Beautiful: The Carole King Musical returned to Manchester this week and The Manc were kindly invited along to the press night. We of course accepted because we’re cultured like that.
Scores of excitable theatre heads were shuffling in the cold autumn queues for the packed-out show at the historic Palace Theatre on opening night on Tuesday, 12 October.
Charting the life and career of legendary singer-songwriter Carole King, the show takes you through her early days as a four-year-old piano prodigy, selling her first single at the age of 16 and marrying her creative partner Gerry Goffin to headlining Carnegie Hall and becoming a global music sensation.
Credit: The Manc
Known for solo hits like ‘You’ve Got a Friend’, ‘So Far Away’, ‘It’s Too Late’ and dozens more, the production was part musical part history lesson, taking a whirlwind tour through the music industry in the 1960s and 70s.
While we came into the show thinking we knew a fair few tracks in her lengthy discography – ‘Take Good Care of My Baby’, ‘The Loco-Motion’, ‘Natural Woman’ and so on – we were surprised to learn just how much she has written over her illustrious career. This legend even wrote for The Beatles.
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Seeing her personal and professional life play out on her way to eventually writing and singing songs for herself not only felt like an emotional trip back in time but almost fly on the wall documentary at times, only with big dramatic set-pieces fitting of the Palace’s equally beautiful room.
Previous cast pictured above
King herself is passionately portrayed by Molly Grace-Cutler, a 2020 Olivier award-winner who proves to be perfect casting as the Brooklyn-raised songstress.
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Aside from her soaring vocals throughout its 2-hour run-time (excluding interval), her performance felt full of raw pain and joy in equal spades whilst still sprinkling plenty of comic relief, as did the rest of the ensemble.
Beyond the likes of Goffin (Tom Milner) and fellow 60s songstress Cynthia Weil (Seren Sandham-Davies) – who both enjoyed several stunning solos and big story beats as key players in King’s eventful life – we were particularly impressed with Jos Slovick, who starred as songwriting rival Barry Mann.
Molly Grace-Cutler and Tom MilnerSeren Sandham-Davies and Jos SlovickCredit: Supplied
One of several main characters in the Brill Building and Dimension Records-era of her story, Slovick played the rosy-cheeked, allergy-ridden hit-maker and did so to perfection, regularly leaving the audience in stitches as well as taken aback by his soft vocals.
The performance was met with a well-deserved standing ovation and an encore that got the crowd moving for one last song. We couldn’t think of a better way to go out than with a boogie.
Even for theatre newbies, we dare say this smash hit Broadway and West End show could convert you and even if doesn’t end up as a gateway musical, it’s nigh on impossible for any music-lover not to get engrossed in this true story.
You can buy tickets for the remaining dates of Beautiful: The Carole King Musical via ATG HERE. The show finishes its five-day run on Saturday, 15 October, so get them while you can!
Blood Brothers at Palace Theatre, Manchester – a timeless classic
Greg James
Bill Kenwright’s production of Blood Brothers surpassed 10,000 performances in London’s West End making it one of only three musicals ever to achieve that monumental milestone – and now it’s visiting us here in Manchester.
“Oh Bright New Day”, Blood Brothers has just landed back at the Palace Theatre. This musical written by Willy Russell is a British piece of theatre that is a staple in the musical theatre tapestry of our country.
For anyone who is unfamiliar with this iconic story, it is an emotional tale of two twins who are separated at birth and grow up on opposite sides of the tracks, only to meet again with the most fateful of consequences.
The story’s central character, Mrs Johnston is the linchpin in this whole story and carries us through the show.
This role has been played by many superb women over the years including Mel C, Kiki Dee, Barbara Dickson and nearly all of the Nolan Sisters. This time, Mrs Johnston is performed by Vivienne Carlyle who provides a lovely maternal performance.
The other two lead roles are Mickey and Eddie, played by Sean Jones and Joe Sleight respectively.
These are really complex roles to play as the actors have to portray the characters from early school years to grown adults.
The cast of Blood Brothers in Manchester. Credit: Jack MerrimanSean Jones, Gemma Brodrick and Joe Slight in Blood Brothers in Manchester. Credit: Jack Merriman
Sean Jones has been playing the role of Mickey now for nearly 25 years and so he is no stranger to this character. And I must say, he still fantastically plays the part, even when playing young Mickey, and the show really takes off when he enters the stage.
Joe Sleight is someone who I had not seen in the role of Eddie before and he gave just as strong a performance as Jones. He offered a real contrast to his counterpart with a really beautiful, touching performance.
The whole ensemble did a gorgeous job of helping to carry these characters throughout the musical, showing a real flair for multi-roling and beautiful musicality in the group numbers too.
Something which elevates this already gripping story though is the music. There are many recurring musical motifs throughout the show that on the surface may come off as repetitive but they offer perspective on how things can evolve and change over time.
Of course the song though that everybody is perhaps familiar with is the power ballad, ‘Tell Me It’s Not True’. This is the climax of the show and what a climax it is. There’s not a dry eye in the house when we reach this point of the story, I can assure you!
So, whether you are returning to watch this show again, perhaps know the story from studying it in English GCSE or seeing it for the first time, it will always be an absolutely timeless classic.
Blood Brothers is on at the Palace Theatre in Manchester until Saturday 30 November. Tickets are available HERE.
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
Danny Jones -
12th October 2022 
