, brothers Finn and Conor having grown up there, but they certainly know a thing or two about how to please a Northern audience.
Of course, we’re sure they go off just as hard down in the capital – in fact, we’re certain they do – but the response they got from two sold-out rooms full of Yorkshire folk and us equally discerning Mancs felt like they had well and truly passed the litmus.
With flying colours, may we add.
Everything from the raw ’90s rock feel to the aesthetic hits just right. (Credit: Audio North)
It’s also worth noting that these London lads have built up this hype like very few ever manage to do: by developing a sterling live reputation right from the off and putting top-notch shows first.
For those unaware, they only just released their first five-track EP, Siren, back in June 2025, yet they’ve been packing out venues and festival stages pretty much since day dot, with die-hards growing their love for the band via performance and initially only learning the lyrics through social clips and snippets online.
While some have questioned why they’ve been chosen to headline this year’s Neighbourhood Festival here in Manchester city centre before they’ve even dropped a debut album, you only need to hear the entire Ritz screaming back the lyrics to ‘I Lied, Amber’, ‘Thorn’ and ‘Hands’ to know they fit the bill.
Frontman Finn pours so much unbridled power and emotion into his vocals, guitarist Jimmy Lanwern didn’t even need to look to know that his riffs were ripping the roof off, and they’ve quickly moved far beyond the early Wunderhorse parallels – they’re their own beast just waiting to be fully woken.